Technologies
Should You Bring a Camera When You Travel or Is a Phone Enough?
Apple iPhone, Samsung Galaxy Ultra or mirrorless camera: Here’s what it’s like to shoot travel photos with each.
For most travelers, the smartphone in your pocket works just fine for taking photos of adventures. But what are you missing by relying on your phone alone? I used my recent trip to Germany to explore when a casual sightseer would benefit from having a dedicated camera or if their phone would be enough.
While everyone’s kit is different, most travelers won’t be hauling around a DSLR or pro-quality mirrorless camera. Instead, they’ll debate between buying a fancy new phone or a more affordable everyday mirrorless camera. (Though there are point-and-shoot options if you want a standalone camera, they may not outstrip your phone’s photo capabilities.)
I’m no pro photographer, so don’t expect expert advice on how to get the most out of this kit, but for casual photo takers who leave their camera on the auto settings, this is a good comparison to see what each device can handle without much fuss amid a busy trip abroad.
My kit isn’t the best you’ll find, but it’s probably not far off from what many travelers may pack in their pockets and bags: my personal iPhone 12 Pro, a Samsung Galaxy S22 Ultra (to test a more camera-intensive phone), and a snug Sony ZVE-10 mirrorless camera with a Sigma 16mm f1.4 DC DN (an affordable prime lens).
Here’s the breakdown for what each device did best — and what they couldn’t do.
iPhone 12 Pro
The iPhone 12 Pro is a few years past its October 2020 launch date but still plenty capable, and its photo capabilities are probably similar to what many older premium and newer cheaper phones can achieve. When it debuted, the iPhone 12 Pro retailed for $999 (£999, AU$1,699) but years later it isn’t really sold anywhere aside from refurbished at sub-$500 prices. You can still pick up a stock iPhone 12 on Apple’s website for $599, but it lacks the 2x telephoto lens.
The iPhone 12 Pro took basic photos well, albeit with the warm tones typical of iPhone photos. Images I shot didn’t have quite the same color accuracy as the Samsung S22 Ultra or the Sony ZVE-10. Still, the iPhone 12 Pro was great at taking daytime shots of streets, museums and breezy lunches. It struggled with dimly lit dinners and at night, with photos having a grainy texture from image noise.
Another limit was the iPhone 12 Pro’s 2x optical zoom, which was far inferior to the Samsung Galaxy S22 Ultra’s telephoto capabilities. Since I was mostly seeing landscapes, I rarely felt the need to zoom in on a distant subject. The ultra-wide camera was more useful, and its 13mm-equivalent focal length allowed me another option to the 26mm-equivalent main camera for framing a specific shot.
In head-to-head comparisons with the mirrorless camera, the iPhone 12 Pro held up surprisingly well. The phone captured near and background distant subjects in crisp detail. The mirrorless camera was more selective in its focus, largely homing in on one or the other and requiring a bit more finesse.
As I was using the iPhone for every other travel-necessary app like navigation and wireless payments, it was in my pocket every day and wasn’t a burden to carry. That meant it was on-hand for me to take quick photos out the windows of our train or rental car of passing scenery at just the right time.
Samsung Galaxy S22 Ultra
While superseded by this year’s Samsung Galaxy S23 Ultra, the Samsung Galaxy S22 Ultra I took on my trip is still a camera powerhouse. It has a 108-megapixel main camera and a 12-megapixel ultrawide camera with 120-degree field of view, but it’s really known for its zoom photography. It has not one but two telephoto lenses: a 10-megapixel with 3x optical zoom and a 10-megapixel periscope-style capable of 10x optical zoom.
As expected, the Galaxy S22 Ultra took great photos at a distance. Did I need zoom photo capability? Not really! Most of my subjects were 20 to 50 feet away.
Unless, of course, you’re taking shots of distant buildings, like the Neuschwanstein Castle on Germany’s southernmost border, nestled in the foothills of the Alps within spitting distance of Austria. It was nice to have more control to frame the photos with the zoom capability, even if I didn’t need the 100x «space zoom.» The feature combines optical and digital zoom with AI tricks to home in on a cropped-in corner of zoomed-in image. The 30x was enough and rarely necessary. Regardless, the S22 Ultra’s 10x optical and digital hybrid zoom produced far better photos than the iPhone 12 Pro’s grainy 10x digital zoom.
Here’s the Samsung Galaxy S22 Ultra’s camera from the road at the foot of a trail leading up to Neuschwanstein, with shots from the main camera at 1x, 3x, 10x and 100x zoom.
Compare that to the iPhone 12 Pro’s main camera at 1x, 2x and 10x.
The Galaxy S22 and iPhone 12 Pro both did a decent job shooting photos with a mixture of dark and light foregrounds and backgrounds, especially with bright skies that can be easily washed out. Below is a shot from up on a balcony of the Neuschwanstein castle, looking west into the valley.
But it’s easy to see how cool the Galaxy S22 Ultra’s zoom capabilities are when perched above the landscape and using successive zoom intervals to get closer shots of a subject.
Lastly, here’s a simple comparison of shots of the castle itself, with the Galaxy S22 Ultra’s main camera versus the iPhone 12 Pro’s camera.
The Galaxy S22 Ultra is one of the best phones we’ve tested, which garnered a CNET Editor’s Choice Award in our review. It’s more convenient to handle than my mirrorless camera, though it doesn’t have as many photo settings.
The Galaxy S22 Ultra is a large phone, so it took up a lot of space in my pocket. Even if I were to buy it to replace my iPhone 12 Pro, it would still be cumbersome to yank out for casual photos. As it was, there were a handful of situations where I might have lost the S22 if it had been in my pocket instead of the smaller iPhone 12 Pro, including a bobsled-like roller coaster on a hillside in the middle of the Black Forest. (Which, sadly, wouldn’t allow phones on the course, but there are ride-through videos on YouTube.)
Sony ZVE-10 mirrorless camera
The Sony ZVE-10 is aimed at vloggers with its 4K video shooting and light weight, but that also made it great for taking still photos with its 24-megapixel resolution. The camera is reasonably affordable at $700, and has swappable lenses via a lens mount.
I used the ZVE-10 with a Sigma 16mm f/1.4 prime lens I picked up for $399 to take better product shots. The Sony body and Sigma lens combo took superior photos to either phone in medium to close range. Thanks to the ZVE-10’s crop APS-C sensor, the 16mm lens was more like a 24mm lens, and had essentially the same field of view as the standard rear cameras on the iPhone 12 Pro and Galaxy S22 Ultra.
For the majority of the trip, the short-range prime lens was fine, and I didn’t miss being able to zoom in on distant objects. You can get pretty close to any subject that’s worth taking photos of, though I would want a telephoto lens at a concert or for shooting wildlife. I did miss not being able to zoom out with either phone’s ultra-wide lenses, especially in cramped quarters like awkwardly small museum rooms.
The ZVE-10 performed fine with landscape shots but excelled in reasonable-size enclosed spaces, capturing greater color contrast and lighting/shadow variance. Compare these photos below of a fresco on a low roof in the Cologne Cathedral, shot with the ZVE-10 and the iPhone 12 Pro, respectively.
When shooting close subjects, the ZVE-10 excelled at capturing evocative lighting, and the f/1.4 Sigma lens’ natural bokeh led to moodier shots compared to the uniform brightness of the iPhone 12 Pro.
And while the iPhone 12 Pro produced uniformly brighter and crisper photos, the post-processing to get such clarity led to some flattened color and shadow. In photos of this iron statue of the Chinese mythological aquatic monkey demon Wuzhiqi located in Berlin’s Humboldt Forum, you can see more detail in the iPhone 12 Pro’s shot, but it loses the red-brown tone from years of oxidation.
It was also easier to get the ZVE-10 to produce a depth effect naturally. With the iPhone 12 Pro, portrait mode requires more fiddling and an ideal distance between the phone, your subject and the background. But the camera’s depth effect made it tough to keep everything in focus when I was taking photos of food and wanted to show the whole plate.
Weight comparison
| iPhone 12 Pro | 189 grams | 6.7 ounces |
|---|---|---|
| Samsung Galaxy S22 Ultra | 229 grams | 8.1 ounces |
| Sony ZVE-10 and Sigma 16mm lens | 709 grams | 29.1 ounces |
Unsurprisingly, the ZVE-10 and lens far outweighed the phones. Though not enough to be cumbersome, the weight and size differences are noticeable. The camera and lens fit snugly in my compact camera bag, which stayed out of the way while slung over my shoulder. But the camera was more annoying to lug around and pull out to take photos than a phone in my pocket.
Needing to manually upload my photos was a bit annoying, too. The Sony Imaging Edge app let me send photos directly from the camera to my phone, but it’s clunky for bulk uploads. And forget about handing your fancy mirrorless camera over to a stranger to take a photo of your traveling party for fear of them dropping it or not knowing how to use it. Thankfully, the ZVE-10’s rotating display meant I could angle it forward to pull off selfies, which consequently took better shots than either phone’s front-facing camera but didn’t capture as much subject matter. Both the iPhone’s and Galaxy’s selfie cameras had wider field-of-views.
Lastly, the mirrorless camera may have more potential for better shots since it can save images in the RAW format, which gives photo editors a lot more data and freedom to tweak. It’s worth pointing out that my iPhone 12 Pro can shoot in Apple’s ProRAW format, while my Samsung Galaxy S22 Ultra can shoot in Expert RAW format via a separate app (though it’s natively in the camera app as of the Samsung Galaxy S23 series). Both can be edited much like standard RAW formats. I deliberately shot photos in JPG format for all devices in this test, since most travelers will simply point and shoot with the default format. All these photos could certainly look better with some Photoshop touch-up.
Wrap-up
Ultimately, this was an unscientific test rather than a thorough field guide. I set out wondering whether my daily smartphone would miss out on any particular travel shots that a camera-focused phone like the Samsung Galaxy S22 Ultra or my mirrorless camera would be capable of picking up.
Most of the time the iPhone was fine, but there were edge cases where the S22 Ultra and ZVE-10 outperformed my older iPhone. And as I am not an especially gifted photographer, I acknowledge that someone with real skills could finesse far better images out of either the Galaxy S22 Ultra or the ZVE-10 that could likely put the iPhone to shame in all situations.
Also, your mileage will vary depending on which kinds of photos you want to take. If you absolutely need to zoom in on distant subjects, a phone like the S22 Ultra is the right choice — or you could buy a telephoto lens for your mirrorless camera.
But from citywide landscapes to museum art piece shots to selfies, the iPhone 12 Pro handled nearly everything I needed it to do. It also helped that I could effortlessly post my photos on social media from my main phone rather than having to transfer them from the mirrorless camera. That’s essential to the travel experience, as I’d add a photo to my Instagram story and get friends responding in minutes with recommendations for historical monuments and food in my area. And it’s not like my mirrorless camera could make calls or text.
This isn’t necessarily an iPhone recommendation, just reiterating that your daily driver will be just as useful while traveling as it is at home (but better cameras and a quality ultra-wide lens certainly help). The shots you’ll take of yourself and peripatetic partners will mostly be 10 to 20 feet away in bright daylight and low light, with some night scenes here and there. Perhaps a higher-end camera would capture more artistic and high-quality depth shots, but you’ll probably want to capture the fleeting and low-key moments more than the artfully posed ones.
Technologies
Pope Francis’ Funeral: How to Stream Live or Watch the Replay
Here’s how to stream the pope’s funeral very early Saturday, and what you can expect to see during the service.
After a week of global mourning for Pope Francis, who died on Monday at age 88, the pope’s funeral will be celebrated on Saturday . Francis’ funeral will be held Saturday at 10 a.m. local time at St. Peter’s Square in Vatican City (which is very, very early if you’re tuning in from the US or Canada), and he will be laid to rest at the Papal Basilica of St. Mary Major in Rome.
The Vatican will be livestreaming the papal funeral and procession, though not the burial, on its YouTube channel as it happens. The funeral will also be televised live on CBS, NBC, ABC and Fox, as well as on streaming services like Disney Plus, Hulu, Peacock and Paramount Plus. Due to the time difference, it seems likely that many interested North American viewers will catch it when it’s replayed later on Saturday. Numerous networks will rebroadcast the service later that day.
If you choose to stay up, or get up early, here’s when the live broadcast of the pope’s funeral will air in your time zone in the continental US on April 26:
- ET: 4 a.m.
- CT: 3 a.m.
- MT: 2 a.m.
- PT: 1 a.m.
The papacy of Pope Francis was notable for the progressive reforms he brought to the Roman Catholic Church. He appointed more than half of the current College of Cardinals and attempted to foster more positive attitudes toward members of the LGBT community and migrants worldwide.
What to expect from the funeral
The funeral will follow many rituals, though not all traditional protocols will be followed. Most popes are buried in St. Peter’s Basilica or its grottoes, but the AP reports Francis chose the St. Mary Major Basilica to reflect his veneration of an icon of the Virgin Mary that is located there, the Salus Populi Romani (Salvation of the People of Rome).
His funeral will be less elaborate than those of other popes per his own wishes. Francis simplified papal funeral rites last year, permitting his burial outside the Vatican, and emphasizing his role as a bishop rather than as pope (the pope is also the Bishop of Rome).
Previous popes were buried in three coffins: one of cypress, one of lead and one of oak. Francis requested to be buried in a single wooden, zinc-lined coffin and not to be placed in an elevated bier as other popes were.
The coffin will be taken from St Peter’s Basilica and placed on a dais in St Peter’s Square, where Cardinal Giovanni Battista Re will lead the service. After the service, the coffin will return to St Peter’s Basilica before it is carried across the River Tiber and to the Papal Basilica of Saint Mary Major for burial. The ceremony is estimated to end around 2 p.m. local time, or four hours after it begins.
Pope Francis’ funeral Mass will be the first of nine Masses held daily at St. Peter’s until May 4. This is an ancient tradition of the Catholic Church that observes nine days of consecutive mourning. According to Vatican News, a different group of mourners will participate each day, though the Eucharistic celebrations are open to everyone.
Who will attend Pope Francis’ funeral?
Hundreds of people, including world leaders and royals, are expected to attend Pope Francis’ funeral.
US president Donald Trump confirmed on his Truth Social Platform that he and first lady Melania Trump will be at the funeral. This will be Trump’s first foreign trip in his second term. He is expected to have a seat in the third row, though the Vatican has yet to release an official seating chart. It is tradition for the first row of seats to go to Catholic royalty, and the second row to non-Catholic royals.
Prince William, who is attending on behalf of King Charles, will sit in the second row, which is reserved for non-Catholic royals. Former president Joe Biden and first lady Jill Biden, devout Catholics, will also attend the funeral.
Conclave: What happens next to choose the new pope
After Pope Francis’ funeral, the cardinals of the Roman Catholic Church will vote on his successor in an assembly of cardinals known as a conclave.
There are many matters for the cardinals to settle before the conclave begins, but once it does, it can take days or even weeks to conclude. Two-thirds of the cardinals’ votes are required to elect the next pope. The conclave occurs behind closed doors and the vote tally is never made public.
Read more: Where to Watch Conclave, the Vatican Thriller About Electing a New Pope
Look for the white smoke
The ballots are burned after each round, and chemicals are added to the flames to produce black smoke if there’s no majority. When a new pope has been selected, the chemicals will be added to the flames so they produce white smoke. Crowds gather in St. Peter’s Square to watch for the results.
If you’re fascinated by the process, you can watch a dramatized version of the events in 2024 film Conclave.
In the movie, Ralph Fiennes stars as Cardinal Thomas Lawrence, who spearheads the election of the next pope while investigating rumors about potential candidates. The film is based on the 2016 novel by Robert Harris and is completely fictional — though it does represent some of the events of how actual papal conclaves take place. In March, the film won the Academy Award for best adapted screenplay.
You can stream Conclave on Amazon Prime Video, or rent it for $6 on Apple TV, Fandango at Home, YouTube or Google Play Movies.
Technologies
Today’s NYT Connections Hints, Answers and Help for April 26, #685
Hints and answers for Connections for April 26, #685.
Looking for the most recent Connections answers? Click here for today’s Connections hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle, Connections: Sports Edition and Strands puzzles.
Today’s Connections puzzle features a lot of short words, but that doesn’t mean it’s easy. That purple category requires a lot of thinking — probably most people will solve it only by solving the other three and having four words left over. Read on for clues and today’s Connections answers.
The Times now has a Connections Bot, like the one for Wordle. Go there after you play to receive a numeric score and to have the program analyze your answers. Players who are registered with the Times Games section can now nerd out by following their progress, including number of puzzles completed, win rate, number of times they nabbed a perfect score and their win streak.
Read more: Hints, Tips and Strategies to Help You Win at NYT Connections Every Time
Hints for today’s Connections groups
Here are four hints for the groupings in today’s Connections puzzle, ranked from the easiest yellow group to the tough (and sometimes bizarre) purple group.
Yellow group hint: Rainbow.
Green group hint: San Fernando ____.
Blue group hint: Think Robert.
Purple group hint: Mixed-up hue words.
Answers for today’s Connections groups
Yellow group: Tint.
Green group: Valley.
Blue group: Bobs.
Purple group: Color anagrams.
Read more: Wordle Cheat Sheet: Here Are the Most Popular Letters Used in English Words
What are today’s Connections answers?
The yellow words in today’s Connections
The theme is tint. The four answers are color, hue, shade and tone.
The green words in today’s Connections
The theme is valley. The four answers are dale, dell, glen and hollow.
The blue words in today’s Connections
The theme is Bobs. The four answers are Dole, Hope, Marley and Ross.
The purple words in today’s Connections
The theme is color anagrams. The four answers are Dre (red), Gary (gray), genre (green) and lube (blue).
Technologies
Today’s NYT Connections: Sports Edition Hints and Answers for April 26, #215
Hints and answers for the NYT Connections: Sports Edition puzzle, No. 215, for Saturday, April 26.
Looking for the most recent regular Connections answers? Click here for today’s Connections hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle and Strands puzzles.
Connections: Sports Edition is tough today. The purple category theme threw me because of one phrase I didn’t know. And let’s hope you’re familiar with college coach surnames. Read on for hints and the answers.
Connections: Sports Edition is out of beta now, making its debut on Super Bowl Sunday, Feb. 9. That’s a sign that the game has earned enough loyal players that The Athletic, the subscription-based sports journalism site owned by the Times, will continue to publish it. It doesn’t show up in the NYT Games app but now appears in The Athletic’s own app. Or you can continue to play it free online.
Read more: NYT Connections: Sports Edition Puzzle Comes Out of Beta
Hints for today’s Connections: Sports Edition groups
Here are four hints for the groupings in today’s Connections: Sports Edition puzzle, ranked from the easiest yellow group to the tough (and sometimes bizarre) purple group.
Yellow group hint: Try to achieve.
Green group hint: Move through it.
Blue group hint: Sideline bosses.
Purple group hint: Like a carton.
Answers for today’s Connections: Sports Edition groups
Yellow group: What one strives for.
Green group: Room to run.
Blue group: College football coaches.
Purple group: Box ____.
Read more: Wordle Cheat Sheet: Here Are the Most Popular Letters Used in English Words
What are today’s Connections: Sports Edition answers?
The yellow words in today’s Connections
The theme is what one strives for. The four answers are aim, goal, objective and target.
The green words in today’s Connections
The theme is room to run. The four answers are gap, hole, opening and space.
The blue words in today’s Connections
The theme is college football coaches. The four answers are Day, Lanning, Smart and Stoops.
The purple words in today’s Connections
The theme is box ____. The four answers are lacrosse, office, score and seat.
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