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I Used the Oppo Find X9 Pro’s Bizarre-Looking Hasselblad Lens and Here’s Everything It Can Do

The Hasselblad teleconverter lens adds a 10x optical zoom to the Oppo Find X9 Pro’s 200-megapixel camera. It’s expensive but the results are fantastic.

The Oppo Find X9 Pro has a range of upgrades, including a new 200-megapixel telephoto camera with 3x optical zoom, which boasts several nifty zoom features to help you take a great photo no matter how far away you are from your subject.

For example, it delivers excellent shots at 6x by cropping into the sensor for 50-megapixel photos. Oppo says that it can deliver «lossless zoom» up to 13.2x using computational photography — that’s close to the max digital zoom on phones from a few years ago. And if that’s not enough for you, the Find X9 Pro also supports an external Hasselblad telephoto lens accessory, which further zooms into distant subjects.

Out of these three, the detachable telephoto lens is the most wild. When attached, the Hasselblad lens sticks out several inches from the back of the phone. It somewhat resembles a mini-telescope.

Oppo isn’t the first to make such an accessory; both Vivo and Xiaomi have done it before. However, Oppo’s take is different than the rest. While others offer a camera grip with a shutter button, Oppo’s Hasselblad Teleconverter Kit relies on the phone’s Quick Control hardware button or the on-screen shutter button to shoot the photos.

I’ve been using it a lot recently and here’s what it can do. I should note that the Oppo Find X9 Pro isn’t available in the US.

Using the Hasselblad Teleconverter Kit is kind of a hassle

The Hasselblad Teleconverter Kit comes with three pieces: a snap-on camera module attachment, the telephoto lens itself and a brace that can screw into a tripod for stability.

To use it, you also need to have the official Magnetic Photographer Case, which is purpose-built to support the slide-on attachment. You can then add the lens with a twist, which clicks securely into place over the 200-megapixel telephoto camera.

The external lens accessory is heavy, making the phone unbalanced and unwieldy. I got used to it, but it took a day to figure out how to hold the phone and lens combo most effectively. However, I sorely miss that there’s no camera grip to provide a secure hold for the phone when the lens is mounted. If I move my hand for a more comfortable hold or to tap the screen for long zoom shots, my framing is significantly altered. If I were to change one thing about this teleconverter kit, I’d add a camera grip to make this setup more comfortable to use.

You can use a tripod to brace the lens, which helps stabilize your shots in the viewfinder; however, this is counterproductive to the idea of using a phone to take photos in the first place. I don’t want to carry a tripod — at that point, I might as well just use a dedicated camera and telephoto lens. After all, the whole purpose of having a portable tele lens is to minimize bulk.

And yet, I love using it

The first time you add the Hasselblad lens and open the Camera app, you might be surprised to see the viewfinder upside down. To counter this, you need to go to the dedicated Hasselblad Teleconverter mode under the More menu.

Besides flipping the viewfinder the correct way, it gives you 10x, 20x and 40x zoom options. You can always use the slider to adjust the magnification between 10x and 200x. I used it for a day in Barcelona and loved the natural depth it added to human subjects. I was also surprised by some lowlight results. 

Here are few of my favorite photos that I shot on the Oppo Find X9 Pro using the Hasselblad Teleconverter Kit:

I saw a person skateboarding after setting up my camera and kept tapping the shutter button in hopes of getting an action shot. I love how this came out because there’s no motion blur on the person or his skateboard. These kinds of shots require a fast shutter speed to freeze the moment, and the Oppo Find X9 Pro was able to do so at 10x zoom using an external lens. The colors are accurate, the contrast is nice and there’s a good bokeh despite having a moving subject.

When setting up this shot, I tapped on the yacht to move the focus point from the person sitting on the seaside. At 20x zoom, it captured a nice-looking shot but if you look closely, the details are missing from the faces of the people on the yacht. It’s because the camera moved slightly when I was adjusting the focus and trying to capture the photo. Overall, I still prefer the Hasselblad lens and Oppo combination for accurately capturing the colors of a sunset.

At 40x zoom, the Hasselblad teleconverter lens captures softer images and the details go for a toss. But its processing still retains the mood and feel of the frame which is just as important as getting sharp details. It gets the colors right and there’s a decent bokeh. It can also track faces to determine the subject, even at 50x zoom and, like in the above shot, you get decent clarity.

If you have a still subject, the external Hasselblad lens adds a DSLR-like shallow depth of field. It was even able to capture the woman’s hair strands in a windy environment. I love this photo because no portrait mode was used and that bokeh is the lens’ natural bokeh just like you’d get from a DSLR or mirrorless camera. It offers a similar shallow depth of field at 20x for still subjects.

For this photo, I tapped the wall for focus, which also adjusted the exposure and white balance automatically. Too many similar shots from other phones suffer from overprocessing, but not this one. I’m impressed by how it was able to expose for the light, without blowing out the highlights to white. The people were properly exposed without me needing to tap on either for focus and exposure. It also got the mood right in the process.

However, using the lens in low-light settings, like above, adds a lot of noise reduction and tends to give photos a soft, blurry watercolor look. The above shot was also captured at 10x and there’s light over the subject’s face, but the overall look is soft with fewer details. That said, it gives the photo a unique look, which I don’t dislike.

This is also a tap-lock-on-the-subject-and-shoot image, where I [the subject] was moving and the system was able to track my face to focus better. I love the photo’s contrasty look. In anything less than direct sunlight, the Hasselblad lens softens the subject, but the photos still come out looking great.

I like having the ability to expand my phone’s zooming capabilities for both photos and videos. However, the Hasselblad Lens Converter kit remains more of a novelty than something you’d use every day, mostly thanks to its price. While it’s fascinating how close you can get to distant subjects without losing much image quality, at 499 euros (roughly $575), it’s one of the most expensive phone accessories you can buy.

At that price, I’d expect it to function better with my phone. For instance, I’d like the camera software to be able to detect that I’ve attached an external lens, so it would open in the Hasselblad Teleconverter mode by default — rather than giving me a black viewfinder.

The Hasselblad Teleconverter kit is one of the most expensive phone accessories on the market. But if you can afford it, the lens adds a lovely natural bokeh to photos while retaining a scene’s natural colors. It also outputs excellent night shots. It might not be the best value but I can’t seem to put it down.

Technologies

Let T-Mobile Pick Up the Tab. Get a Free iPhone 17 With a New Line

If you’ve been looking to add a new line or switch carriers, you can scoop up Apple’s latest flagship on T-Mobile’s dime.

Apple’s new iPhone 17 typically costs $830 for the 256GB configuration, or up to $1,030 for the 512GB configuration. However, T-Mobile isoffering it to customers for free if they meet certain qualifications. If you’ve been looking to trade in your old device or choose an eligible plan, now is a great time to nab this deal.

T-Mobile doesn’t mention a deadline for this deal’s end, but it’s best to act fast if you’ve been wanting the latest iPhone.

To get a free iPhone 17, you’ll need to switch to T-Mobile on an Experience Beyond or Experience More plan and open a new line. You can also choose a Better Value plan, but you must add at least three lines with that plan to get your phone. You can also add a new line on a qualifying plan to score the deal, so long as you also have an eligible device to trade in.

Buyers are still responsible for the $35 activation fee. You’ll get bill credits for 24 months that amount to your phone’s cost. Additionally, you can only get up to four devices with a new line on a qualifying plan.

Note that newer phones will net you more trade-in credits, but an iPhone 6 will net you at least $400 off. The iPhone 17 Pro is also free with a trade-in of an eligible device on an Experience Beyond plan. The iPhone 17 Pro Max is just over $4 per month right now, with the same qualifications.

We’ve also got a list of the best phone deals, if you’d like to shop around.

Why this deal matters

The iPhone 17 series is the latest in Apple’s ecosystem. These smartphones are made to work with Apple Intelligence, include faster chips, offer improved camera performance and show off Apple’s trademark gorgeous design. Starting at $830, they’re not the cheapest phones around, so carrier deals like this one are the best way to save some serious cash.

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Technologies

How Team USA’s Olympic Skiers and Snowboarders Got an Edge From Google AI

Google engineers hit the slopes with Team USA’s skiers and snowboarders to build a custom AI training tool.

Team USA’s skiers and snowboarders are going home with some new hardware, including a few gold medals, from the 2026 Olympics. Along with the years of hard work that go into being an Olympic athlete, this year’s crew had an extra edge in their training thanks to a custom AI tool from Google Cloud.

US Ski and Snowboard, the governing body for the US national teams, oversees the training of the best skiers and snowboarders in the country to prepare them for big events, such as national championships and the Olympics. The organization partnered with Google Cloud to build an AI tool to offer more insight into how athletes are training and performing on the slopes.

Video review is a big part of winter sports training. A coach will literally stand on the sidelines recording an athlete’s run, then review the footage with them afterward to spot errors. But this process is somewhat dated, Anouk Patty, chief of sport at US Ski and Snowboard, told me. That’s where Google came in, bringing new AI-powered data insights to the training process.

Google Cloud engineers hit the slopes with the skiers and snowboarders to understand how to build an actually useful AI model for athletic training. They used video footage as the base of the currently unnamed AI tool. Gemini did a frame-by-frame analysis of the video, which was then fed into spatial intelligence models from Google DeepMind. Those models were able to take the 2D rendering of the athlete from the video and transform it into a 3D skeleton of an athlete as they contort and twist on runs. 

Final touches from Gemini help the AI tool analyze the physics in the pixels, according to Ravi Rajamani, global head of Google’s AI Blackbelt team. which worked on the project. Coaches and athletes told the engineers the specific metrics they wanted to track — speed, rotation, trajectory — and the Google engineers coded the model to make it easy to monitor them and compare between different videos. There’s also a chat interface to ask Gemini questions about performance.

«From just a video, we are actually able to recreate it in 3D, so you don’t need expensive equipment, [like] sensors, that get in the way of an athlete performing,» Rajamani said.

Coaches are undeniably the experts on the mountain, but the AI can act as a kind of gut check. The data can help confirm or deny what coaches are seeing and give them extra insight into the specifics of each athlete’s performance. It can catch things that humans would struggle to see with the naked eye or in poor video quality, like where an athlete was looking while doing a trick and the exact speed and angle of a rotation. 

«It’s data that they wouldn’t otherwise have,» Patty said. The 3D skeleton is especially helpful because it makes it easier to see movement obscured by the puffy jackets and pants athletes wear, she said. 

For elite athletes in skiing and snowboarding, making small adjustments can mean the difference between a gold medal and no medal at all. Technological advances in training are meant to help athletes get every available tool for improvement.

«You’re always trying to find that 1% that can make the difference for an athlete to get them on the podium or to win,» Patty said. It can also democratize coaching. «It’s a way for every coach who’s out there in a club working with young athletes to have that level of understanding of what an athlete should do that the national team athletes have.»

For Google, this purpose-built AI tool is «the tip of the iceberg,» Rajamani said. There are a lot of potential future use cases, including expanding the base model to be customized to other sports. It also lays the foundation for work in sports medicine, physical therapy, robotics and ergonomics — disciplines where understanding body positioning is important. But for now, there’s satisfaction in knowing the AI was built to actually help real athletes.

«This was not a case of tech engineers building something in the lab and handing it over,» Rajamani said. «This is a real-world problem that we are solving. For us, the motivation was building a tool that provides a true competitive advantage for our athletes.»

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Technologies

Virtual Boy Review: Nintendo’s Oddest Switch Accessory Yet Is an Immersive ’90s Museum

No one needs a Virtual Boy. But I always wanted one. And now it’s living with me at last.

On my desk is a Nintendo device that looks like equipment stolen from a cyberpunk optical shop. It’s big, it’s red and black, it sits on a tripod, it has an eyepiece, and it has a Nintendo Switch 2 nestled inside. Hello, Virtual Boy, you’re back.

Nintendo has made a lot of weird consoles over the years, but the Virtual Boy was the weirdest. And the shortest lived. Released in 1995 and discontinued a year later, it lived for a blink of an eye during my final year in college. I never really had time to consider buying one.

It would have been perfect for me, a Game Boy fan who was in love with the idea of VR even back then. Nintendo has been flirting with virtual reality in various forms for decades, and the Virtual Boy was the biggest swing. But it wasn’t VR at all, really. It was a 3D game console in red and black monochrome, a 3D Game Boy in tripod form.

I’m setting the stage because right now you can order a $100 Virtual Boy recreation that’s a big, strange Switch accessory. It’s staring at me now, taking up a lot of space. It’s too big to fit in a bag. It’s a tabletop console, really, and Nintendo has created this Virtual Boy viewer as a way to play a set of free-with-subscription games on the Switch and Switch 2.

Is it worth your money? I’d call it a museum-piece collectible, not a serious piece of gaming hardware. Still, my kid stuck his head in, played 3D Wario Land, and came out declaring it was really cool. He loves old retro games. But I don’t know how often he’ll pop his head back in.

Nintendo’s first stab at 3D now feels like a museum piece

For comparison, I pulled my old Nintendo 3DS XL out of the drawer where it had been tucked away and booted it up, marveling again that Nintendo actually made a glasses-free 3D game handheld once upon a time. The 3DS is a far more capable and advanced game system, but consider the Virtual Boy an ancient attempt to get there first. 

The Virtual Boy was a monochrome red-and-black LED display system, a tabletop-only device that was neither handheld nor TV-connected. The Nintendo Switch’s tabletop-style game modes feel like a bit of an evolutionary link to the Virtual Boy, so it’s poetic that the Switch pops into the new Virtual Boy to power the games and provide the display.

The plastic Virtual Boy is just an odd set of VR goggles for the Switch, but with a red filter on the lenses. Also, you can’t wear it. You keep your head stuck in it.

Awkward and easy to use

All the trappings on this recreation look like the old Virtual Boy but don’t work: You can see a simulated headphone jack, controller port, a sort of knob on top. I just unsnap the plastic case and slide the Switch in, carefully, and then snap it back over. That’s all it is.

To control it, you use the Switch controllers detached or another Switch-compatible controller. Launching the Virtual Boy app — free on the eShop, but you need a Switch Online Plus Expansion Pack account, which costs $50 a year, or $80 for a family membership — splits the Switch display into two smaller, distorted screens. In the Virtual Boy, it looks properly 3D. When I’m done playing, I pop the Switch back out.

As I said in my first hands-on, the big foam-covered eyepiece is more than wide enough for big glasses, and was fine to dip my face into. Getting a comfortable angle to stay playing for a while is another challenge. The Virtual Boy’s included tripod-like stand can adjust the angle, but not as wide as I’d like. I’m sort of hunched over while playing, which gives me a bit of pain. Leaning on the table with my controllers in hand helps.

The red-lensed front eyepiece can be removed, and a later software update will allow Virtual Boy games to be played in several color mixes beyond red and black. Also, you can unscrew an inner bracket to hold the Switch 2 and swap in an included Switch-sized bracket instead. The Switch Lite doesn’t work with the Virtual Boy, however.

The weirdness is my type of indie

All you get right now are seven of the 16 games Nintendo has promised to release for the Virtual Boy. Believe it or not, there were only 22 games ever released for this system. The 16 will include two that were never released before, which is a fun collector’s novelty. 

But what’s amazing to me now is that, sinking into these oddball retro games with their pixelated NES-slash-Game Boy aesthetics in red and black, they feel weirdly timely. The janky, oddball, almost-parallel-universe Nintendo vibe feels like the indie retro aesthetic that’s been big for a while now. After all these years, is the Virtual Boy now finally awesome?

Games like UFO 50 (a compilation of new indie games made to feel like an archive of ’80s games for a console that never was) and indie consoles like Panic Playdate (still my favorite black and white mini handheld, a home for all sorts of homebrew retro games) match my feeling diving into these Virtual Boy games and figuring them out.

Wario Land is probably the best: A side-scrolling Wario game with multiple depth levels, it gives me Game Boy Mario game vibes. Golf has multiple holes and an aiming system, and it’s relaxed and basic (and hard to perfect). 3D Tetris has you dropping blocks down a well to fill in layers, with a Tron-like puzzle feel. Red Alert’s wireframe 3D shooter design is like Star Fox, but boiled all the way down to simple vector lines. Galactic Pinball has several tables, and it’s some lovely, very old-school 3D Nintendo pinball fun. Teleroboxer is Punch-Out with robots, with a style that also reminds me of the early Switch game Arms. And The Mansion of Innsmouth is a creepy 3D dungeon-crawling game (in Japanese) where you try to get to exits before time runs out… or monsters get you.

The remaining games coming this year include Mario Tennis, another Tetris game, a wireframe 3D racer, a 3D reinvention of the original Mario Bros. game called Mario Clash and a 3D Space Invaders. By the end of Nintendo’s release schedule, a good chunk of Virtual Boy’s catalog will be there.

A novelty that’s niche as hell

Worth it? Again, if you love weird and retro, and are intrigued by lost Nintendo 3D games, then yes. But if you’re looking for cutting-edge, then no.

Keep in mind: You can buy a cheaper $25 cardboard set of goggles for the Switch that lets you play the Virtual Boy games, too (or use the old Labo VR goggles Nintendo made in 2019, if you have them). That’s a more sensible path. There are even unofficial emulators for Virtual Boy games on the Meta Quest and Apple Vision Pro. But who said the Virtual Boy was sensible?

A Nintendo game system that’s a big set of red goggles on a tripod is inherently absurd. And I welcome its weird footprint in my home, because that’s exactly who I am. But it’s also a testament to Nintendo’s perpetual interest in the bleeding edge of gaming. VR, glasses-free 3D, AR, modular consoles… Nintendo’s poking around the edges. 

Is the Virtual Boy a sign that Nintendo could make its own VR or AR game system again someday soon, or as an extension of the Switch 2? Who knows? Shigeru Miyamoto, Nintendo’s legendary video game designer, sounded intrigued and elusive about it when I asked him last year. But there’s never any real way to guess where Nintendo’s heading. The Virtual Boy is a museum-piece reminder of that.

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