Technologies
iPhone 17 Pro Camera Battles the Galaxy S26 Ultra: Let the Fun Begin
They’re both top-end flagship phones, but which one takes better photos? I wanted to find out.
Both Apple’s iPhone 17 Pro and Samsung’s Galaxy S26 Ultra earned coveted CNET Editors’ Choice awards in their full reviews. And they damned well earned them, too, thanks to their stellar overall performance and wealth of top-end tech on board. But they also garnered praise for their camera quality, with both able to take great-looking photos in a variety of conditions. But which does it better?
As a professional photographer myself, I was keen to find out, so I took them on a series of photo walks around Scotland to put them to the test in the same conditions.
Before we dive in, a few notes from me. First, all images were captured in JPEG format using the standard camera app on each phone. On some images on the iPhone, Apple’s Gold Photographic Style was activated; on others, it was set to Standard, and I’ll be highlighting which is which. The images have been imported into Adobe Lightroom for comparison purposes and exported at smaller file sizes to better suit online viewing. No edits to the images themselves were made, and no sharpening was applied on the export.
Read more: These Are the Best Phone Cameras That We’ve Tested
Crucially, though, it’s important to keep in mind that the analysis here is my opinion. Photography is largely subjective, and what might look good to one person might not to another. For me, I love a more natural-looking image with accurate tones that I could then edit further later if I want to. You may like a punchy, vibrant tone straight out of the camera, and that’s fine. You’ll just need to take my results here with a slight pinch of salt.
All that said, let’s dive in.
This was an image I took with the Gold filter accidentally enabled on the iPhone. So its warmer color tones are to be expected to an extent, but what I liked more here is the depth of shadow that the iPhone has maintained. The S26 Ultra has done a fair bit of processing here to lift those shadows and create a more balanced exposure overall, but I think it’s killed some of the evening drama as a result. I see this in a lot of Android phones, to be fair.
Taken earlier in the day, there’s much less difference to be seen here. The iPhone’s colors are a bit warmer, thanks to the Gold filter, but they actually look more natural as a result. The shot doesn’t look warm in its white balance; it just has a richness to it, while the S26 Ultra’s shot looks quite cold.
I switched the iPhone to Standard Photographic Style here, and as a result, the shot it took looks pretty similar to that taken by the Galaxy S26 Ultra. The exposures are pretty much the same, and while the green plants on the steps definitely look more vivid in the Galaxy’s shot, the colors elsewhere are broadly on par.
If I’m nitpicking — which I really have to when the phones cost this much money — the S26 Ultra appears to have done a neater job rendering the details on the front of the VW Camper’s spare wheel. I also noticed more detail in some of the small twigs on the tree, especially where they’re visible against the sky. Is that a difference you’d ever notice without a side-by-side comparison? Definitely not. But this whole article is basically an exercise in pedantry, so I will continue to pick away at even the tiniest of things in these photos.
I’m back on the Gold Photographic Style with the iPhone here, so again, those warmer tones are to be expected, but I will say again that I much prefer the deeper shadows seen on the house in the Apple phone’s image. It looks much more natural, while the S26 Ultra’s shot looks a bit too HDR and oversaturated for my tastes. But that’s not the most important thing here…
What took me more by surprise was what happened when I put each phone into the ultrawide camera mode. The iPhone’s color tones stay almost exactly the same, but the Galaxy’s image has shifted quite dramatically between the main and ultrawide lenses.
The blue sky has shifted its hue into a much more teal-toned color, and I’m surprised by just how different it looks from the main camera. I usually expect to see these sorts of color shifts on cheaper phones, where there’s less effort put into ensuring consistent colors across the lenses. So I’m a bit disappointed to see Samsung’s phones producing such a noticeable shift here.
The iPhone 17 Pro also displays a color shift, but it’s far less pronounced than the S26 Ultra’s.
I turned on the zooms on both phones. With its 10x optical zoom, the S26 Ultra has a longer reach than the 8x on the iPhone 17 Pro, but in terms of details within those images, there’s honestly nothing to choose between them. Again, the iPhone had the Gold style applied, so it looks warmer, and also again, the S26 Ultra has gone further in lightening those shadows. I can’t really say either one is better than the other in this example.
But there’s a much bigger difference in this example. The colors are much richer in the iPhone’s shot, even though the Photographic Style is set to Standard. The S26 Ultra’s shot looks like the phone’s white balance has been tricked by the warm orange tones of the brickwork, and produced a colder-looking image as a result.
But I also don’t like what the S26 Ultra has done with the details here. It’s oversharpened the scene, giving a weird, crunchy look to the subject that looks extremely unnatural. The iPhone, despite not having the same zoom range on paper, has delivered a much better-looking image, even when viewed at the same scale.
But here the opposite seems to have happened. The iPhone has looked at this warm, sun-drenched scene and automatically set its white balance to cool it, while the S26 Ultra has maintained those warmer tones. Sure, the greens of the leaves in the S26’s image look almost neon, but the image overall is the nicer of the two in my view.
The iPhone has done a much better job here of capturing the warmer tones that I loved so much when I took these images. I do think the S26 Ultra has gone too far in its hyper-saturation of the green leaves. Sure, it’s a punchy look, but if I wanted that much saturation, I’d maybe add a bit more back in in the editing stage. I’d much rather have a more natural image as a starting point, so the iPhone takes the win here for me.
There’s so little to pick out between the images here. The greens are a little more vibrant in the S26 Ultra’s shot, but the tones overall in the iPhone’s are a bit more natural. Neither one is a spectacular photo, and honestly, you may as well toss a coin to decide which one is better.
Switching to the ultrawide lenses on both phones, the S26 Ultra has again gone quite hard on the saturation, delivering a much more vibrant blue sky than it did in its image from the main camera. As before, I’m not a fan of this sort of high-contrast, high-saturation photo. As a result, the iPhone 17 Pro is my preferred shot here.
I think the S26 Ultra’s tendency towards vibrancy has helped here, however, with this shot of spring blossom looking more joyful than the almost drab-looking image from the iPhone.
And sure, the colors are a little overbaked from the S26 Ultra’s ultrawide image, but it still screams «spring» more than the iPhone’s shot, which again looks pretty dull and lifeless by comparison.
I was thrilled to find these fishermen hanging out in Edinburgh, and I think the iPhone has done the better job of capturing the moment. The Gold Photographic Style hasn’t produced an overly warm image here. It’s more like it applied just the correct white balance, with the S26 Ultra’s shot looking quite cold. It’s especially the case on the pink paintwork on the base of the building, which looks richer and much more true-to-life on the iPhone’s image.
At night, both phones have done a good job of capturing this complex image. The bright moon has been kept under control, and there’s plenty of detail still visible in some of the more shadowy areas. The exposures are also broadly similar (the iPhone’s is a touch brighter), and even when peering up close, there’s not much to choose from in terms of detail.
It’s a slightly different story here, though. The iPhone’s shot is much brighter, but that results in some detail being lost in the highlights inside the phone booth. The S26 Ultra has retained that highlight detail, though its overall shot is darker. Personally, I prefer the darker version, especially as it’s much more in line with the moody nighttime aesthetic I was going for.
What I don’t love is how much the S26 Ultra has oversharpened its image. Like the earlier image of the figure sitting on the wall, this image has been digitally sharpened to the point that the details look crunchy, high-contrast and ultimately quite unnatural. Which image would I choose — properly exposed but oversharpened, or natural details with blown-out highlights? Ideally, I’d simply take the photo again on the iPhone and lower the exposure a tad. But between the two images above, I’d probably go for the one shot on the Samsung phone.
iPhone 17 Pro vs. Galaxy S26 Ultra: Which has the better camera?
I always complain that these photo-capturing comparison stories are really close and therefore difficult to make into compelling articles, but this one felt especially close. In some shots, the iPhone’s more natural shadow rendering and less reliance on over-sharpening and other digital processing factors make them look better to my eye. But in other examples — especially the image with the tree trunks surrounded by ivy — the S26 Ultra has done a much better job with its color balancing.
Overall, Samsung’s phone leans harder into contrast and saturation, which is literally the same thing we’ve said about Samsung’s phones since it first started putting cameras in them. Buying a Samsung camera phone has always meant getting more vibrant, punchy images out of it, and that’s exactly the case here. If you want quick images of your friends and family that look good enough to share straight to your family WhatsApp group, the S26 Ultra will serve you well.
The iPhone 17 Pro tends to be more neutral in its color and contrast adjustments, which typically gives a more natural base for you to then add any extra edits of your own. It’s why Apple’s phones have typically always been the device of choice for more enthusiast or pro photographers and video creators. I count myself among that crowd, and it’s why the iPhone 17 Pro remains my preferred model of the two. But really, these are both excellent phones with superb cameras, and you can’t go far wrong with either.
Technologies
Google races to put Gemini at the center of Android before Apple’s AI reboot
Google is using its latest Android rollout to position Gemini as the AI layer across phones, Chrome, laptops and cars.
Google is using its latest Android rollout to make Gemini less of a chatbot and more of an operating layer across the phone, browser, car and laptop, just weeks before Apple is expected to show its own Gemini-powered Apple Intelligence reboot at WWDC.
Ahead of its Google I/O developer conference next week, the company previewed a number of Android updates, including AI-powered app automation, a smarter version of Chrome on Android, new tools for creators, a redesigned Android Auto experience, and a sweeping set of new security features.
Alphabet is counting on Gemini to help Google compete directly with OpenAI and Anthropic in the market for artificial intelligence models and services, while also serving as the AI backbone across its expansive portfolio of products, including Android. Meanwhile, Gemini is powering part of Apple’s new AI strategy, giving Google a role in the iPhone maker’s reset even as it races to prove its own version of personal AI on the phone is further along.
Sameer Samat, who oversees Google’s Android ecosystem, told CNBC that Google is rebuilding parts of Android around Gemini Intelligence to help users complete everyday tasks more easily.
“We’re transitioning from an operating system to an intelligence system,” he said.
As part of Tuesday’s announcements. Google said Gemini Intelligence will be able to move across apps, understand what’s on the screen and complete tasks that would normally require a user to jump between multiple services. That means Android is moving beyond the traditional assistant model, where users ask a question and get an answer, and acting more like an agent.
For instance, Google says Gemini can pull relevant information from Gmail, build shopping carts and book reservations. Samat gave the example of asking Gemini to look at the guest list for a barbecue, build a menu, add ingredients to an Instacart list and return for approval before checkout.
A big concern surrounding agentic AI involves software taking action on a user’s behalf without permissions. Samat said Gemini will come back to the user before completing a transaction, adding, “the human is always in the loop.”
Four months after announcing its Gemini deal with Google, Apple is under pressure to show a more capable version of Apple Intelligence, which has been a relative laggard on the market. Apple has long framed privacy, hardware integration and control of the user experience as its advantages.
Google’s Android push is designed to show it can bring AI deeper into the device experience while still giving users control over what Gemini can see, where it can act and when it needs confirmation.
The app automation features will roll out in waves, starting with the latest Samsung Galaxy and Google Pixel phones this summer, before expanding across more Android devices, including watches, cars, glasses and laptops later this year.
The company is also redesigning Android Auto around Gemini, turning the car into another major surface for its assistant. Android Auto is in more than 250 million cars, and Google says the new release includes its biggest maps update in a decade and Gemini-powered help with tasks like ordering dinner while driving.
Alphabet’s AI strategy has been embraced by Wall Street, which has pushed the company’s stock price up more than 140% in the past year, compared to Apple’s roughly 40% gain. Investors now want to see how Gemini can become more central to the products people use every day.
WATCH: Alphabet briefly tops Nvidia after report of $200 billion Anthropic cloud deal
Technologies
Waymo recalls 3,800 robotaxis after glitch allowed some vehicles to ‘drive into standing water’
Waymo issued a voluntary recall of about 3,800 of its robotaxis to fix software issues that could allow them to drive into flooded roadways.
Waymo is recalling about 3,800 robotaxis in the U.S. to fix software issues that could allow them to “drive onto a flooded roadway,” according to a letter on the National Highway Traffic Safety Administration’s website.
The voluntary recall is for Waymo vehicles that use the company’s fifth and sixth generation automated driving systems (or ADS), the U.S. auto safety regulator said in the letter posted Tuesday.
Waymo autonomous vehicles in Austin, Texas, were seen on camera driving onto a flooded street and stalling, requiring other drivers to navigate around them. It’s the latest example of a safety-related issue for the Alphabet-owned AV unit that’s rapidly bolstering its fleet of vehicles and entering new U.S. markets.
Waymo has drawn criticism for its vehicles failing to yield to school buses in Austin, and for the performance of its vehicles during widespread power outages in San Francisco in December, when robotaxis halted in traffic, causing gridlock.
The company said in a statement on Tuesday that it’s “identified an area of improvement regarding untraversable flooded lanes specific to higher-speed roadways,” and opted to file a “voluntary software recall” with the NHTSA.
“Waymo provides over half a million trips every week in some of the most challenging driving environments across the U.S., and safety is our primary priority,” the company said.
Waymo added that it’s working on “additional software safeguards” and has put “mitigations” in place, limiting where its robotaxis operate during extreme weather, so that they avoid “areas where flash flooding might occur” in periods of intense rain.
WATCH: Waymo launches new autonomous system in Chinese-made vehicle
Technologies
Qualcomm tumbles 13% as semiconductor stocks retreat from historic AI-fueled surge
Semiconductor equities reversed sharply after a broad AI-driven advance, with Qualcomm suffering its worst day since 2020 amid inflation concerns and rising oil prices.
Semiconductor stocks fell sharply on Tuesday, reversing course after an extensive rally that had expanded the artificial intelligence investment theme well past Nvidia and driven the industry to unprecedented levels.
Qualcomm plunged 13% and was on track for its steepest single-day decline since 2020. Intel shed 8%, while On Semiconductor and Skyworks Solutions each lost more than 6%. The iShares Semiconductor ETF, which benchmarks the overall sector, fell 5%.
The sell-off came after a key gauge of consumer prices came in above forecasts, and as conflict in Iran pushed crude oil higher—prompting investors to shift away from riskier assets.
The preceding advance had widened the AI opportunity set beyond longtime industry leader Nvidia, which for much of the past several years had largely carried the market to new peaks on its own.
Explosive appetite for central processing units, along with the graphics processing units that power large language models, has sent chipmakers to all-time highs.
Market participants are wagering that the shift from AI model training to autonomous agents will lift demand for additional AI hardware. Among the beneficiaries are memory chip producers, which are raising prices as supply remains tight.
Micron Technology slid 6%, and Sandisk cratered 8%. Sandisk’s stock has surged more than six times over since January.
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