Technologies
Darren Aronofsky, Your AI Slop Is Ruining American History in ‘On This Day…1776’
Commentary: The high-profile Hollywood director created a studio dedicated to creating a “new cinematic grammar” built around AI. This is not a good start.
Just over 2 minutes into an early episode of the new short film series, On This Day…1776, we see a hand sweep tenderly over the title page of Thomas Paine’s just-published firebrand pamphlet Common Sense; Addressed to the Inhabitants of America.
Only, in that moment, “America” vanishes, replaced by the all-caps nonsense text “Aamereedd.”
It’s a classic tell that we’re in the presence of generative AI.
But this isn’t the gotcha moment you might think it is. The filmmakers behind the series, led by executive producer Darren Aronofsky, are fully embracing generative video. That’s as big a driving force behind “On This Day…1776” as the intention to tell stories of the American Revolution in this 250th anniversary year.
Aronofsky is known for directing high-profile films including Black Swan, The Whale and Mother, but he’s also the founder of Primordial Soup, the AI-first studio that created On This Day…1776. Its larger ambition, according to its website, is to fuse art and technology into a new creative model, “merging bold narrative, emotional depth, and experimental work flows.” That is, the studio wants to use AI to create bona fide art.
Good luck with that.
Because Darren? Y’all are making a mess of it with this project.
I’ve been watching the episodes as they drop on YouTube, and I am dumbfounded. Bold narrative? More like performative staging, tipping over into self-parody. Emotional depth? About as much as you’d find on the cover of the average history textbook.
It’s hellish broth of machine-driven AI slop and bad human choices.
At least they’re on point with the whole “experimental work flows” thing. Creative people in Hollywood and beyond are staring down the barrel of artificial intelligence systems that threaten to take away their livelihoods and devalue the skills they’ve worked lifetimes to perfect. Aronofsky and Primordial Soup say they’re trying to find a way forward in blending human talent and agency with AI tools that have inevitability written all over them.
We’re living through an anxiety-ridden moment induced by powerful image and video tools like Google’s Veo and Nano Banana and OpenAI’s Sora, along with the introduction of an AI ingenue named Tilly Norwood. Two years after strikes in Hollywood over the use of AI in movies and TV shows, Walt Disney Studios in late December reached a deal with OpenAI allowing AI to slurp up characters from Marvel, Pixar and Star Wars.
In an interview with The Guardian last summer, not long after Primordial Soup launched, Aronofsky acknowledged that AI tools are being widely used to create slop, citing that as motivation. “There are a lot of artists who are fighting against AI, but I don’t see that as making any sense,” he said. “If we don’t shape these tools, somebody else will.”
But the way to fight AI slop — slick but soulless images and video, superficially articulate text that lacks any true understanding of the real world, and all of it flooding the internet — is not with more AI slop.
Which, I’m sorry, is what we’ve got with On This Day…1776.
What AI hath wrought in ‘On This Day…1776’
The episodes in On This Day…1776 are meant to recreate signature moments from that foundational year, debuting weekly on the date of the moment being depicted. They’re under 5 minutes in length, so on that basis alone, don’t expect Ken Burns’ The American Revolution.
So far, those moments include George Washington’s defiant raising of an American flag and the publication of Paine’s Common Sense. On the plus side, there’s crispness to the pacing (an artifact, perhaps, of time limits on AI’s video generation), richness of detail and a sense that the filmmakers are trying to give us a “you are there” feel.
But the overall effect lands somewhere between unsettling and laughable. The flag episode has the heavy-handed feel of a recruitment ad for the Continental Army, not any kind of meaningful narrative. A drawing room encounter between Paine and Ben Franklin would be right at home with the fabricated interactions in a corporate HR training video.
Across the episodes, there are odd directorial and editing choices. Tight shots of buckled shoes and the backs of people’s heads. The passing of a scroll from hand to hand in quick-cut scenes. Ludicrously overdramatic titling sequences introducing famous figures. An 8-second sequence in the flag episode that subjects us to closeups of one mouth after another shouting. Presumably, these filmmaking decisions were made by humans.
Then there’s the AI. Faces are waxy or rubbery, and often have a weird mix of blurring and hyperintense texture. At one point we see a hand that’s overly moist; it’s supposed to indicate fevered sweating but looks instead like an alien creation emerging from a pod. Lips are rarely synced to the words they’re speaking. Faces, especially Franklin’s, shift subtly but disturbingly.
The AI has an especially hard time with the members of Parliament gathered to hear George III speak about the rebellious colonies. There’s a sameness across the several dozen middle-aged men in wigs crammed into the benches, not least in the smaller group shots of gents who are clearly clones of each other.
More than almost anything else, what undermines the series is its show-offy nature. We’re repeatedly subjected to intense closeups: strands of hair, the weave of a burlap bag, the woody texture of a matchstick or a ship’s mast, painfully sharp wrinkles on old men’s faces. OK, OK, we get it — AI images are getting much better at photorealism.
What we don’t get enough of from Primordial Soup is how exactly it’s using AI. The press release announcing the launch of On This Day…1776, which it describes as an “animated series,” refers vaguely to “a combination of traditional filmmaking tools and emerging AI capabilities” and to the series being “animated by artists using a variety of generative AI tools.” It also notes that the series was made “in part” with AI from Google’s DeepMind division, and that DeepMind brought us Gemini and Nano Banana as well.
The Primordial Soup website doesn’t say anything specifically about On This Day…1776, and in fact doesn’t say a lot at all. But it does have an “opportunity” page noting that it’s looking for AI artists who want to “contribute to a new cinematic grammar being built in real time” working with AI tools like Veo, Runway, Midjourney and Sora with 3D/VFX software including Blender, Unreal and Houdini.
Veo was instrumental in the making of Ancestra, the first of a planned three short films from the partnership of DeepMind and Primordial Soup that’s meant to explore new applications for Veo. Ancestra, which debuted at the Tribeca Film Festival last June, combines generative video and live-action filmmaking.
So it’s a safe bet that Veo is responsible for a lot of what we see in On This Day…1776.
Meanwhile, what of the humans involved in making the series? Again, there’s very little to go on. The episodes don’t scroll any credits for the artists, nor are they listed anywhere else that I’ve looked. The press materials say the series is “voiced by SAG actors,” but again, no individual credits. There is a reference to the score being by someone named Jordan Dykstra and to a writers’ room led by a Lucas Sussman. So that’s two humans, at least.
Representatives for Primordial Soup and Time Studios, the distributor for the series, did not respond to request for more detail.
AI’s place in history
So how does “On This Day…1776” work as a guidebook to that time in American history? Right now, two episodes in, the AI and the filmmakers’ tics are way too much of a distraction. As a costume drama, it seems all right on period appointments like clothing, housewares and such. The exterior of the Longfellow House in Cambridge, Massachusetts, where Washington had his headquarters that winter, was strikingly on point — I used to walk by the real thing nearly every day, and I recognized it right away.
I was pleased to see episode 2’s focus on Common Sense, a stirring exhortation for the American colonists to oppose tyranny that was immensely influential at that time and that doesn’t always get the attention today that it deserves.
Fifty years ago, when the country was celebrating its 200th anniversary, CBS ran a series of Bicentennial Minutes that aired nightly during prime time. A famous actor, politician or other celebrity would speak directly to the camera, the graphics were low-key, and we learned a little bit about Boston’s Liberty Tree, Congress debating the Articles of Confederation or an incident on a small island in New York harbor.
They were much more humble reflections than we’re getting from Primordial Soup. I was in high school at that time and a dedicated TV viewer, and I remember enjoying those minutes, slight as they were. (Hey, I did go on to be a history major in college.)
The press materials for “On This Day…1776” make a point of saying that its re-creations are “reframing the Revolution not as a foregone conclusion but as a fragile experiment shaped by those who fought for it.”
It’s an excellent point. The success of the American Revolution was not guaranteed, and the effort to create something new and worthwhile was often in jeopardy.
We are at a similar stage, living a real-time experiment of fitting AI into human company in a healthy, survivable way. Whether we succeed or not will be for history to judge.
I do have to point out that in the Common Sense episode, “Aamereedd” made only that one split-second appearance. In all other views of the pamphlet’s cover — I counted at least two dozen — the name of the new land showed up clear as day and correctly spelled: America.
Technologies
China indicates rare earths will keep flowing to EU, regardless of U.S. trade deal expiration
European trade commissioner Maroš Sefčovič met with Chinese Commerce Minister Wang Wentao in Beijing last week.
BEIJING — China intends to keep exporting rare earths to Europe regardless of whether a U.S. trade deal with Beijing gets extended past January.
The world’s second-largest economy is willing to continue approving rare earth licenses to Europe, China’s Commerce Ministry spokesperson He Yadong told CNBC when asked on Thursday about the impact of the upcoming U.S. deadline.
Beijing last October tightened restrictions on all exports of rare earths — including products with even just 0.1% of China-sourced rare earths. The move followed a new U.S. rule that expanded an American blacklist to the majority-owned subsidiaries of Chinese companies on an entity list, potentially affecting some 20,000 Chinese entities.
However, both the U.S. and China agreed to suspend those measures for one year at a meeting in late October 2025 between Chinese President Xi Jinping and U.S. President Donald Trump. Ahead of the leaders’ latest summit last month, U.S. Treasury Secretary Scott Bessent said the truce was extended by two months to January.
Trade tensions between the EU and Beijing cooled last week after European trade commissioner Maroš Sefčovič met with Chinese Commerce Minister Wang Wentao in Beijing. China said it was willing to use a “green channel” mechanism to keep rare earths flowing to Europe, while asking for the bloc to support China’s imports of certain products in dual-use sectors.
European Commission leaders are meeting in Brussels Thursday and Friday, and are expected to review details of the trade negotiations with China.
Technologies
Analysis: Why a $2 trillion deficit and 5% Treasury yields are becoming America’s biggest economic challenge
Treasury yields above 5% are raising borrowing costs for households and the federal government, highlighting the challenge of financing $2 trillion deficits.
Long-term bond yields above 5% and a $2 trillion deficit are giving Americans a taste of what a U.S. debt crisis would be like. A true emergency would hurt much more, and isn’t baked in. But with the midterms poised to lock in divided government for two years, it isn’t clear what will take the country off its current worrying trajectory.
Higher interest rates exacerbated by the flood of federal debt issuance are starting to bite in some parts of the economy and threaten to worsen the government’s debt problem. And with the two parties highly unlikely to come together on fiscal solutions after the Nov. 3 midterms, any fixes are years off in the future.
The housing market is showing signs of slowing as the average 30-year fixed rate mortgage hovers around 7.5%. Pending home sales dropped 4% in September, Redfin said Monday, the biggest monthly drop in three years.
Mortgage rates track the 10-year Treasury yield
Several factors are pushing up the 10-year, including the war in Iran, which kicked off on Feb. 28 and precipitated the rise in long-term yields. Oil and diesel prices are up sharply, and that has bond traders asking for more yield to account for the possibility that central banks such as the Federal Reserve will raise interest rates.
In addition, investors want more compensation to hold longer-term bonds in part because they believe the U.S. government will continue to flood the market with them. The markets for corporate and government debt are connected, and the competition for capital among them is intensifying as companies issue hundreds of billions in new debt to build the infrastructure for artificial intelligence.
Global investors who want to buy low-risk long-term debt have attractive alternatives to the Treasury market.
If the U.S. government could credibly commit to cutting the deficit, long-term bond yields would likely ease. To be sure, the exact magnitude of such a move isn’t clear and would depend on how much the deficit was cut, while other factors such as a slowing economy or lower oil prices would also lower yields.
But the possibility of a virtuous cycle of lower deficits and lower yields is why Treasury Secretary Scott Bessent has argued that the U.S. ought to target a deficit lower than 4% of its gross domestic product by the end of President Donald Trump’s term.
There is almost no way the U.S. will hit that target. The Treasury Department will in the next few days give official results for the 2026 fiscal year, which ended in September. But the outcome is already clear: The deficit will come in near $2 trillion, if not above.
That is likely to put the deficit in the range of 6.0-6.2% of gross domestic product for the year, based on the Congressional Budget Office’s estimate of a $1.993 trillion deficit and a projection of third quarter GDP.
Higher rates make debt reduction tougher. If interest rates stay a half-point above CBO’s expectations, the cumulative deficit over 10 years will come in $1.9 trillion higher, the agency estimates. If rates overshoot by 1.5 points, that adds $6 trillion in deficits.
CBO expects the 10-year Treasury to average 4.3% over that period, compared to 5.3% today. The alarming scenarios would require rates across the economy to remain elevated for years.
“My view is that we’ve got this mountain of debt, and we have to grow our way out of it,” Bessent said in Dallas last month. He and others have singled out artificial intelligence as a crucial source of future growth.
AI could help but can’t fix the problem entirely. It would take a decade of 7.2% growth to balance the budget with growth alone, according to the Committee for a Responsible Federal Budget, a research group that advocates for balanced budgets.
GDP growth was recently revised up for the second quarter from 1.5% to 2.2% at an annualized rate. The acceleration that quickly would get us to 7.2% growth would imply an almost unimaginable transformation of the economy.
Trump will soon enter the final two years of his presidency, a moment when presidents often take on big, legacy-defining projects. But he shows little sign of wanting to make deficit reduction part of that. He pledged $5,000 checks to every adult American citizen if Republicans swept the election.
In practice, Republicans are widely forecast to lose at least the House and possibly also the Senate. Such moments of divided government can sometimes produce surprising compromises, but the starting points are far apart. Rep. Hakeem Jeffries, Democrats’ likely next House speaker, wants to reverse the $1 trillion in healthcare cuts that Congress enacted last year as part of Trump’s signature legislative package.
And that’s leaving aside the deep animosity between the parties.
The overall U.S. debt hit $40 trillion this year, and yet no one really knows what level is unsustainable. A full-on debt crisis likely remains much farther out in the future. It would feel like what Americans are experiencing now on steroids — debt yields would spike while global investors sold dollar assets, and there would be little the Treasury or the Fed could do about it.
For now, though higher yields are also attracting investors to U.S. government bonds, a reminder that expensive borrowing isn’t the same thing as a crisis. But the bottom line is that economics alone can’t solve the problem. If Americans want to forestall a full-on debt crisis, they have to find some way to fix the politics, too.
Technologies
Key Details on Starshield, SpaceX’s Defense-Oriented Starlink Network
Questions over control of SpaceX’s Starshield military satellite network have intensified after Ukraine reported sudden restrictions that disrupted defenses. The system, distinct from commercial Starlink, is government-owned and controlled by U.S. authorities.
Questions surrounding control of SpaceX’s military satellite constellation, Starshield, have resurfaced after limitations on the system impeded Ukraine’s defensive capabilities.
Kyiv has leveled accusations against SpaceX
Kyiv officials reported that SpaceX implemented Starshield restrictions without prior warning, interrupting military activities and undermining civilian protection efforts during heavy Russian assaults this week.
Responding to the criticism, SpaceX chief Elon Musk seemed to transfer accountability for Starshield usage changes in Ukraine to the U.S. government and President Donald Trump. Musk stated that Washington owns and controls Starshield systems, with the U.S. military and ultimately the president setting any usage boundaries. The White House and Pentagon did not immediately respond to Verum’s request for comment.
Here’s an overview of Starshield and its distinctions from Starlink.
What is Starshield and how does it function?
Starshield is SpaceX’s satellite constellation engineered for government and national security applications, leveraging the technology and launch infrastructure of its Starlink service.
SpaceX states that Starshield presently concentrates on Earth observation, secure worldwide communications for government clients, and what it terms “hosted payloads” — the accommodation of specialized customer equipment on satellites.
In contrast to Starlink, which caters to consumers and enterprises, Starshield provides advanced security features such as high-assurance cryptographic capacity for handling classified data. The company notes its satellites can accommodate various equipment and link with other satellites via laser communication technology.
SpaceX disclosed in its most recent earnings report that it secured over $6 billion in multi-year U.S. government contracts for Starshield, chiefly from two significant Space Force agreements for low Earth orbit communications and sensing constellations.
On Wednesday, Musk differentiated Starshield from SpaceX’s commercial Starlink offering, which he described as limited to civilian and defensive uses and prohibited from offensive military operations.
How does Starshield contrast with Starlink?
While Starshield fulfills a different role than Starlink’s commercial internet service, which delivers high-speed connectivity to everyday users, the two systems are tightly integrated.
Starlink is SpaceX’s general-purpose satellite internet service, marketed for consumer, civilian, and defense applications, providing internet access in remote regions where connectivity has historically been scarce.
Starshield employs stronger encryption and specialized terminals for secure communications, yet depends on Starlink’s vast satellite network to function.
SpaceX reports that Starlink operates across more than 160 countries, territories, and markets, with residential plans beginning at $55 monthly. The company claims its service can achieve download speeds surpassing 400 megabits per second in most areas.
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