Technologies

We Tested Night Mode on the iPhone 14 Pro, Pixel 7 Pro and Galaxy S22 Ultra

We compared the best flagship models from Apple, Google and Samsung in a nighttime photo shoot field test.

We’ve been really impressed by the cameras on the Pixel 7 Pro, iPhone 14 Pro and Galaxy S22 Ultra. The Pixel 7 Pro’s zoom skills even gave the Galaxy S22 Ultra a run for its money, as well as offering some genuine competition to a professional DSLR. But how do these top phones perform when things go dark?

All three phones pack impressive nighttime shooting modes, which let you capture bright and clear shots even in almost total darkness. I’ve done some night mode testing on the phones already as part of the main Pixel 7 Pro review, but I wanted to spend a bit more side-by-side time with all three phones to see which one truly takes the best-looking images at night.

So I charged them up, put on my winter coat and headed out into the cold and dark streets of the Edinburgh suburb of Leith, Scotland. All images were taken in JPEG format, with the main cameras (unless otherwise stated) and using the dedicated night modes on both the Pixel 7 Pro and Galaxy S22 Ultra. The iPhone 14 Pro‘s mode kicks in automatically, so I simply made sure it was active when taking photos.

This first test above isn’t a great start for the Pixel 7 Pro. Its shot is darker than its rivals, with quite grungy details on the boat itself.

Zooming in to 100% on the same shots above, it’s clear that both the iPhone 14 Pro and Galaxy S22 Ultra achieved crisper, more balanced images. Between the two, the S22 Ultra did a better job at capturing more natural color tones and its shot wasn’t affected by reflected lights in its lens — something much more noticeable in the iPhone’s shot.

The Pixel 7 Pro did a much better job in the river scene above, with an excellent exposure across the whole image and tons of details visible on buildings in the distance. All three phones captured the scene well, with sharp details and minimal image noise. The iPhone’s image is a bit more contrasty, which I don’t dislike, but it makes the shot look a touch darker as a result.

One thing to note on the Pixel’s shot however is the noticeable lens flare from the streetlight on the left side of the image. While all three phones suffer from flare to an extent, it’s noticeably worse on the Pixel’s image, which is something I’d found on my initial tests for the review. Some shots I took had flares so prominent they ruined the image, and it’s something that you’ll need to keep in mind with bright light sources.

All three phones captured the old pub front above well, with excellent exposures across the board. I’m impressed at how they’ve all captured lots of detail in the shadowy areas of the images, yet managed to balance the bright highlights in the window and on the carvings well.

As with the earlier image of the boat, the iPhone 14 Pro’s shot leans toward a yellow-tinged white balance, which doesn’t look quite as realistic as the Galaxy S22 Ultra’s shot. The Pixel went a little far the other way, with a more magenta-toned image.

Zooming in to 100% on the same images and things switch around. It’s very marginal, but the Pixel 7 Pro achieved a slightly sharper image than its rivals, with the iPhone following close behind and the S22 Ultra bringing up the rear. I have to pixel peep at this point though, and even then the difference is almost negligible. At full screen, all three images are pin-sharp and look great.

The scene above works to summarize the approach the three phones take. The iPhone’s image has a more yellowy white balance which isn’t particularly realistic. The Pixel 7 Pro’s shot is a little darker and more magenta-toned, while the S22 Ultra’s shot seems to strike a better balance between the two with excellent exposure and more even colors.

But what about when we use the zoom lenses on these phones? Well, starting off with the standard cameras, all three phones have managed to capture solid images above.

Both the iPhone and Pixel offer 2x zoom modes (digitally cropping) and there’s not a huge amount to choose between them in the photos above. The digital crop has noticeably reduced the quality on photos from both phones and while the iPhone’s is a touch sharper, the Pixel’s has slightly better dynamic range, with some of the highlights being less blown out.

At 3x optical zoom on the iPhone 14 Pro and Galaxy S22 Ultra (the Pixel 7 Pro has a 5x zoom, which I’ll come to), the iPhone’s shot above is noticeably better than its 2x digital zoom shot, with improved details and dynamic range. And although its shot looks a little darker than the S22 Ultra’s, it has sharper, more defined details and a more even dynamic range which results in a better image overall.

Zooming right in to 150%, it’s clear that the iPhone’s dynamic range is better (look at the bright clock face in the upper left of the scene) and the details are much sharper.

The Pixel 7 Pro and Galaxy S22 Ultra can take their zooms further though, with 5x and 10x optical zooms being offered, respectively. The S22’s image above is obviously a lot more zoomed in, yet it maintains details and exposure. The Pixel’s looks solid too, with good colors and clarity. Given the big difference in zoom levels, there’s little point in deciding which one is better here.

Which phone takes the best night mode photos?

Overall I’m impressed at how well all three phones have done in these tests. Despite the dark conditions, I got images that are bright, colorful and packed with details, which is amazing to see given that I just took the shots hand-held, without a tripod — which I would need if I were taking the same shot on my professional camera. There’s not a huge gulf between any of them and any photographer would be pleased with the results they’re able to get in night time conditions.

That said, I’d have to give the overall win to the Samsung Galaxy S22 Ultra. Its shots were consistently bright and clear, and crucially produced more natural color tones than the iPhone 14 Pro or Pixel 7 Pro managed to achieve. The iPhone sometimes produced slightly sharper images, but that’s only noticeable when you zoom right into a pixel-level view, which most of us are unlikely to do. For pure, straight-out-of-camera images that are ready to upload to Instagram, the S22 Ultra slightly edges out its rivals.

Technologies

iOS 17 Cheat Sheet: Your Questions on the iPhone Update Answered

Here’s what you need to know about new features and upcoming updates for your iPhone.

Apple’s iOS 17 was released in September, shortly after the company held its Wonderlust event, where the tech giant announced the new iPhone 15 lineup, the Apple Watch Series 9 and the Apple Watch Ultra 2. We put together this cheat sheet to help you learn about and use the new features in iOS 17. It’ll also help you keep track of the subsequent iOS 17 updates.

iOS 17 updates

Using iOS 17

Getting started with iOS 17

Make sure to check back periodically for more iOS 17 tips and how to use new features as Apple releases more updates.

17 Hidden iOS 17 Features You Should Definitely Know About

+15 More

See all photos

Technologies

Get Ready for a Striking Aurora That Could Also Disrupt Radio Communications

Don’t expect the storm to cause a lingering problem, though.

A geomagnetic storm is threatening radio communications Monday night, but that doesn’t mean you should be concerned. In fact, it may be an opportunity to see a colorful aurora in the night sky.

The National Oceanic and Atmospheric Administration has issued a geomagnetic storm watch after witnessing a coronal mass ejection from the sun on Saturday. The watch, which was issued over the weekend and will expire after Monday, said the onset of the storm passing over Earth on Sunday night represented a «moderate» threat to communications. As the storm continues to pass through, it could deliver a «strong» threat on Monday night that could cause radio communications to be temporarily disrupted during the worst of it.

Even so, NOAA said, «the general public should not be concerned.»

A coronal mass ejection occurs when magnetic field and plasma mass are violently expelled from the sun’s corona, or the outermost portion of the sun’s atmosphere. In the vast majority of cases, the ejection occurs with no real threat to Earth. However, in the event the ejection happens in the planet’s direction, a geomagnetic storm occurs, and the Earth’s magnetic field is temporarily affected.

In most cases, geomagnetic storms cause little to no disruption on Earth, with radio communications and satellites affected most often. In extreme cases, a geomagnetic storm can cause significant and potentially life-threatening power outages — a prospect that, luckily, the planet hasn’t faced.

Switching poles

Every 11 years, the sun’s magnetic poles switch, with the north pole and south pole swapping positions. During those cycles, the sun’s activity ramps up as it gets closer to pole-switching time. The height of its activity is called solar maximum, and scientists believe we either may be entering the solar maximum or may be already in it.

During periods of heightened solar activity, sunspots increase on the sun and there’s an increase in coronal mass ejections, among other phenomena. According to NOAA, solar maximum could extend into October of this year before the sun’s activity calms and it works towards its less-active phase, solar minimum.

Even when geomagnetic storms hit Earth and disrupt communications, the effects are usually short-lived. Those most affected, including power grid operators and pilots and air traffic controllers communicating over long distances, have fail-safe technologies and backup communications to ensure operational continuity.

But geomagnetic storms aren’t only about radios. In most cases, they also present unique opportunities to see auroras in the night sky. When the storms hit, the plasma they carry creates a jaw-dropping aurora, illuminating the night sky with brilliant colors. Those auroras can be especially pronounced during the most intense phases of the storm, making for nice stargazing.

If you’re interested in seeing the aurora, you’ll need to be ready. The NOAA said the «brunt of the storm has passed» and even if it lingers into Tuesday, there won’t be much to see after Monday night.

Technologies

Last Total Solar Eclipse for 20 Years Is Coming: How to See and Photograph It

It’s your last chance until 2044.

Get your eclipse glasses ready, Skygazers: the Great American Eclipse is on its way. On April 8, there’ll be a total eclipse over North America, the last one until 2044.

A total solar eclipse happens when the moon passes between the Earth and the sun, blocking the sun and turning an otherwise sunny day to darkness for a short period of time. Depending on the angle at which you’re viewing the eclipse, you may see the sun completely shrouded by the moon (called totality) or some variation of it. The more off-angle you are and the further you are from the path of the eclipse, the less likely you’ll be to see the totality.

The 2024 total solar eclipse will happen on Monday, April 8. The Great American Eclipse will reach the Mexican Pacific coast at 11:07 a.m. PT (2:07 p.m. ET), and then traverse the US in a northeasterly direction from Texas to Maine, and on into easternmost Canada. If you want a good look at it, but don’t live in the path of totality, you shouldn’t wait much longer to book accommodation and travel to a spot on the path.

Or how about booking a seat in the sky? Delta Airlines made headlines for offering a flight that allows you to see the entire path of totality. Its first eclipse flight, from Austin, Texas, to Detroit sold out quickly. But as of Monday, Delta has added a second flight from Dallas to Detroit, which also covers the path of totality. The airline also has five flights that will offer prime eclipse viewing.

Not everyone can get on one of those elusive eclipse-viewing flights. Here’s a look at other options to nab a chance to see this rare sight and what to know about it.

Total solar eclipse path

The eclipse will cross over the Pacific coast of Mexico and head northeast over mainland Mexico. The eclipse will then make its way over San Antonio at approximately 2:30 p.m. ET on April 8 and move through Texas, over the southeastern part of Oklahoma and northern Arkansas by 2:50 p.m. ET.

By 3 p.m. ET, the eclipse will be over southern Illinois, and just 5 minutes later, will be traveling over Indianapolis. Folks in northwestern Ohio will be treated to the eclipse by 3:15 p.m. ET, and it will then travel over Lake Erie and Buffalo, New York, by 3:20 p.m. ET. Over the next 10 minutes, the eclipse will be seen over northern New York state, then over Vermont. By 3:35 p.m. ET, the eclipse will work its way into Canada and off the Eastern coast of North America.

Best places to watch the Great American Eclipse

When evaluating the best places to watch this year’s total eclipse, you’ll first want to determine where you’ll have the best angle to see the totality. The farther off-angle you are — in other words, the farther north or south of the eclipse’s path — the less of an impact you can expect.

Therefore, if you want to have the best chance of experiencing the eclipse, you’ll want to be in its path. As of this writing, most of the cities in the eclipse’s path have some hotel availability, but recent reports have suggested that rooms are booking up. And as more rooms are booked, prices are going up.

So if you want to be in the eclipse’s path, and need a hotel to do it, move fast. And Delta’s eclipse-viewing flight from Dallas to Detroit has just four seats left at the time of publication.

Eclipse eye safety and photography

As with any solar eclipse, it’s critical you keep eye safety in mind.

During the eclipse, and especially during the periods before and after totality, don’t look directly at the sun without special eye protection. Also, be sure not to look at the sun through a camera (including the camera on your phone), binoculars, a telescope or any other viewing device. This could cause serious eye injury. Sunglasses aren’t enough to protect your eyes from damage.

If you want to view the eclipse, you’ll instead need solar viewing glasses that comply with the ISO 12312-2 safety standard. Anything that doesn’t meet that standard or greater won’t be dark enough to protect your eyes. Want to get them for free? If you’ve got a Warby Parker eyeglasses store nearby, the company is giving away free, ISO-certified solar eclipse glasses at all of its stores from April 1 until the eclipse, while supplies last.

If you don’t have eclipse viewing glasses handy, you can instead use indirect methods for viewing the eclipse, like a pinhole projector.

Read more: A Photographer’s Adventure With the Eclipse

In the event you want to take pictures of the eclipse, attach a certified solar filter to your camera. Doing so will protect your eyes and allow you to take photos while you view the eclipse through your lens.

There’s also a new app to help you both protect your eyes and take better photos of the eclipse on your phone. Solar Snap, designed by a former Hubble Space Telescope astronomer, comes with a Solar Snap camera filter that attaches to the back of an iPhone or Android phone, along with solar eclipse glasses for protecting your eyesight during the event. After you attach the filter to your phone, you can use the free Solar Snap Eclipse app to zoom in on the eclipse, adjust exposure and other camera settings, and ultimately take better shots of the eclipse.

2024 eclipse compared to 2017

The last total solar eclipse occurred in 2017, and many Americans had a great view. Although there are plenty of similarities between the 2017 total solar eclipse and the one coming April 8, there are a handful of differences. Mainly, the 2024 eclipse is going to cover more land and last longer.

The 2017 eclipse started over the northwest US and moved southeast. Additionally, that eclipse’s path was up to 71 miles wide, compared with a maximum width of 122 miles for this year’s eclipse. Perhaps most importantly, the moon completely covered the sun for just 2 minutes, 40 seconds in 2017. This year, maximum totality will last for nearly four-and-a-half minutes.