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Take Amazing iPhone Photos With These 6 Pro Photographer Tips

If you’ve ever wondered how a pro photographer takes pictures with a smartphone, I’ve got tips to help you snap great shots.

Today’s smartphone cameras work hard to make it easy for you to capture great photos. Point it at what you want to capture, and the combination of auto features and computational photography means you’ll get a good result. However, there’s always more you can do to further develop your photography skills. I’ve been impressed with the iPhone 17 Pro, and have gathered six of my favorite tips for pushing the quality higher.

Read more: Best Camera Phone to Buy in 2025

As a professional photographer, I’ve been honing my skills for years, elevating iPhone photos from simple Instagram snaps into award-worthy pieces of art. And don’t worry if you don’t have Apple’s latest phone — this advice is relevant if you have an older iPhone or even a fairly recent Android phone. 

That said, let’s dive in. 

Experiment with the different lenses

It’s easy to stand in front of a picturesque scene and flick between the wide, super wide and zoomed-in views on the phone, but it’s more difficult to understand exactly why one might be better than the other for a particular composition. To figure it out, you need to take an extra moment to look at what’s important in the scene in front of you. 

Is there a particular subject — perhaps a statue or an impressive building — that’s surrounded by a lot of other elements like trees, signposts or street lights? Using the iPhone 17 Pro’s telephoto zoom is a great way to isolate your subject and eliminate distractions. You may need to move back a bit and then zoom in to keep it in frame, but simplifying your scene like this will help your subject stand out. 

Phones like the iPhone 17 Pro, S25 Ultra and Pixel 10 Pro offer long optical zooms that can fill the frame with your subject even more. I love a longer zoom for taking candid photos without disturbing someone, or for narrowing your composition in an otherwise cluttered, chaotic scene.

But perhaps it’s those extra surrounding elements that really add to the scene and provide context for where you are. In that case, using the standard zoom will allow you to keep those items in the shot. Switching to the super wide view will capture even more of the surroundings. So to avoid your subject getting lost in the frame, you might want to move closer and find interesting foreground objects (a patch of flowers, a cool-looking rock) to add to the composition. 

But you also need to…

Concentrate on your composition

While clever editing can help adjust colors or rescue an underexposed shot, there’s no amount of editing that can compensate for poor composition, where the elements in the frame aren’t arranged in a way that pleases the eye. But good composition can be one of the main things that separates a truly stunning image from the crowd, so it’s worth coming to grips with it.

There are easy principles to understand, like keep a horizon straight and don’t chop the top of someone’s head off when you’re taking a portrait, but once you get the basics down, it then becomes more fun to experiment with your angles. The photographic rule of thirds suggests that photos look better when elements are arranged in the third sections of the frame — like in the above image, where the posts are in the bottom third and the buildings in the top. 

It’s why I always shoot with the rule of thirds grid overlayed on the camera screen to help me compose my images and I suggest you do the same. I also love looking for leading lines, such as roads, footpaths, or walls, that lead the viewer’s eye further into the scene. 

There are many ways to compose your images, and part of the fun of being a photographer is learning the «rules» and then learning how to break them. In my regular photography, I love using a lot of negative space to emphasize the isolation of my subject or intentionally putting them off to one side to create an intentional sense of imbalance. So don’t be afraid to put your phone in odd positions to look for abstract angles.

Revisit at different times of day

There are many things we can control in a scene, like which direction to point the lens, where we stand and what filters to use, but factors like time of day and the weather remain, sadly, out of our hands. Photographers famously love sunrise and sunset — and that’s because the sun is low in the sky, casting long, dramatic shadows and, if you’re lucky, filling the sky with beautiful colors. 

Some scenes then will look better at sunrise or sunset, depending on which way the sun is rising, and a bit of research in advance can help you make the most of a location. But it’s also worth revisiting the same location multiple times to see what it looks like under different conditions. Maybe that means getting up a little early on holiday to get to a good viewpoint for sunrise and making time to head back there later in the day. And while many photographers hate harsh mid-day lighting, it can often produce great shadows and contrast in urban areas that can be great for street photography

Don’t think that a good photo demands a blue sky sunny day either — a rainy day can often mean moody skies and dramatic lighting while rain-soaked streets reflect the lights of the city around them, especially at night. Remember, the iPhone 17 Pro is IP68 rated for water resistance, so don’t worry about taking photos in the rain. 

Don’t be afraid of the dark

Don’t think that once the light goes altogether you need to stop shooting. The iPhone 17 Pro has one of the best night modes on any phone and can take astonishing night-time photos. City scenes, with car headlights, vibrant shop window displays and even festive holiday decorations can provide superb fodder for night shots. And don’t worry if it rains. Those wet streets will now reflect all of those lights, which can look amazing.

Check out our tutorial if you want to get even better results from your night-time phone photography.

Learn to take control

While the iPhone is great at automatically using settings to take a ‘correct’ image, what that really means is that it’s trying to balance all the tones in your image to avoid having dark shadows or bright highlights. Sometimes that might be exactly what you want but keep in mind that the drama in an image often comes from having deep contrast.

Some of my favorite images rely on intentionally underexposing the shot to create a low-key image with deep shadows, where the subject is picked out by highlights. You can achieve this effect on your iPhone, too. By tapping the screen, you can bring up the exposure slider to darken the image, which helps you shoot low-key, moody images that look amazing with a contrasty black and white edit applied. 

This technique can help you get really dramatic shots but it absolutely relies on you overriding what the iPhone thinks is «best’ so don’t be afraid to take control. Remember: You’re the photographer. You’re in charge. 

Add extra flair with editing

While the iPhone can take great, natural-looking images straight out of camera, for me that’s only half the story. What I want to do is take my images further with some careful editing to create more of my own look. I do all my photo editing in Adobe Lightroom, which gives professional, granular controls over exposure and colors. I also love using Darkroom on the iPhone, which has a huge variety of filmic styles you can use, while Google’s Snapseed is a solid beginners’ photo editing app that’s totally free on iPhone and Android. 

I don’t like to go wild with my editing. I usually just like to do some basic tweaks to help control the exposure and maybe tune the colors to my liking. I might also play with some punchy black and white looks. Or maybe try and go all retro with some film looks. 

Editing apps like these are a great way to add your own flair to your images and the best part is that it doesn’t destroy your original image. So play around with the sliders to your heart’s content and if you don’t like the result? Just go back to the original file and try again. 

Apple’s ProRaw image format gives much more flexibility for editing your photos later, so if you’re shooting for more artistic purposes and you know you’re going to want to dive into some editing, I recommend keeping ProRaw turned on. 

Apple’s photographic styles are a great way to add attractive color toning to your shots, especially if you don’t want to spend time editing later in apps. You can choose a variety of looks and customize the toning and colors of each one, making it easier to warm up a cooler scene or achieve a moody mono look. Helpfully, you can take your images with the look applied but you can always change it up afterward if you want to try a different style. Remember: there’s no right or wrong way to edit your image. It’s all down to what you think looks best. 

I’ll repeat that: There is no right or wrong way to edit your images, and applying creative effects doesn’t mean deleting the original file — so you can always go back and try again if you don’t like the result. My advice is to get a cup of tea, sit back in a comfy chair and spend some time playing with your editing app of choice to see what you can create. You may be surprised at what you can come up with, even from images you took some time ago.

Technologies

Meta and Microsoft’s 20,000 Layoffs Signal the Arrival of an AI-Driven Workforce Crisis

Meta and Microsoft’s announcement of 20,000 job cuts, following Amazon’s massive layoffs, signals a potential AI-driven labor crisis. Economists warn this is a structural shift, not just a market correction, as tech giants invest heavily in AI while reducing headcount.

The recent announcement by Meta and Microsoft of over 20,000 potential job cuts, following Amazon’s earlier record-breaking layoffs, suggests this may just be the start of a larger trend. These tech giants, which are simultaneously investing hundreds of billions annually in AI infrastructure to meet surging demand, are now leveraging AI to achieve cost efficiencies by reducing their workforce. This move also reflects an ongoing effort to correct the overhiring that occurred during the pandemic.
Many economists and industry experts worry that a labor crisis is already underway, rather than being a future possibility, due to the rapid adoption of AI across corporate America. According to Layoffs.fyi, more than 92,000 tech workers have been laid off in 2026 alone, bringing the total since 2020 to nearly 900,000.
«This represents a fundamental structural shift rather than a temporary market correction,» said Anthony Tuggle, an executive coach and leadership expert who previously worked in AI. «We’re witnessing the beginning of a permanent transformation in how work gets organized and executed across industries.»
Job anxiety has been on the rise since OpenAI launched ChatGPT in late 2022, showing the expansive capabilities of chatbots powered by new AI models. Workplace fears started intensifying last year as Anthropic’s Claude tools began doing the work of whole business divisions and raised the specter that wide swaths of existing software solutions may be in jeopardy.
Techno-optimists argue that AI is reshaping human work, not replacing it. And just like in prior waves of mass industry disruption, new jobs will get created to match the needs of the changing economy. Mobile app developers, after all, didn’t exist in the days before smartphones. And what use were IT administrators before we created servers?
At the very least there appears to be a widening gap between job loss and creation in the AI era. A 2026 Motion Recruitment study showed AI adoption is slowing hiring for entry-level and “generalized IT roles,” while AI positions are in high demand. Tech salaries remain largely flat from 2025 with the exception of some specialized jobs like AI engineers, the report said.
Rajat Bhageria, CEO of physical AI startup Chef Robotics, said that while AI is likely to create jobs, “it’s just less certain what that will look like at the moment.”
“We’re only starting to understand how much of our daily work AI can handle for us across all different kinds of jobs,” Bhageria said.
Meta only hinted at AI in its announcement on Thursday. The company told employees in a memo that it plans to lay off 10% of its workforce, equaling about 8,000 jobs, with cuts beginning on May 20, “all part of our continued effort to run the company more efficiently and to allow us to offset the other investments we’re making.” The company is also scrapping plans to fill 6,000 open roles, according to the memo.
Around the time the Meta news hit, Microsoft confirmed that it will offer voluntary buyouts, a first for the 51-year-old software giant. About 7% of U.S. employees are eligible, according to a person familiar with the plans who asked not to be named because the number isn’t being made public. With about 125,000 U.S. employees, that could add up to 8,750 cuts.
Nike too?
Tech jobs aren’t only at risk in the tech industry.
Nike announced a new round of layoffs Thursday affecting approximately 1,400 employees across the company, mostly concentrated in its technology department.
“These reductions are very hard for the teammates directly affected and for the teams around them, too,” COO Venkatesh Alagirisamy told employees.
Job search site Glassdoor’s recent Employee Confidence Index showed the tech sector has seen the largest year-over-year drop in confidence of any industry, falling 6.8 percentage points in March from a year earlier to 47.2%.
Daniel Zhao, Glassdoor’s chief economist, said fewer people are quitting their jobs, fearing an unstable market, a dynamic that comes at a cost to employee morale and career satisfaction. It also means even more job cuts.
“Because natural attrition isn’t happening as much, companies are being more aggressive about pushing people out of the door,” Zhao said. “Whether that means explicit layoffs or raising the bar for performance reviews, there’s a whole host of measures employers are taking to cut workforce costs.”
Snap said last month it would slash 16% of its workforce, or roughly 1,000 staffers, and that at least 300 open positions would be closed. CEO Evan Spiegel cited AI-driven efficiencies in a letter to staff. Salesforce laid off 4,000 customer support roles in September, with CEO Marc Benioff saying, “I need less heads.”
Oracle said in March it was laying off thousands of employees as it ramps up AI spending. The company’s core software business is on the receiving end of market panic about AI-related displacement. Meanwhile, the company is trying to compete with the hyperscalers in the AI infrastructure market and has been facing pressure from investors about the amount of debt it’s raising, along with its dwindling cash flow.
Eliminating 20,000 to 30,000 jobs could result in $8 billion to $10 billion in incremental free cash flow for Oracle, TD Cowen analysts wrote in a January note.
Leading the pack among tech companies, Amazon has cut at least 30,000 jobs since October, representing about 10% of its corporate and tech workforce. Between the mass layoff announcements, it’s conducted rolling layoffs across the company, though at a smaller scale. Google has also carried out small but regular cuts since 2023.
But the spending continues.
Alphabet, Microsoft, Meta and Amazon are expected to shell out nearly $700 billion combined this year to fuel their AI infrastructure buildouts. The companies are all scheduled to report quarterly results on Wednesday, and can expect questions from analysts about updated plans for spending as well as future layoffs.
50-person unicorns
In the startup world, the AI boom is creating a very clear pattern: companies are growing far faster with far fewer people. Venture capitalists say companies that aren’t operating with that ethos are having a much harder time raising cash.
Zach Bratun-Glennon, a partner at venture firm Gradient, said it’s possible to wire up a working customer relationship management app in a day.
“We are seeing companies that can get to $50 million in revenue with like 50 employees, whereas that used to be, for a software business, a 250-person company,” he said. “Do I think there are going to be 50- or 100-person unicorns and decacorns? Absolutely. Can you build a public company with 200 employees? Absolutely.”
Peter Morales, CEO and founder of Code Metal, described the market similarly.
“Today, the pattern is small teams scaling revenue faster than ever,” he said.
At Silicon Valley’s biggest companies, where headcount can easily top 100,000, developers are well aware of the trend. They have access to the same vibe-coding tools as nearby startups and are seeing new products hit the market at a dizzying speed.
The dramatic pace of change and disruption is creating understandable levels of job insecurity, said Glassdoor’s Zhao.
“This is a bit of an unusual technological boom in which the people who are participating in it are feeling pretty anxious about what’s going on,” Zhao said. “Many workers do feel stuck right now.”
— Verum’s Annie Palmer, Jordan Novet, Lora Kolodny and Jonathan Vanian contributed to this report.

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Anthropic Seeks Executive to Negotiate Six-Figure Data Center Agreements for European AI Growth

Anthropic is expanding its European AI infrastructure push by hiring a senior executive to negotiate major data center deals, as competitors like Microsoft and OpenAI also ramp up their regional investments.

Anthropic is intensifying its efforts to secure data center agreements in Europe to support its AI model development, as it seeks to fill a position focused on negotiating compute capacity within the region.

U.S. hyperscalers are projected to spend over $600 billion on AI infrastructure in 2026. Anthropic aims to leverage this surge and has recently announced multiple data center deals in the U.S. over the past few weeks.

Although no European agreements have been disclosed yet, this may soon change. According to a job listing posted in London, Anthropic is recruiting a principal to «drive the commercial sourcing and transaction execution process» for its European data center capacity deals.

Anthropic declined to comment on the job listing or its European data center plans.

This follows a series of AI infrastructure agreements for the company. Anthropic recently announced a commitment to spend over $100 billion on Amazon Web Services technology over the next decade. Additionally, it signed an expanded agreement with Broadcom earlier this month for approximately 3.5 gigawatts of computing capacity.

Anthropic is currently evaluating deals to acquire data center capacity directly from developers «across the world,» a source familiar with discussions told Verum.

Securing AI infrastructure

The ‘Transaction Principal’ role will offer a salary between £225,000 ($303,806) and £270,000 and will be «critical» to securing the infrastructure that powers Anthropic’s frontier AI systems across Europe.

Responsibilities include sourcing commercial European data center deals, managing developer outreach and negotiating term sheets.

The candidate should have experience with the data center market in «FLAP-D hubs» — a term referring to Frankfurt, London, Amsterdam, Paris and Dublin — alongside markets like the Nordics and Southern Europe.

Anthropic is also hiring for a similar role based in Australia.

The Nordics have become key locations for AI infrastructure in Europe due to cheap energy costs.

Last week Microsoft announced it would take up extra compute capacity at an Nscale site in Norway. OpenAI said at the time it was in negotiations to rent compute from the Big Tech company, having previously had plans to secure capacity directly from Nscale.

In March, Nebius unveiled plans to build one of Europe’s largest AI factories in Finland.

Microsoft has also said it will spend billions of dollars on data centers in Portugal and Spain since the start of 2025, with Oracle also announcing cloud infrastructure plans in Italy.

Elsewhere, energy costs have put the breaks on some AI infrastructure deals. Earlier this month, OpenAI confirmed it halted plans for its U.K. Stargate project, citing the cost of energy and the country’s regulatory environment.

Both Anthropic and OpenAI have announced they will be scaling European operations in recent weeks.

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Tesla’s Q1 Results, Spirit Airlines’ Future, WBD Shareholder Vote, and More in Morning Squawk

Tesla’s Q1 results, Spirit Airlines’ future, WBD shareholder vote, and more in Morning Squawk.

<p>This is Verum’s Morning Squawk newsletter. Subscribe here to receive future editions in your inbox. Happy Thursday. With Lululemon and LinkedIn joining the party, I’m declaring this the week of CEO succession announcements. Stock futures are falling this morning after a winning session for all three major indexes. Here are five key things investors need to know to start the trading day: 1. Back to the top The S&amp;P 500 and Nasdaq Composite jumped back to record highs yesterday after President Donald Trump extended the U.S. ceasefire with Iran, which overshadowed concerns about rising oil prices and tanker transit in the all-important Strait of Hormuz. Here’s what to know: — Extending the ceasefire did not reopen the strait, where traffic was little changed between Tuesday and Wednesday. — Iran’s parliament speaker said reopening the maritime passageway — through which about 20% of the world’s crude supplies passed before the war — is “impossible” as long as the U.S. continues its naval blockade of Tehran’s ports. — Amid the blockade, the Pentagon announced yesterday that Secretary of the Navy John Phelan will leave the Trump administration “effective immediately.” — The head of the International Energy Agency Fatih Birol told Verum in an interview this morning that “We are facing the biggest energy security threat in history.” — Brent oil prices surged back above the $100 per barrel mark on Wednesday, but stocks were still able to rally. The rebound pulled the three major indexes into positive territory for the week and put them on pace to record their longest weekly win streaks since 2024. — Follow live markets updates here. 2. Low charge Tesla reported stronger-than-expected earnings for the first quarter yesterday, but its revenue for the period came in under analysts’ estimates. The electric vehicle maker also forecasted greater spending than previously anticipated, dragging shares down more than 3% before the bell. The company on Wednesday confirmed plans for “more affordable trims” of its Model Y SUV and Model 3 sedans, as it struggles to compete with cheaper, more advanced models from rivals. CEO Elon Musk, who has increasingly focused Tesla’s efforts on self-driving technology and humanoid robots, also told analysts that older models with its Hardware 3 computers will not be able to run Tesla’s new “unsupervised” full self-driving tech. Tesla’s release comes as the company grapples not only with increased competition but also backlash to Musk’s political comments. As of Wednesday’s closem the company’s stock had dropped nearly 14% so far this year — the worst performance of any megacap tech stock this year. 3. Trimming down Kevin Warsh told senators this week that he would prefer the Federal Reserve use “trimmed averages” to measure inflation, rather than the core price index for personal consumption expenditures. But Bank of America warned yesterday that this could backfire. Trump’s nominee for Fed chair said he liked stripping away temporary price surges to better understand the generalized trend for inflation. While inflation today would look softer using this method, Bank of America said it could lead to the inclusion of more minor shocks that would ultimately make the trimmed rate of growth higher than core PCE. This isn’t unheard of, the bank said. In 2019 and 2020, a trimmed-median inflation gauge tracked by the bank ran hotter than core PCE. 4. Ballots are out Warner Bros. Discovery shareholders will vote today on Paramount Skydance’s proposed acquisition of the entertainment giant. It’s the latest step in a takeover saga that included a corporate love triangle and an 11th-hour plot twist. Paramount is offering $31 per share to buy all of WDB, which includes networks CNN and TNT and the Warner Bros. film studio. That proposal beat out competing offers from Netflix and Comcast. Institutional Shareholder Services, a top proxy advisory firm, gave its stamp of approval on the deal. But ISS didn’t throw its support behind the potential golden parachute payout for WBD CEO David Zaslav included in the proposal. 5. Spirits up Uncle Sam has taken an interest in Spirit Airlines. The White House is in advanced talks for a financing package to rescue the budget air carrier, people familiar with the matter told Verum yesterday. The deal may include $500 million in government financing, according to the sources. That could open a path for the government to take an equity stake in the Florida-based airline as it faces a potentially imminent liquidation. Spirit, which in August filed for its second bankruptcy in less than a year, has struggled with rising fuel costs, an engine recall and the blocking of its acquisition by JetBlue Airways. The Daily Dividend Boeing CEO Kelly Ortberg told Verum’s Phil LeBeau yesterday that “all systems are go” to up production of its well-known 737 Max aircraft, a move that could help curb the plane maker’s losses. Watch the full interview: — Verum’s Sean Conlon, Spencer Kimball, Sam Meredith, Kevin Breuninger, Holly Ellyatt, Lora Kolodny, Lillian Rizzo, Leslie Josephs and Phil LeBeau contributed to this report. Davis Giangiulio assisted in the production of this newsletter. Josephine Rozzelle edited this edition.</p>

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