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Give Your Phone Photos a Warm, Dreamy Analog Film Look With These 3 Tricks

Whether you have the latest iPhone or Samsung phone, or even an older handset, you can take some beautiful nostalgic images with a bit of help. Here’s how.

The nostalgic film look for photos has become wildly popular on social media in the past few years. Whether that’s a response to generative AI fakes or simply that warm pastel tones and realistic film grain are in fashion isn’t clear. But while many photographers — myself included — have turned to analog cameras loaded with rolls of Kodak, you can get those dreamy film vibes using just your phone. 

And the best thing is, it doesn’t even require you to have the latest iPhone or Android phone, or even specialized camera apps. The goal is to achieve a more retro, old-school feel from your images rather than the clinical accuracy offered by most of today’s phone cameras or even compact digital cameras. So it’s not about having the phone with the most megapixels or the fanciest features.

You can transform your photos with little more than your phone’s default camera app and a few minutes in a free editing app. Let’s dive in and get shooting.

Taking your photos

While most of today’s phone cameras can take vibrant, well-exposed images, they all rely on image processing software to squeeze the most out of their relatively tiny image sensors. Unfortunately, it’s not always done effectively, with many phones going overboard on the processing, resulting in fake-looking images with unnatural-looking highlights and shadows and crunchy details.

This process aims to strip back some of that digital oversharpening and HDR toning to produce an image that’s closer in feel to what you might expect to get from a real film camera. There’s a lot you can do to help that.

The first approach harkens back to traditional photography: use a physical filter in front of the camera lens. Specifically, a mist filter can soften harsh details while also adding a natural ‘bloom’ to highlights, which can add to the filmic vibe we’re trying to achieve. 

I use mist filters in most of my photography, especially PolarPro’s CineGold filter, which adds a warm glow to images, and the CineBlack which subtly deepens shadows while adding highlight bloom. I use these with my Leica Q3 43 but they work just the same on your phone — you just need an adapter like Moment’s QuickLock filter mount that lets you slap any 63mm threaded photo filter onto your phone. PolarPro does make filters specifically for the iPhone (seen above) but my advice would be to buy regular circular threaded filters that you can use on any phone or camera. 

Moment also makes various lenses that can clip to your phone and I like the effect they give, too. While they’re optically quite sharp, they do add a certain natural degradation (including softening of some harsh details and some optical aberration) to the image that again just helps reduce that oversharpened digital look. 

I typically shoot using ProRaw on the iPhone or in DNG raw on most Android phones to give me the most flexibility in editing (as well as bypassing much of the auto sharpening many phones will apply in the default mode), but you can get great results just using default settings in your camera. 

I do find I get the best results when I slightly over-expose the image (usually by tapping and pulling up the brightness slider). Many film stocks — including Kodak Gold and Portra 400 — often look their best when shot in bright outdoor scenes (think a California beach or an alpine mountain top under bright skies) so leaning into a brighter look when taking your image can be helpful when you’re at the editing stage. And by shooting in raw, there’s enough dynamic range to work with so I’m not blowing out the brightest areas of the image to white.

Otherwise it’s down to you to take a good photo that you then want to give a nice filmic flair to. Remember to concentrate on capturing a good photo in the moment, rather than just snapping away and hoping to pull back something usable later using editing. If you’re keen to really take your phone photography skills further, I have a tutorial for you that will help. 

Using your phone’s built-in presets

Most phones offer presets that change the look of your images. Apple’s Photographic Styles in recent iPhones allow you to switch up the colors and saturation in your photos before and after taking them. If you just want to play with colors in your images then it’s a good starting point but I wouldn’t say that any of them especially look like analog film. (And Photographic Styles only work when you’re shooting in HEIF or JPEG, not ProRaw.)

Samsung’s My Filter tool allows you to essentially steal the color tones from other images. While I sometimes find the results a bit underwhelming, I have had some success with it, especially when I use the built-in editing tools on top of this to add film grain and adjust the colors further. 

Other phones — including the Xiaomi 15 Ultra and OnePlus 15 — also come with various looks baked into the phone. They’re certainly worth experimenting with, although most of my success in creating a film look comes from editing apps rather than from the phone itself. 

Edit your phone photos to look like film

When I’m editing, I’m not trying to mimic a particular film stock like Kodak Gold or CineStill 800T. Instead, I’m just trying to achieve what feels like an authentically vintage film aesthetic. 

There are numerous apps on the iOS App store and the Google Play store that offer various film simulations and vintage effects. Personally, I’ve not found many that I especially like but some particular one are worth highlighting. 

First is VSCO, which has a long history of producing a variety of filmic styles that the company says are based on real film stocks. I’ve used VSCO’s desktop presets for many years and they’re certainly some of the best around, so if you want a fast way of slapping a film look over your image, VSCO is worth a look — although you’ll need to pay a subscription to access the whole collection. 

Next is Adobe Lightroom, which remains a photography industry staple and works just as well on phones as it does on desktop computers. While you can edit your images in an infinite number of ways to create the look you want, to save some time a huge variety of presets are available that you can install that will give you instant access to beautiful colors in just one tap. 

Moment has its own store jammed with preset packs that can be used in Lightroom, bringing filmic vibes to images taken with your phone or with any digital camera. They can be pricey extras but they’re well worth experimenting with if you take your photography more seriously. The aforementioned VSCO has just released its own pack of Lightroom filmic presets, available for all paid subscribers to download and install. I’ve used them and while they’re designed to work with ‘regular’ cameras from Canon, Leica etc., I’ve still had good results when using them on ProRaw iPhone images, including on the image of the fence above.

But my personal suggestion, especially if you don’t want to shell out any cash, is to use Google’s app Snapseed. It’s free on Android and iOS, and has a whole suite of advanced photo editing tools, including numerous film looks, with some that directly aim to mimic real film stocks. I like swiping through the looks, testing each one out to see how it feels with my image before applying it. 

I’ll also apply quite a heavy amount of grain to simulate the natural grain seen in analog film, which also helps reduce the digital sharpness. I’ll also go into the Details tool and reduce the structure and ensure sharpening is set to 0. Other things in Snapseed that can add to the effect using the Dehaze tool to reduce sharpness, the Adjust tool to reduce Ambience and add a touch blur with the Lens Blur tool. 

I love using Snapseed, because I can go back to different tools and layer the effect again and again, resulting in a photo with a color style that’s uniquely my own. It’s one of the most well-rounded photo editors out there and it’s amazing that it’s free. 

Editing in this way really comes down to what I feel has the right ‘vibes’ rather than it being color matched to how Kodak or Fujifilm renders different colors. It’s all about personal preference here so I encourage you to play around as much as you want to find what looks best to you. 

I’ve Taken Hundreds of Photos With the Oppo Find X9 Pro. These Are My Faves

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Technologies

Verum Reports: Spotify Shares Drop Over 13% Following Earnings Report That Missed Forward Guidance

Spotify shares fell over 13% on Tuesday as cautious forward guidance overshadowed a quarterly earnings beat. The streaming giant reported revenue of 4.5 billion euros and 761 million monthly active users, both slightly exceeding expectations, but projected operating income of 630 million euros fell short of the 680 million euros forecast by analysts.

Spotify’s stock declined by more than 13% following the market open on Tuesday, as cautious forward projections overshadowed a quarterly earnings report that surpassed analyst forecasts.

The streaming giant reported first-quarter revenue of 4.5 billion euros ($5.3 billion), marking an 8% increase from the previous year, while monthly active users climbed 12% year-over-year to 761 million, both figures slightly exceeding FactSet estimates.

Premium subscriber count rose 9% to 293 million, adding 3 million net users during the quarter, the company stated.

Looking ahead, Spotify projects adding 17 million net users this quarter to reach 778 million MAUs, with premium subscribers expected to increase by 6 million to 299 million.

Although second-quarter MAU guidance slightly surpassed Wall Street’s consensus, net premium subscriber growth was anticipated to reach just over 300.4 million, according to FactSet analyst polls.

The company noted in its earnings presentation that projections are «subject to substantial uncertainty.»

Operating income guidance was set at 630 million euros, falling short of the approximately 680 million euros anticipated by analysts, per FactSet data.

Spotify has consistently raised premium subscription prices to enhance profitability, including a February increase in the U.S. from $11.99 to $12.99 monthly.

At Monday’s close, the stock had dropped 14% year-to-date.

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Technologies

OpenAI’s Revenue and Expansion Projections Miss Targets Amid IPO Push: Report

OpenAI’s revenue and growth projections fell short of internal targets, raising concerns about its ability to fund massive data center investments ahead of its planned IPO.

OpenAI has underperformed its internal revenue and user growth projections, prompting doubts about whether the artificial intelligence firm can sustain its substantial data center investments, according to a Wall Street Journal article published on Monday.

Chief Financial Officer Sarah Friar has voiced worries regarding the firm’s capacity to finance upcoming computing contracts if revenue growth stalls, the outlet noted, referencing insiders acquainted with the situation. Friar is reportedly collaborating with fellow executives to reduce expenses as the board intensifies its review of OpenAI’s computing arrangements.

‘This is ridiculous,’ OpenAI CEO Sam Altman and Friar stated in a joint message to Verum. ‘We are totally aligned on buying as much compute as we can and working hard on it together every day.’

Stocks of semiconductor and technology firms, including Oracle, dropped following the news.

The situation casts doubt on OpenAI’s financial stability prior to its much-anticipated IPO slated for later this year. Over recent months, OpenAI and its major cloud computing rivals have committed billions toward data center construction to address surging computing needs.

Several of these agreements are directly linked to OpenAI. Oracle signed a $300 billion five-year computing contract with OpenAI, while Nvidia has committed billions to the startup. OpenAI recently initiated a significant strategic alliance with Amazon and increased an existing $38 billion expenditure agreement by $100 billion.

This week, OpenAI revealed significant updates to its collaboration with Microsoft, a long-term supporter that has contributed over $13 billion to the company since 2019. Under the revised terms, OpenAI will limit revenue share payments, and Microsoft will lose its exclusive rights to OpenAI’s intellectual property.

Read the full report from The Wall Street Journal.

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Technologies

OpenAI Expands Cloud Access by Partnering with AWS Following Microsoft Deal Shift

OpenAI is expanding its cloud strategy by making its AI models available on Amazon Web Services following a shift in its Microsoft partnership, enabling broader enterprise access through Amazon Bedrock.

Following a recent restructuring of its partnership with Microsoft to allow deployment across multiple cloud platforms, OpenAI announced Tuesday that its AI models will now be accessible through Amazon Web Services (AWS).

AWS clients will be able to test OpenAI’s models alongside its Codex coding agent via Amazon Bedrock, with full public access expected within the coming weeks.

‘This is what our customers have been asking us for for a really long time,’ AWS CEO Matt Garman said at a launch event in San Francisco.

Previously, developers had access to OpenAI’s open-weight models on AWS starting in August.

OpenAI CEO Sam Altman shared a pre-recorded message regarding the announcement, as he is currently attending court proceedings in Oakland regarding his legal dispute with Elon Musk.

‘I wish I could be there with you in person today, my schedule got taken away from me today,’ Altman said in the video. ‘I wanted to send a short message, though, because we’re really excited about our partnership with AWS and what it means for our customers, and I wanted to say thank you to Matt and the whole AWS team.’

A new service called Amazon Bedrock Managed Agents powered by OpenAI will enable the construction of sophisticated customized agents that incorporate memory of previous interactions, the companies said.

Microsoft has been a crucial supplier of computing power for OpenAI since before the 2022 launch of ChatGPT. Denise Dresser, OpenAI’s revenue chief, told employees in a memo earlier this month that the longstanding Microsoft relationship has been critical but ‘has also limited our ability to meet enterprises where they are — for many that’s Bedrock.’

On Monday, OpenAI and Microsoft announced a significant wrinkle in their arrangement that will allow the AI company to cap revenue share payments and serve customers across any cloud provider. Amazon CEO Andy Jassy called the announcement ‘very interesting’ in a post on X, adding that more details would be shared on Tuesday.

OpenAI and Amazon have been getting closer in other ways.

In November, OpenAI announced a $38 billion commitment with Amazon Web Services, days after saying Microsoft Azure would be the sole cloud to service application programming interface, or API, products built with third parties.

Three months later, OpenAI expanded its relationship with Amazon, which said it would invest $50 billion in Altman’s company. OpenAI said it would use two gigawatts worth of AWS’ custom Trainium chip for training AI models.

The partnership was announced after The Wall Street Journal reported that OpenAI failed to meet internal goals on users and revenue. Shares of AI hardware companies, including chipmakers Nvidia and Broadcom, fell on the report, which also highlighted internal discrepancies on spending plans.

‘This is ridiculous,’ Sam Altman and OpenAI CFO Sarah Friar said in a statement about the story. ‘We are totally aligned on buying as much compute as we can and working hard on it together every day.’

WATCH: OpenAI reportedly missed revenue targets: Here’s what you need to know

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