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Best iPhone 14 Camera Accessories

Check out some of the best camera accessories, including lenses, gimbals, microphones and tripods, that will help you get pro-level cinematic video from your iPhone.

Not too long ago, photographers used to laugh at smartphones. A lot has changed over the years, however, with many phone launches focusing on the cameras themselves. Now smartphones can take impressive photos on par with even the best cameras. All you need is some additional gear, and you can be shooting photos that border on professional-grade. 

The iPhone 14 and 14 Pro offer excellent features that creative professionals will enjoy, like multiple rear cameras — including a superwide-angle lens — that can capture incredible photos and videos. 

Perhaps the most notable, however, is the addition of ProRes, which started in the previous generation and is available on the iPhone 14 Pro and Pro Max. It enables you to produce a far more professional-looking postproduction look. This means that, now, creative professionals can incorporate these phones into their productions. 

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And sure, you can simply walk outside with your phone and snag some beautiful footage, but there’s a wealth of iPhone 14 accessories you can use that’ll help elevate both your videos and photos to new levels to wow your followers.

Here’s our list of the best gear to pair with your iPhone to give your shots a boost. Every iPhone 14 accessory listed here has been tested by us to make sure it works as well as it’s supposed to. If it didn’t impress, it didn’t make the list. Look no further if you’re after the best iPhone filming accessories to take your skills to the next level. These excellent accessories will make shooting a breeze. 

Read more: Best iPhone 14 and iPhone 14 Pro Cases You Can Buy Right Now

The best iPhone camera accessories 

There’s no one accessory that by itself will revolutionize your iPhone photography, as different products bring different things to the table. I love the Moment Anamorphic lens as it lets you achieve a stunning cinematic look with your phone. DJI’s phone gimbal meanwhile provides superb stability to get super smooth-looking shots, while the Aputure MC LED video light simply lets you light up the scene you’re shooting when the sun goes down. 

But an LED light will do nothing to improve your audio, so you’ll need to look towards the Rode VideoMicro if sound quality is important. These items all add something different to your photo and video production and used together let you take your mobile video production to a whole new level. Want some inspiration? Here’s my guide for shooting better video with your phone

Camera cages are common tools that let you attach a wide variety of accessories to a DSLR, including lights, microphones, handles and external monitors. SmallRig’s new mobile cage offers much the same functionality, but for your iPhone, and with multiple mounting points around the edge to attach whatever accessories you need like microphones. 

I’ve been using the cage with an attached Aperture LED light, PolarPro tripod and Rode microphone (all seen below), which makes for an incredible mobile vlogging rig. SmallRig also offers various attachments of its own, including top and side handles, which help provide stability when you’re hand-holding while filming. The cage is solidly built from aluminum, has bayonet lens mounts (see below), and has a convenient clasp for easily slotting your phone in and out. 

Moment Anamorphic lens Moment Anamorphic lens

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Moment Anamorphic lens

Excellent add-on lens for iPhone

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Anamorphic lenses are normally something you’d find in a professional cinematographer’s kit bag. These lenses provide a wider aspect ratio that you get in a wide angle lens, along with distinctive blue-line lens flares that give footage a much more filmic quality. Moment’s mobile anamorphic lens does exactly that for your iPhone.

Clip it on and it’ll squeeze your footage into the shorter, wide shots format that completely transforms the look of the video you can take from your phone. I’ve absolutely loved the look of my phone footage using the lens and it’s a must-have for any budding film producers wanting to up their game with their phone. 

You’ll need to shoot with apps like Filmic Pro that let you «unsqueeze» the footage so it doesn’t look all distortedon most cameras. The lens uses a bayonet mount that attaches to compatible cases, including Moment’s own ones or a variety of third-party options, including the SmallRig cage mentioned above.

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Aputure MC LED video light Aputure MC LED video light

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Aputure MC LED video light

Powerful lighting on a budget

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iPhone cameras don’t have the greatest lighting, so having a backup light is always a good idea. This USB-C rechargeable video light is packed with LED lights andis small enough to fit into the palm of your hand but puts out a huge amount of light when you’re short of proper lighting.

It’s great for lighting up your subjects, whether that’s for portraits, product photography or macro or to light up yourself if you’re vlogging at night. The power output is easily adjustable, as is the color temperature of the light. 

It also has a variety of creative light effects to spice up your production, including simulations of fireworks, lightning, a flickering fireplace or the flashing red and blue of police car lights.

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The iPhone 14’s built-in image stabilization is already superb, but for an even smoother ride, consider using a dedicated gimbal like DJI’s OM 5. It evens out all but the most aggressive movements, allowing you to get smooth tracking footage of you running behind your subject as you film a chase scene. 

It also has a built-in extendable selfie stick, which not only makes it great for YouTube vloggers, but also allows for more creative angles by holding it up higher, or even flipping it over and having the camera run close to the ground or through grasses.

Recording good audio for your vlogs or your next iPhone-based short film is crucial, and while the iPhone does a decent job of capturing audio, a dedicated microphone will take things to the next level. Rode’s VideoMicro shotgun mic can plug into your phone’s Lightning port (via an adapter) and provides crystal-clear audio when recording with the standard iPhone camera app or any third-party video app, making it one of the best iPhone camera accessories on the market. 

I love using it on top of my phone for vlogging and the included wind shield is superb for cutting out wind noise when working on location. Alternatively, get a 3.5mm extension cable and you can try using the mic on the end of a boom pole for recording audio in a conversation you’re filming.

It’s a great investment if you’re looking for a directional microphone.

At $1,349, industry goliath Profoto’s B10 studio flash will be little more than a pipe dream for most. But if you want to get truly professional lighting on location or in a studio using your iPhone, the B10 is second is one of the best iPhone camera accessories. . This pro flash is designed primarily for use with DSLRs but can also be used with iPhones and Android phones via the Profoto app. If you’re ready to take your smartphone photography to the next level, it allows you to get shots with your phone that would simply not be possible to achieve without it. 

Sure, most pros probably wouldn’t consider shooting a major project on just their phone, but it’s a potentially great backup in case of camera failure, or simply a lightweight and convenient way to test ideas in the field without hauling bags of gear around.

It also comes with a carrying case that will protect it from other elements. Its rechargeable battery provides a battery life that can provide more than 400 full flashes.

Rather than use screw clamps to secure your phone in place, Moment’s tripod mount uses Apple’s MagSafe system, which makes it incredibly quick to pop your phone in place and start shooting. When you’re done, just rip your phone away from the magnetic disk and pop it back in your pocket. Easy!

The minimalist approach to the mount’s design makes it extremely compact so it’s no hassle to always carry it with you for when inspiration strikes. The magnets are strong, too, so you don’t need to worry about your phone popping loose while you’re walking along. It’s available as a mount by itself, or with the cold-shoe bracket (pictured) to attach a microphone when vlogging.

Having a solid tripod can make all the difference in getting stable, wobble-free video, particularly if you want to put yourself in the frame. PolarPro’s Apex Minimalist tripod is a great option for mobile producers, as its compact size means it’s easy to chuck into a backpack, but it’s burly enough to support bigger cameras should you need to. 

I love using it for static shots, and for holding my phone up to shoot vlogs while walking around. It comes either with an integrated twist-locking ball head, or as the tripod legs only. I prefer the latter as it allows me to use my own compact ball heads, which are more stable with heavier loads.

How we test iPhones

We test phones in real-world scenarios, looking at the performance of the processor, battery and cameras, and judge how each model compares to its competition. We take value into account, as well as extra features like storage, connectivity, software additions and anything else that will make a real difference to your life with the product. 

Accessories like the ones seen in this list are treated in exactly the same way; they’re put to real-world use both indoors and outside, evaluating how well they perform and whether they’re worth the money. Everything that’s featured here has been tested by our own fair hands and if it didn’t impress, it didn’t make the list. 

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This $20K Humanoid Robot Promises to Tidy Your Home. But There Are Strings Attached

The new Neo robot from 1X is designed to do chores. It’ll need help from you — and from folks behind the curtain.

It stands 5 feet, 6 inches tall, weighs about as much as a golden retriever and costs near the price of a brand-new budget car. 

This is Neo, the humanoid robot. It’s billed as a personal assistant you can talk to and eventually rely on to take care of everyday tasks, such as loading the dishwasher and folding laundry. 

Neo doesn’t work cheap. It’ll cost you $20,000. And even then, you’ll still have to train this new home bot, and possibly need a remote assist as well.

If that sounds enticing, preorders are now open (for a mere $200 down). You’ll be signing up as an early adopter for what Neo’s maker, a California-based company called 1X, is calling a «consumer-ready humanoid.» That’s opposed to other humanoids under development from the likes of Tesla and Figure, which are, for the moment at least, more focused on factory environments. 

Neo is a whole order of magnitude different from robot vacuums like those from Roomba, Eufy and Ecovacs, and embodies a long-running sci-fi fantasy of robot maids and butlers doing chores and picking up after us. If this is the future, read on for more of what’s in store.


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What the Neo robot can do around the house

The pitch from 1X is that Neo can do all manner of household chores: fold laundry, run a vacuum, tidy shelves, bring in the groceries. It can open doors, climb stairs and even act as a home entertainment system.

Neo appears to move smoothly, with a soft, almost human-like gait, thanks to 1X’s tendon-driven motor system that gives it gentle motion and impressive strength. The company says it can lift up to 154 pounds and carry 55 pounds, but it is quieter than a refrigerator. It’s covered in soft materials and neutral colors, making it look less intimidating than metallic prototypes from other companies.

The company says Neo has a 4-hour runtime. Its hands are IP68-rated, meaning they’re submersible in water. It can connect via Wi-Fi, Bluetooth and 5G. For conversation, it has a built-in LLM, the same sort of AI technology that powers ChatGPT and Gemini.

The primary way to control the Neo robot will be by speaking to it, just as if it were a person in your home.  

Still, Neo’s usefulness today depends heavily on how you define useful. The Wall Street Journal’s Joanna Stern got an up-close look at Neo at 1X’s headquarters and found that, at least for now, it’s largely teleoperated, meaning a human often operates it remotely using a virtual-reality headset and controllers. 

«I didn’t see Neo do anything autonomously, although the company did share a video of Neo opening a door on its own,» Stern wrote last week. 

1X CEO Bernt Børnich told her that Neo will do most things autonomously in 2026, though he also acknowledged that the quality «may lag at first.»

The company’s FAQ says that for any chore request Neo doesn’t know how to accomplish, «you can schedule a 1X Expert to guide it» to help the robot «learn while getting the job done.»

What you need to know about Neo and privacy

Part of what early adopters are signing up for is to let Neo learn from their environment so that future versions can operate more independently. 

That learning process raises privacy and trust questions. The robot uses a mix of visual, audio and contextual intelligence — meaning it can see, hear and remember interactions with users throughout their homes. 

«If you buy this product, it is because you’re OK with that social contract,» Børnich told the Journal. «It’s less about Neo instantly doing your chores and more about you helping Neo learn to do them safely and effectively.»

Neo’s reliance on human operation behind the scenes prompted a response from John Carmack, a computer industry luminary known for his work with VR systems and the lead programmer of classic video games including Doom and Quake. 

«Companies selling the dream of autonomous household humanoid robots today would be better off embracing reality and selling ‘remote operated household help’,» he wrote in a post on the X social network (formerly Twitter) on Monday.

1X says it’s taking steps to protect your privacy: Neo listens only when it recognizes it’s being addressed, and its cameras will blur out humans. You can restrict Neo from entering or viewing specific areas of your home, and the robot will never be teleoperated without owner approval, the company says. 

But inviting an AI-equipped humanoid to observe your home life isn’t a small step.

The first units will ship to customers in the US in 2026. There is a $499 monthly subscription alternative to the $20,000 full-purchase price, though that will be available at an unspecified later date. A broader international rollout is promised for 2027.

Neo’s got a long road ahead of it to live up to the expectations set by Rosie the Robot in The Jetsons way back when. But this is no Hanna-Barbera cartoon. What we’re seeing now is a much more tangible harbinger of change.

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I Wish Nintendo’s New Switch 2 Zelda Game Was an Actual Zelda Game

Hyrule Warriors: Age of Imprisonment has great graphics, a great story and Zelda is actually in it. But the gameplay makes me wish for another true Zelda title instead.

I’ve never been a Hyrule Warriors fan. Keep that in mind when I say that Nintendo’s new Switch 2-exclusive Zelda-universe game has impressed me in several ways, but the gameplay isn’t one of them. Still, this Zelda spinoff has succeeded in showing off the Switch 2’s graphics power. Now can we have a true Switch 2 exclusive Zelda game next?

The upgraded graphics in Tears of the Kingdom and Breath of the Wild has made the Switch 2 a great way to play recent Zelda games, which had stretched the Switch’s capabilities to the limit before. And they’re both well worth revisiting, because they’re engrossing, enchanting, weird, epic wonders. Hyrule Warriors: Age of Imprisonment, another in the Koei-Tecmo developed spinoff series of Zelda-themed games, is a prequel to Tears of the Kingdom. It’s the story of Zelda traveling back in time to ancient Hyrule, and the origins of Ganondorf’s evil. I’m here for that, but a lot of hack and slash battles are in my way. 

A handful of hours in, I can say that the production values are wonderful. The voices and characters and worlds feel authentically Zelda. I feel like I’m getting a new chapter in the story I’d already been following. The Switch 2’s graphics show off smooth animation, too, even when battles can span hundreds of enemies.

But the game’s central style, which is endless slashing fights through hordes of enemies, gets boring for me. That’s what Hyrule Warriors is about, but the game so far feels more repetitive than strategic. And I just keep button-mashing to get to the next story chapter. For anyone who’s played Hyrule Warriors: Age of Calamity, expect more of the same, for the most part.

I do like that the big map includes parts in the depths and in the sky, mirroring the tri-level appeal of Tears of the Kingdom. But Age of Calamity isn’t a free-wandering game. Missions open up around the map, each one opening a contained map to battle through. Along the way, you unlock an impressive roster of Hyrule characters you can control.

As a Switch 2 exclusive to tempt Nintendo fans to make the console upgrade, it feels like a half success. I admire the production values, and I want to keep playing just to see where the story goes. But as a purchase, it’s a distant third to Donkey Kong Bananza and Mario Kart World.

Hyrule Warriors fans, you probably know what you’re probably in for, and will likely get this game regardless. Serious Zelda fans, you may enjoy it just for the story elements alone. 

As for me? I think I’ll play some more, but I’m already sort of tuning the game out a bit. I want more exploration, more puzzles, more curiosity. This game’s not about that. But it does show me how good a true next-gen Zelda could be on the Switch 2, whenever Nintendo decides to make that happen.

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