Technologies
I Love Using My Phone to Shoot Stunning Home Movies and You Can Too
You don’t need the best equipment to shoot family home movies you’ll cherish. Here’s how to get better results with just your phone.

The iPhone 16 Pro is a superb camera for shooting video, thanks to its stunning quality, its simple operation and even its fun 4K slow motion mode. It’s never been easier to shoot gorgeous footage of your family or your friends whether you’re gathering at home or celebrating on vacation. Don’t have an iPhone? No worries! Other phones like the Samsung Galaxy S25 Ultra, Pixel 9 Pro XL or older iPhones and Android phones are also capable of capturing professional-looking video with very little effort on your part. But if you want to add some Hollywood flair to your videos, there’s a lot you can do to take things to the next level.
Read more: Best Camera Phones to Buy Right Now
It takes more than just a good camera to create videos you’ll want to watch again and again. You also need to know how to use that camera properly, how to capture the right moments and what makes for a good-looking shot. A creative eye and some planning will help too, taking you from a simple home video into something more inspiring that you’ll want to share with your family and watch again in years to come.
Here are my top tips that you should keep in mind when making your own family movies, whether you’re gathering for a holiday feast, journeying off to exotic lands on vacation or simply having some backyard drinks with friends.
1. Consider what you want your video to be
Before you start, you should give a bit of thought to what you want your video to include. While it could just be a full film of everything that happens over the holidays, or your child’s upcoming birthday, consider making it a bit more specific. Perhaps a video all about the games you play together, or them opening their presents.
Having a more focused story to tell — even a basic one — will help you consider what shots you’ll need to get, and it’ll help you shoot and edit only what you need, rather than having endless hours of footage to sift through. A Christmas day movie can be more straightforward as you’ll likely want to simply tell the story from the morning through to the drinking and games at the end of the day. Even so, try and consider how you can be selective and tell an interesting story rather than just filming every minute of the day you have together.
For my own festive-themed video (embedded above), I decided to show how I make my own hot mulled cider. By keeping it to a specific topic I was able to determine exactly the shots I needed and in what order, and even sketched out a storyboard of shots ahead of time. You don’t have to go that far, but having a rough idea in mind will help a great deal.
2. Set up your phone properly
Almost all recent smartphones can take great video, but it’s worth checking out the settings to make sure you’re ready to go. Your resolution settings are up to you, but full HD (1080p) is probably a good starting point, as it’ll look good but won’t fill up your phone’s storage too quickly. You can ramp it up to 4K if your phone allows it, or even drop it to 720p if you’re on an older device that won’t handle editing as well.
Read more: Best Camera Accessories for Your Phone
If you have an iPhone 16 Pro, 15 Pro or 14 Pro and plan on doing a lot of post-production on your footage in software like Adobe Premiere or DaVinci Resolve, you can consider shooting in Apple’s ProRes format. This gives you the best image quality, but the file sizes are immense, so if you want to keep things simple then it’s better to shoot in the standard video mode.
If you have the latest iPhone 16 Pro or iPhone 15 Pro you could take things further and shoot in Log. Log is a color profile that looks very low-contrast out of camera, but gives much more flexibility for adjusting the contrast, colors and overall look of the footage in post. Applying these edits is a process called color grading and it’s often what separates professional, Hollywood movies from everyday home videos. If you want to create a truly cinematic, professional look to your video, then shoot in Log and color grade your footage in DaVinci Resolve on your desktop or iPad.
It’s worth keeping an eye on your storage though, especially if you’re away from home for a while; you don’t want to fill up your space on the first two days of your trip only to have no room to capture the rest of the vacation. Those of you shooting ProRes Log on your iPhone 15 or 16 Pro can now attach an SSD using USB-C for saving those huge files directly to external storage.
3. Keep your video clips short and sweet
While it’s easy to stand and film a five-minute clip of someone peeling potatoes for dinner, the reality is that when you watch that back, you’ll realize it’s way too long to remain interesting. Instead, consider keeping each clip to around 15-20 seconds in length. You might be surprised at how long 15 seconds of video actually seems like when you watch it back, and having lots of shorter clips cut together will give the video a more engaging, more professional feel.
If you’re walking up through a beautiful mountain trail, consider shooting 20 seconds of footage at 5- or 10-minute intervals — or only at particularly scenic viewpoints — rather than just filming the whole way up. But make sure you’re ready to capture interesting or funny moments as they happen as it’s these personal moments that you’ll enjoy looking back on down the line.
4. Stabilize your phone
There’s nothing that can ruin a video quite as easily as shaky hand-held footage. If your phone has a stabilized video mode, make sure it’s turned on. If not, consider using a small tripod to keep your phone steady. This of course also allows you, the filmmaker, to be involved in the action as well, which is great if you’re the one doing the cooking, or handing out presents.
You could even consider carrying a small mobile gimbal like the DJI OM 5. It allows you to get rock-steady footage even as you’re walking along, while the built-in selfie stick lets you film yourself more easily or capture more interesting angles for your footage than if you were just hand-holding your phone. If you’re interested in taking your mobile movie-making a bit more seriously then check out some of the best accessories you can pair with your phone to improve your footage.
5. Get creative with angles
A great way to improve the cinematic qualities in your film is to experiment with different angles. Say you’re capturing the moment your child takes a present from under the tree at Christmas — don’t just film them from your standing position nearby, but instead consider how you can capture that moment in a more exciting way. Perhaps even put the phone inside the tree, among the presents, so you see your child reaching toward the camera to retrieve their gift.
There’s no end to the ways you can play with your angles, so have a think about how you can shake things up. You can always try to reshoot certain things from multiple angles (or set up a spare phone or camera for another angle) and then cut them together in your video editor afterwards. In my video, for example, I wanted to show the cinnamon and ginger being thrown into the pot, so I used two angles: one from a first-person perspective looking into the pot, and another where I’d positioned my phone behind the pot to show me throwing the ingredients in. It’s little elements like this that can make a big difference overall.
6. Improve the audio and lighting
If your video will include people talking to the camera — perhaps your friends telling the camera where you are in the world or explaining how badly they’ll need a beer after the long hike — you’ll want to make sure your phone can capture that audio clearly. For the best results, consider buying a small external microphone like the Rode VideoMicro, which plugs into your phone’s power port, via an adapter, and will dramatically improve the sound quality.
Read more: Best Accessories for Better Video
If you don’t want to invest in extra gear there’s still a lot you can do to help. Turning off or at least lowering background music or closing the doors to drown out kitchen appliances will make a huge difference in how clear those voices can be captured. Outdoors, your biggest enemy for good audio will be the wind. There’s not always much you can do about it but at least trying to turn your back to the wind and providing a buffer between it and your phone will go some way to minimizing the problem.
Lighting is crucial too, and if you’re filming indoors in dimly lit spaces, then adding in your own light well help keep your footage looking good. I’ve outlined various LED light sources in my guide to video accessories, but one of my favorites for video production is the Zhiyun Fiveray FR100C light stick, which is easily hand-held and can produce any color you want, making it easy to get creative.
7. Experiment with slow motion and time lapses
Most recent phones have modes for taking slow motion video and for time lapses and both can be great tools for your video. Of course, it needs to make sense to use them — slow motion to slow down fast-paced action, and time lapse to speed up a long sequence.
In my mulled cider video, I used slow motion when lighting the stove to give a cinematic quality to the flames erupting, and I also slowed down the footage of me throwing ginger into the pot to get a great slow-mo effect on the cider splashing up. As it’s a short sequence it didn’t make a lot of sense to do a time lapse, but if you want to capture the whole process of making dinner, for example, a time lapse from high up in your kitchen, videoing you moving around over maybe a couple of hours would be a neat addition to a holiday film.
8. Edit your video
Once you have your video clips it’s time to piece them together. This can be the most challenging part, especially for those of you who are totally new to video production. Thankfully, there are easy ways of doing things.
Some phones, like the iPhones, as well as recent Samsung Galaxy phones, have built-in auto video makers that allow you to select some clips and automatically cut them together into a film, complete with background music and transitions between clips. They’re not always the most elegant of productions, but they’re worth keeping in mind if you’re a total beginner and just want a basic video put together to send to your family or friends.
Alternatively, look towards apps like BlackMagic’s DaVinci Resolve, which is free on the iPad (as well as on Mac or PC), with only some advanced features requiring a paid upgrade. It’s an incredibly well-rounded video editor that’s used by creative pros around the world and is renowned for its great tools for editing colors. For a more basic approach, look towards Quik by GoPro. It’s free and also lets you drop multiple video clips into a project for the app to automatically turn into a finished film. iPhone users will also be able to use Apple’s iMovie for free, which is an extremely easy-to-use video editor, with a variety of presets and styles available. Adobe Premiere Rush has a wide variety of editing tools and is built to be mobile friendly. It’s a great app, but it does cost $10 (£9, AU$15) a month, so it’s only worth considering if you think you’ll want to do more video production.
Technologies
Meta Wants AI to Handle Every Part of Ad Creation. Here’s What That Means
This move can impact all Instagram and Facebook subscribers and the future of the global advertising industry.

Meta is diving even deeper into artificial intelligence. According to an exclusive Wall Street Journal report released Monday, the company behind Facebook and Instagram is developing AI systems that could eventually fully automate the process of creating and buying ads on those popular sites. This means no human copywriters, designers or media buyers will be involved.
It’s a controversial move that could shake up the $600 billion global ad industry. The announcement also raises fresh questions about creativity, accuracy and the future of marketing jobs.
A representative for Meta did not immediately respond to a request for comment.
Read more: What Is Meta AI? Everything to Know About the Tech Giant’s AI Tools
How would this work?
Seemingly, Meta’s end goal is to create a system that lets businesses simply explain their product or marketing ideas, alongside a budgeting goal, to the AI-driven ad tools and then the machine takes over from there. That means AI generates ad copy, visuals, targeting strategies and even media placement decisions, all without human intervention.
In the short term, this would start with AI making suggestions or streamlining parts of the ad process. But over time, Meta reportedly wants AI to be capable of managing entire campaigns on its own, from start to finish.
Meta’s spokesperson told the Journal that advertisers would remain «in control» of their campaigns, but the broader vision paints a future where AI is the creative director, media planner and performance analyst all in one.
Meta is all in on AI
AI is central to Meta’s long-term strategy. CEO Mark Zuckerberg has called AI the company’s «single largest investment area,» and with competitors like Google and Amazon also building AI-powered ad systems, Meta is racing to claim its stake in the game.
This also aligns with Meta’s broader ambitions to weave AI across its platforms. Meta has already integrated its Meta AI chatbot across Instagram, Facebook, Messenger and WhatsApp, explored creating AI avatars on Instagram, and worked generative AI tools into its apps, so automating advertising is just one more piece of a much larger puzzle.
Read more: How to Opt Out of Instagram and Facebook Using Your Posts for AI
Can anyone benefit from this move?
The effort builds on Meta’s existing suite of AI-powered ad tools, like Advantage+ and generative tools introduced in 2023. Those features already allow marketers to automatically create image backgrounds, write copy variations and test ad formats. What’s coming next could push those tools into full autonomy.
According to Meta, this isn’t just about improving efficiency, it’s about scale. Meta claims small businesses would be the key beneficiary of this AI approach, especially those lacking the time or resources to hire marketing teams. The idea is that AI can level the playing field between small businesses and multi-million dollar companies.
«In the not-too-distant future, we want to get to a world where any business will be able to just tell us what objective they’re trying to achieve, like selling something or getting a new customer, how much they’re willing to pay for each result, and connect their bank account and then we just do the rest for them,» Zuckerberg said during Meta’s annual shareholder meeting last week.
While Zuckerberg is calling this «a redefinition of the category of advertising,» critics are already raising concerns.
Mainly, media and ethics experts warn that fully automating ad creation could open the door to misinformation, biased targeting and further erosion of accountability in digital advertising. AI isn’t immune to mistakes or manipulation, and can be used to spread harmful messaging, such as AI-generated deepfakes.
Read more: Trump Signs Bill Banning Deepfakes, Nonconsensual Images
What can this mean for advertising agencies and jobs?
Critics are not just concerned with the accuracy for AI-driven ads, they’re also worried about the future of traditional ad agencies and marketing jobs.
Meta claims that its focus on AI-driven ads is not intended to wipe out ad companies and their employees. Alex Schultz, the chief marketing officer and vice-president of analytics at Meta, has said these AI systems are meant to assist ad agencies and he doubled down on the claim that this will be an asset to small and medium-sized businesses.
«We believe in the future of agencies,» Schultz wrote in a recent LinkedIn post. «We believe AI will enable agencies and advertisers to focus precious time and resources on the creativity that matters. While we think there will ultimately be more automation in marketing, the role that agencies play is going to become ever more important through their ability to plan, execute and measure across platforms.»
What can this mean for Instagram and Facebook users?
If you’re a business owner, marketer or even just a regular social media user, you’re going to feel the ripple effects. You can expect to see more ads that were built by AI machines and possibly tailored to your interests in ways that feel more personal, even if no human ever touched them.
Technologies
I Live in the City Where Netflix’s Thrilling New Crime Drama Is Set. I Barely Recognize It
Commentary: This bingeworthy detective show cast my hometown in a noirish light.

Any well-reviewed crime drama that draws numerous comparisons to Apple TV’s brilliant Slow Horses will easily earn a place on my to-watch list, but as soon as Dept. Q hit Netflix last week, I hit play without hesitation. The reason I was in such a hurry to dive in is that I live in Edinburgh — the city where the new detective show is set.
Edinburgh is often used as a filming location, but most of the time it simply provides a picturesque and/or historical backdrop for a TV show or film — it’s more about the aesthetic effect rather than playing a pivotal role in the plot.
Dept. Q is different. Jaded detective Carl Morck, played by a grizzled Matthew Goode, who is recovering from a shooting that killed one police officer, nearly killed him and paralysed his partner on a call-out, has been tasked with running a new department delving into Edinburgh’s cold cases. The case that Goode picks out, along with the circumstances surrounding his shooting, has complex, knotty links to Edinburgh’s justice system and criminal underworld.
Here, the city provides more than just a pretty skyline — it’s pulled into the foreground, with the key players moving between the grand courts on Edinburgh’s famous Royal Mile and the grimier parts of the city that tourists never see. As someone who calls Edinburgh home, I’m more than familiar with the landmarks, but I don’t recognize the side of the city I see in the show at all. That’s not to say it’s not accurate.
Sure, Edinburgh isn’t exactly a hotbed of violent crime compared with other cities in the UK and definitely compared with cities in the US. In the five years I’ve lived here, I can remember only one fatal shooting making the news. But I also fully acknowledge that the majority of organized crime is often hidden from the view of those not immersed in that world.
Occasionally, violent incidents, police raids or trials spill over, sending ripples of anxiety through neighborhoods and cropping up in headlines. But artistic portrayals, while often exaggerated for dramatic effect, can expose us to versions of places that otherwise might remain hidden from view.
As a city famed for its beauty, often thought of as genteel and rather sedate, it’s interesting to see Edinburgh portrayed as a place that is so much more than the tourist ideal. Not since the 1996 film Trainspotting has a less romanticized vision of the city been seen on screen.
Dept. Q even wasn’t originally set in Edinburgh — it’s actually adapted from a Danish novel of the same name — but as a resident, I appreciated the way it provided a different perspective on the place that I know and love. It was also fun to spot parts of town I’m intimately familiar with appear in a relatively high-production show — the castle view from outside my favorite indie record store, for example.
There are many flaws with Dept Q, from little niggles (what local journalist can afford to drive a Porsche?) to pacing issues — especially in the first episode. The plot is so meaty that at times it becomes convoluted. But in spite of all of this, I found myself staying up past my bedtime to watch «just one more episode» — as my husband and I would tell each other with a sideways glance, fully aware that we were succumbing to a full-on binge.
Is it perfect? No. Am I already hankering after season 2? Absolutely. Am I hoping Edinburgh will loom even larger in future episodes? I’m asking nicely — yes, please.
Technologies
Today’s Wordle Hints, Answer and Help for June 3, #1445
Here are hints and the answer for today’s Wordle, No. 1,445, for June 3.

Looking for the most recent Wordle answer? Click here for today’s Wordle hints, as well as our daily answers and hints for The New York Times Mini Crossword, Connections, Connections: Sports Edition and Strands puzzles.
Today’s Wordle puzzle could be tricky. I think of it as an abbreviation and I didn’t know Wordle allowed those as answers. If you need a new starter word, check out our list of which letters show up the most in English words. If you need hints and the answer, read on.
Today’s Wordle hints
Before we show you today’s Wordle answer, we’ll give you some hints. If you don’t want a spoiler, look away now.
Wordle hint No. 1: Repeats
Today’s Wordle answer has no repeated letters.
Wordle hint No. 2: Vowels
There are two vowels in today’s Wordle answer.
Wordle hint No. 3: First letter
Today’s Wordle answer begins with the letter A.
Wordle hint No. 4: Short for something
Today’s Wordle answer is an abbreviation that is used for a job title.
Wordle hint No. 5: Meaning
Today’s Wordle answer can refer to an employee who is in charge of the technical aspects of a business.
TODAY’S WORDLE ANSWER
Today’s Wordle answer is ADMIN.
Yesterday’s Wordle answer
Yesterday’s Wordle answer, June 2, No. 1444 was PREEN.
Recent Wordle answers
May 29, No. 1440: QUASH.
May 30, No. 1441: IDIOM
May 31, No. 1442: HABIT
June 1, No. 1443: ROUGH
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