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Final Cut Pro on iPad Feels Like a Great and Optional Upgrade

Yes, finally. And it’s very much a stepping stone.

I’ve had a lot of weird existential feelings trying to use Final Cut Pro for the iPad, which is available today along with Logic Pro. Existential because, well, I’m not a pro video editor. Could I be? Should I be? This is Apple’s ongoing creative invitation it extends through the possibilities of its pro hardware. I’ve been here before.

The Apple Pencil was my invitation to be an artist, and I never took it. It’s nice that it’s there, though. The same is true for Final Cut Pro, an overdue pro video editing tool made only for iPads running M1 chips or later. This is one of those pro apps I was expecting Apple to have when the M1 iPad Pro first arrived back in 2021. Now that it’s here, I’m also wondering how much I will ever personally use it.

Apple already offers free iMovie and GarageBand creative apps that are perfectly fine, although iMovie has always felt too limited in its layout and design. Final Cut Pro immediately feels a lot more flexible, with overlapping timelines for video, animation and audio, a really cool scrubbing jog wheel that feels more granular for minor edits (and brings me back to my old linear video editing days 25 years ago), and works well enough for touchscreen and keyboard/trackpad. Or, maybe, both at once.

I played around with Final Cut Pro on an iPad Air with an M1 chip, the lowest entry point in Apple’s iPad catalog that works with Final Cut Pro (the M1 and M1 iPad Pros are also supported). It worked well enough for me, although the smaller iPad display, compared to my 13-inch MacBook Air, made looking at some preview windows and track details feel a little more challenging.

I’m particularly interested in that last part because Macs still don’t have touchscreens, and some inevitable further fusion of Macs and iPads seems like it’s been in the works in slow motion for about five years now. Final Cut Pro isn’t as full-featured as the Mac version, and it’s also designed, weirdly, to funnel its output up to the Mac app but not the other way around. In that sense, it feels like an intermediary step for any pro video editor… something you’d use in the field, maybe, beginning video editing work before perhaps finishing off on a Mac.

Because the Mac app has more plug-ins (something I haven’t even begun to play with), and has the advantage of larger Mac displays and external monitors, I’d expect any video editor doing professional work to default to that, especially since Macs with M1/M2 processors are so good and small already. 

Sketching or writing with the Pencil automatically can be added into video edits. This idea could be expanded even further, though.

Scott Stein/CNET

However, I see a lot of advantages bubbling up here in Final Cut Pro on iPadOS. The scrub tool is clever (although trackpads on Macs could do something similar). Some support for instant Pencil animations opens up possibilities for ways to blend graphic art and video editing, although the doorway in Final Cut Pro feels more slightly opened than truly maximized. 

It almost doesn’t matter what I think. The decision to take a dive doesn’t cost much: Apple made this and Logic Pro its first pro creative subscription apps, which cost $5 a month each and also have a one-month free trial. Turning on and off the subscription could also allow someone to work on a project only when they needed to, turn it off, and come back months later if another gig or need opened up. Projects can still be shared when the subscription is turned off, but not edited.

I’m confused by some decisions here. Final Cut Pro doesn’t support true external monitor extension, even though iPadOS and M1/M2 chips do. The app mirrors whatever’s shown on the iPad display to a connected external monitor, but it feels like this should have been a chance to stretch out the iPad Pro’s capabilities. 

The subscription model also leaves me feeling very mixed: It’s a relatively affordable way to add in the pro app to your life as opposed to the $300 price on the Mac. At $50 a year, that would equal six years of use. For sure, in six years’ time, Apple will have evolved its Mac and iPad computer landscape, requiring some new software to buy anyway (not to mention whatever mixed-reality features might dovetail with the company’s rumored headsets). Maybe renting creative tools does make more sense. It’s a similar model to how Adobe works, and makes me wonder how many people will choose Apple’s new app over another like Adobe Premiere Rush, which also has multitrack timeline editing features.

But it also makes me wonder why iPad Pros just don’t come included with Final Cut Pro and Logic Pro. Or, get a year-long included subscription, much like Apple TV Plus and Apple Arcade deals get offered. Maybe that’s going to happen. Maybe Apple folds its new pro apps into yet another subscription tier in its ever-expanding subscription services catalog. It’s all a clear reminder that iPads are extremely capable of running high-end software, but I knew that already. Now I just want Mac and iPad workflows to feel even more logically interconnected, too.

Technologies

iOS 17 Cheat Sheet: Your Questions on the iPhone Update Answered

Here’s what you need to know about new features and upcoming updates for your iPhone.

Apple’s iOS 17 was released in September, shortly after the company held its Wonderlust event, where the tech giant announced the new iPhone 15 lineup, the Apple Watch Series 9 and the Apple Watch Ultra 2. We put together this cheat sheet to help you learn about and use the new features in iOS 17. It’ll also help you keep track of the subsequent iOS 17 updates.

iOS 17 updates

Using iOS 17

Getting started with iOS 17

Make sure to check back periodically for more iOS 17 tips and how to use new features as Apple releases more updates.

17 Hidden iOS 17 Features You Should Definitely Know About

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Technologies

Get Ready for a Striking Aurora That Could Also Disrupt Radio Communications

Don’t expect the storm to cause a lingering problem, though.

A geomagnetic storm is threatening radio communications Monday night, but that doesn’t mean you should be concerned. In fact, it may be an opportunity to see a colorful aurora in the night sky.

The National Oceanic and Atmospheric Administration has issued a geomagnetic storm watch after witnessing a coronal mass ejection from the sun on Saturday. The watch, which was issued over the weekend and will expire after Monday, said the onset of the storm passing over Earth on Sunday night represented a «moderate» threat to communications. As the storm continues to pass through, it could deliver a «strong» threat on Monday night that could cause radio communications to be temporarily disrupted during the worst of it.

Even so, NOAA said, «the general public should not be concerned.»

A coronal mass ejection occurs when magnetic field and plasma mass are violently expelled from the sun’s corona, or the outermost portion of the sun’s atmosphere. In the vast majority of cases, the ejection occurs with no real threat to Earth. However, in the event the ejection happens in the planet’s direction, a geomagnetic storm occurs, and the Earth’s magnetic field is temporarily affected.

In most cases, geomagnetic storms cause little to no disruption on Earth, with radio communications and satellites affected most often. In extreme cases, a geomagnetic storm can cause significant and potentially life-threatening power outages — a prospect that, luckily, the planet hasn’t faced.

Switching poles

Every 11 years, the sun’s magnetic poles switch, with the north pole and south pole swapping positions. During those cycles, the sun’s activity ramps up as it gets closer to pole-switching time. The height of its activity is called solar maximum, and scientists believe we either may be entering the solar maximum or may be already in it.

During periods of heightened solar activity, sunspots increase on the sun and there’s an increase in coronal mass ejections, among other phenomena. According to NOAA, solar maximum could extend into October of this year before the sun’s activity calms and it works towards its less-active phase, solar minimum.

Even when geomagnetic storms hit Earth and disrupt communications, the effects are usually short-lived. Those most affected, including power grid operators and pilots and air traffic controllers communicating over long distances, have fail-safe technologies and backup communications to ensure operational continuity.

But geomagnetic storms aren’t only about radios. In most cases, they also present unique opportunities to see auroras in the night sky. When the storms hit, the plasma they carry creates a jaw-dropping aurora, illuminating the night sky with brilliant colors. Those auroras can be especially pronounced during the most intense phases of the storm, making for nice stargazing.

If you’re interested in seeing the aurora, you’ll need to be ready. The NOAA said the «brunt of the storm has passed» and even if it lingers into Tuesday, there won’t be much to see after Monday night. 

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Technologies

Last Total Solar Eclipse for 20 Years Is Coming: How to See and Photograph It

It’s your last chance until 2044.

Get your eclipse glasses ready, Skygazers: the Great American Eclipse is on its way. On April 8, there’ll be a total eclipse over North America, the last one until 2044.

A total solar eclipse happens when the moon passes between the Earth and the sun, blocking the sun and turning an otherwise sunny day to darkness for a short period of time. Depending on the angle at which you’re viewing the eclipse, you may see the sun completely shrouded by the moon (called totality) or some variation of it. The more off-angle you are and the further you are from the path of the eclipse, the less likely you’ll be to see the totality.

The 2024 total solar eclipse will happen on Monday, April 8. The Great American Eclipse will reach the Mexican Pacific coast at 11:07 a.m. PT (2:07 p.m. ET), and then traverse the US in a northeasterly direction from Texas to Maine, and on into easternmost Canada. If you want a good look at it, but don’t live in the path of totality, you shouldn’t wait much longer to book accommodation and travel to a spot on the path.

Or how about booking a seat in the sky? Delta Airlines made headlines for offering a flight that allows you to see the entire path of totality. Its first eclipse flight, from Austin, Texas, to Detroit sold out quickly. But as of Monday, Delta has added a second flight from Dallas to Detroit, which also covers the path of totality. The airline also has five flights that will offer prime eclipse viewing.

Not everyone can get on one of those elusive eclipse-viewing flights. Here’s a look at other options to nab a chance to see this rare sight and what to know about it.

Total solar eclipse path

The eclipse will cross over the Pacific coast of Mexico and head northeast over mainland Mexico. The eclipse will then make its way over San Antonio at approximately 2:30 p.m. ET on April 8 and move through Texas, over the southeastern part of Oklahoma and northern Arkansas by 2:50 p.m. ET.

By 3 p.m. ET, the eclipse will be over southern Illinois, and just 5 minutes later, will be traveling over Indianapolis. Folks in northwestern Ohio will be treated to the eclipse by 3:15 p.m. ET, and it will then travel over Lake Erie and Buffalo, New York, by 3:20 p.m. ET. Over the next 10 minutes, the eclipse will be seen over northern New York state, then over Vermont. By 3:35 p.m. ET, the eclipse will work its way into Canada and off the Eastern coast of North America.

Best places to watch the Great American Eclipse

When evaluating the best places to watch this year’s total eclipse, you’ll first want to determine where you’ll have the best angle to see the totality. The farther off-angle you are — in other words, the farther north or south of the eclipse’s path — the less of an impact you can expect.

Therefore, if you want to have the best chance of experiencing the eclipse, you’ll want to be in its path. As of this writing, most of the cities in the eclipse’s path have some hotel availability, but recent reports have suggested that rooms are booking up. And as more rooms are booked, prices are going up.

So if you want to be in the eclipse’s path, and need a hotel to do it, move fast. And Delta’s eclipse-viewing flight from Dallas to Detroit has just four seats left at the time of publication.

Eclipse eye safety and photography

 
As with any solar eclipse, it’s critical you keep eye safety in mind.

During the eclipse, and especially during the periods before and after totality, don’t look directly at the sun without special eye protection. Also, be sure not to look at the sun through a camera (including the camera on your phone), binoculars, a telescope or any other viewing device. This could cause serious eye injury. Sunglasses aren’t enough to protect your eyes from damage.

If you want to view the eclipse, you’ll instead need solar viewing glasses that comply with the ISO 12312-2 safety standard. Anything that doesn’t meet that standard or greater won’t be dark enough to protect your eyes. Want to get them for free? If you’ve got a Warby Parker eyeglasses store nearby, the company is giving away free, ISO-certified solar eclipse glasses at all of its stores from April 1 until the eclipse, while supplies last.

If you don’t have eclipse viewing glasses handy, you can instead use indirect methods for viewing the eclipse, like a pinhole projector.

Read more: A Photographer’s Adventure With the Eclipse

In the event you want to take pictures of the eclipse, attach a certified solar filter to your camera. Doing so will protect your eyes and allow you to take photos while you view the eclipse through your lens.

There’s also a new app to help you both protect your eyes and take better photos of the eclipse on your phone. Solar Snap, designed by a former Hubble Space Telescope astronomer, comes with a Solar Snap camera filter that attaches to the back of an iPhone or Android phone, along with solar eclipse glasses for protecting your eyesight during the event. After you attach the filter to your phone, you can use the free Solar Snap Eclipse app to zoom in on the eclipse, adjust exposure and other camera settings, and ultimately take better shots of the eclipse.

2024 eclipse compared to 2017

The last total solar eclipse occurred in 2017, and many Americans had a great view. Although there are plenty of similarities between the 2017 total solar eclipse and the one coming April 8, there are a handful of differences. Mainly, the 2024 eclipse is going to cover more land and last longer.

The 2017 eclipse started over the northwest US and moved southeast. Additionally, that eclipse’s path was up to 71 miles wide, compared with a maximum width of 122 miles for this year’s eclipse. Perhaps most importantly, the moon completely covered the sun for just 2 minutes, 40 seconds in 2017. This year, maximum totality will last for nearly four-and-a-half minutes.

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