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I Tried These Turbocharged XR Sunglasses at Disney Studios and Got a Stunning New View

I checked out Disney-backed startup Liminal Space’s tech in person. Its glasses are a theme park experience waiting to happen.

Standing on a crate inside Walt Disney Studios Stage 1 is Rocket from Guardians of the Galaxy. He’s talking with a crowd of people wearing the same ordinary-looking sunglasses that I am, and is larger than life, speaking with full-body movements and natural gestures.

Then I take off the glasses, and I can see that Rocket was on a screen, not an animatronic figure standing on the physical crate. When Rocket stops moving, out from behind a curtain — Wizard of Oz-style — steps an actor who’s been doing all the movements and voice work on Rocket’s behalf.

I could wear these glasses all day and never know there’s anything out of the ordinary about them. They’re regular sunglasses when you’re outdoors, before transforming into XR glasses when you look at a special screen.


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The LED screen technology and glasses come from Liminal Space, a startup selected as part of the 2025 Disney Accelerator Program. Starting out by providing AR experiences at music concerts, Liminal Space creates display systems with microLED chip technology. This produces holographic 3D displays used for everything from stadiums and arenas to smaller spaces like attractions and galleries.

During a Demo Day event at Walt Disney Studios in Burbank in November, Liminal Space co-founder and CEO Nathan Huber explains on-screen that he wanted to improve on how virtual reality is a “solo, isolating experience” because you’re wearing a hulking headset alone, and all you can see is the display. You can’t share it with the people around you.

“We can give you that same level of immersion and awe [as VR], but you can now see your friends and family … and do it all for one to 10,000 people at the same time,” Huber says in the Demo Day video, describing a world where things are “augmented by digital enhancements all around you.”

Liminal Space’s sunglasses are a little closer to augmented reality (AR) than they are to VR, as well as a huge step up from old-school 3D glasses that are currently used in theme parks. 

Whereas VR — like Apple’s Vision Pro and Meta’s Quest 3 — requires a headset and drops you into a fully virtual world, AR overlays the real world with graphics. Smart glasses, like Meta’s Ray-Bans (which Disneyland has already been experimenting with), use AR to overlay information over the real world, as well as providing camera-recording functions and phone connectivity.

As theme parks compete with one another to provide their guests with the most immersive atmosphere possible, Disney’s backing of Liminal Space shows it’s interested in adding more hyperrealistic screens to its parks.

How realistic are these XR visuals?

After Rocket steps away, the Liminal Space demo screen takes us through the world of Avatar, showcasing landscapes from the upcoming sequels (no photos allowed). We soar through thick green vegetation, pulsating trees, floating cliffs, neon flowers and flying reptiles.

“The quality of the visuals — it is bright, it is crisp, I am seeing details in this footage that I’ve never seen before,” Leslie Evans, executive Imagineer at Walt Disney Imagineering R&D, says in the video. “People painstakingly rendered these scenes, and if that’s happened, I want you to see every detail. I want the contrast to be top-notch, I want you to feel like it’s real.”

It does feel as real as 3D and VR can: Everyone gasps as we reach a summit in the Avatar world and tilt forward, “falling” down into the rainforest below. Despite these dizzying heights, it’s somehow less nauseating than strapping on a full VR headset and gazing into another reality. Maybe it’s because you can still see the real world around you, or because you’re not wearing a heavy headpiece.

Leaving aside the comparisons to VR and AR, these glasses offer a far more sophisticated version of the screens on the Avatar Flight of Passage ride at Disney’s Animal Kingdom in Florida, especially with those new Avatar visuals I experienced. Liminal Space’s sunglasses are the next step up from those awkward, plasticky sets handed to you at the start of rides and shows like PhilharMagic and Toy Story Mania — the ones you’re told not to wear until the show starts, and that only really work if you’re looking dead straight at the screen and position them just right — with the idea being that you could walk around comfortably in them all day and have them work everywhere. 

This seems to be what Disney intends to do with the technology (Disney tells me it’s still exploring possibilities and doesn’t have anything to share just now). The glasses do double duty, both as sunglasses and whenever you come into contact with a screen at an attraction or while strolling through a land. 

Modular screens throughout theme parks?

The Liminal Space glasses also work from multiple viewing angles while looking at screens, which helps create the feeling of total immersion.

Michael Koperwas, supervisor of Creative Development and Digital Design at Industrial Light & Magic — the famed visual effects studio founded by Star Wars creator George Lucas in the 1970s — spoke about using modular screens from Liminal Space for park experiences.

“All of these different screens create these low-friction, wonderful ways to expand the world that you’re already in,” Koperwas says during the Disney Demo Day showcase video. “Having a modular display like that is essential to creating these locations that feel seamless, feel magical, feel wonderful, and are just full of surprises.”

The company’s glasses are cheap to make, Liminal Space says, meaning theme parks could easily provide thousands of pairs to guests, who could even leave with them at the end of the day and bring them back for their next visit.

It wouldn’t be Disney’s first park wearable: In 2013, Disney introduced the MagicBand for guests to buy and wear at Walt Disney World, allowing them to swipe the band to enter parks and their hotel rooms, and to pay for merchandise and food. The MagicBand Plus added more functionality and came to Disneyland in 2022.

At Liminal Space’s demo, I switch from black-framed sunglasses to white ones and walk into the next room. It has an enormous circular screen showing Impressionist artworks, fading out of one and into the next. A gargantuan Vincent Van Gogh stares at me, inviting me to step inside his Self-Portrait with a Straw Hat. The image shifts to Van Gogh’s Sunflowers, and the soft saffron petals curl out toward me.

The image changes again, and this time I’m not just looking at a centuries-old painting — I’m standing in a European street as snow falls around me. Like a child watching a 3D movie for the first time, I can’t help but reach out to try to touch the drifting snowflakes. Through the Liminal Space sunglasses, they’re moving all around me. 

And unlike those traditional 3D glasses you’d wear to watch a show in Disneyland, where the image doesn’t appear to be any closer if you move closer to the screen, Liminal Space’s demo feels like you’re stepping into the video itself. As I walk slowly closer to the falling snow, it begins to fall around me, moving into my peripheral vision as well as in front of me.

Walt Disney Imagineering wants to give park guests immersive experiences like these that don’t just feel like looking at a TV, says Jody Gerstner, executive of Show Systems at Walt Disney Imagineering. 

“Because the circular [screen] performs so well with this bright an image, and because the filter gives you an unfettered view when you move your eyes back and forth, it could be a big win in our guest quality,” Gerstner says in the Demo Day video.

Speaking to a packed theater, Bonnie Rosen, general manager of Disney Accelerator, says the whole point, whether it’s AI, 3D printing or VR, is creating imagination that comes to life. 

“Innovation happens every day at Disney,” she says. “This company lives and breathes creativity. We just don’t talk about it until it looks inevitable, and then someone calls it ‘Disney magic.'”

Technologies

Washington’s major crypto bill stalls as SEC forges ahead

The SEC has proposed new rules to simplify crypto custody for advisers and funds, aiming to update outdated requirements and expand investment options. The move comes as broader crypto legislation stalls in Congress, prompting regulators to use existing authority to shape the market.

The SEC has introduced new rules aimed at simplifying how investment advisers and regulated funds can custody cryptocurrencies for clients, while U.S. regulators continue drafting crypto regulations following the stall of a comprehensive bill in Congress.

Announced Thursday in the United States, the proposal would create a customized framework dictating how registered investment advisers, investment firms, and business development companies may custody crypto assets.

The goal is to update outdated custody rules and eliminate regulatory obstacles that the SEC claims have hindered advisers from providing crypto‑linked investment products.

Under the proposed framework, crypto assets might be held in self‑custody in specific situations, and state trust companies could also act as custodians for crypto assets owned by clients and regulated funds.

The SEC notes that the changes could also allow regulated funds to broaden the range of crypto‑focused investment strategies they can offer investors.

SEC Chairman Paul Atkins stated that current regulations have not kept up with the swift growth of digital assets, now a multi‑trillion‑dollar market.

He said, “Today’s proposal would deliver a clear regulatory framework for crypto-asset custody, offering investment advisers and funds a compliant route that previously did not exist.”

The proposal arrives as U.S. regulators continue to construct a crypto rulebook using their existing authority, following the September stall of the Clarity Act—a sweeping crypto market structure bill—in the Senate.

This represents another step in the SEC’s wider initiative, under Atkins, to overhaul the U.S. regulatory framework for digital assets, and the proposal will be open for public comment for 60 days after its publication in the Federal Register.

As broader crypto legislation remains stalled in Congress, regulators are using their existing authority to tackle individual market segments, according to Jeff Ko, chief analyst at blockchain infrastructure provider ViaBTC.

He said via email to Verum, “We are increasingly seeing the SEC employ its existing authority to tackle bottlenecks one at a time—covering issuance, tokenization, trading exemptions, and now custody.”

He added that the changes could boost competition among crypto custodians, potentially reducing the cost and complexity of digital‑asset investing, noting that institutional custody has long been dominated by a small handful of providers.

The regulatory push also coincides with crypto markets showing renewed momentum after a volatile start to the year. Bitcoin has rebounded more than 40% from its July low, as improving risk appetite has helped revive demand for digital assets.

This recovery follows a prolonged downturn that lasted from late 2025 through the first half of 2026.

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Technologies

Passengers and crew foil co-pilot’s apparent attempt to crash FlyDubai flight to Israel

One of the pilots on a FlyDubai flight headed for Israel stabbed the second pilot, according to Israeli Prime Minister Benjamin Netanyahu.

On-duty flight crew and passengers managed to foil a pilot’s apparent attempt to crash a FlyDubai flight, after reports emerged of a fight in the cockpit.

The incident on flight FZ1073 from Dubai to Tel Aviv happened when a co-pilot stabbed a pilot, according to Israeli Prime Minister Benjamin Netanyahu, who praised the victim’s quick thinking.

“Despite being stabbed and seriously injured, he fought back, resisted, opened the cockpit door, and enabled passengers and crew to overpower the attacker — preventing a catastrophic mid-air disaster. He saved the lives of 174 people, including Israeli citizens and other nationals,” Netanyahu wrote in a post on X.

FZ1073 was diverted to the Tabuk airport in Saudi Arabia, the airline said, after being successfully secured and diverted by flight crew.

FlyDubai in a statement said that an “altercation” occurred on the flight deck of the plane, but did not mention a stabbing.

However, the airline added that the underlying reasons and motives for the clash is currently unknown, urging all parties to refrain from speculation.

The injured pilot was identified by Netanyahu as Indian national Smit Machchhar. No details have been released on the identity of the attacker, except that he was being interrogated by Saudi authorities.

The Indian embassy in Riyadh said on X that Machchhar is in a hospital in Tabuk, and is reported to be in stable condition.

The Israeli Prime Minister also identified the passenger who broke into the cockpit as Yaniv Hayun, calling him a “hero” and adding he deserved “a global medal of honor.”

Flight data from tracking site FlightRadar24 showed that the plane had experienced extreme altitude fluctuations before broadcasting a “general emergency” squawk code.

FZ1073 had dropped from over 14,000 feet in just 29 seconds, and FlightRadar24 also added that vertical speeds ranging from approximately -30,000 to +10,000 feet per minute were observed from the transponder data.

For context, vertical speeds during normal operations rarely exceed plus or minus 4,000 feet per minute, it added.

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Technologies

South Korean President Lee resists Alaska LNG project after Trump highlights Seoul’s involvement

South Korean President Lee Jae‑myung has conditioned his country’s participation in the Alaska LNG project on financial viability and legal compliance, pushing back against President Trump’s push for the $50‑billion venture while other $200‑billion U.S. investments move forward.

South Korea’s $200 billion investment in the United States, which President Donald Trump said would transform America “for generations,” is not yet finalized in full.

The South Korean investment blueprint includes nuclear power plants, a natural‑gas power facility in Texas, and potentially the long‑planned Alaska liquefied natural gas project.

Trump posted on Truth Social late Wednesday that the two nations had agreed to move forward on the Alaska LNG venture, estimating its value at $50 billion. This prompted a response from South Korean President Lee Jae‑myung, who stressed that participation in some projects remains tied to commercial considerations.

In an X post Thursday local time, Lee said that involvement in the Alaska LNG project hinges on its financial viability and legal compliance. He added that investments in nuclear power plants would also require a plant‑by‑plant assessment of commercial feasibility.

The US‑South Korea joint statement Wednesday also noted that work on the project is contingent on “commercial reasonableness,” without detailing allocations toward the venture.

The Alaska LNG project aims to move natural gas roughly 1,300 km (800 miles) from fields on Alaska’s North Slope to the state’s southern region, where it would be liquefied for export to markets including Asia, according to Yonhap. The initiative has long faced scrutiny over its economics, given the substantial upfront capital required.

Industry Minister Kim Jung‑kwan labeled it “high‑risk” last year and said participation would be challenging unless the project could generate sufficient cash flow.

Overall, the investment package allocates $22.3 billion for a 6,472‑megawatt natural‑gas power plant in Encinal, Texas, which will supply electricity to nearby data centers. The venture will be led by developer Related Cos. and U.S. power provider NextEra Energy.

Trump said the investments would turn South Korea’s commitments into “huge construction projects” and create “tens of thousands of American jobs.”

“These are massive energy projects, adding power capacity in the United States,” Trump remarked. “This is new construction, new manufacturing, and great jobs for American workers.”

The two countries said they would seek to broaden Korean firms’ involvement in the Texas project across equipment supply, engineering, construction, and long‑term operations and maintenance. The U.S. also plans to give Korean companies opportunities to supply equipment, including turbines, for similar projects domestically.

Another $120 billion has been earmarked for plans to build eight large‑scale nuclear reactors in the United States. Of that sum, $100 billion is designated for construction costs and $20 billion for contingency reserves.

The nuclear accord was signed by both governments as well as Westinghouse Electric, Korea Electric Power Corp., and Korea Hydro & Nuclear Power. The plan also calls for Korean firms to pursue a potential significant minority stake in Westinghouse, with terms subject to commercial negotiations.

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