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Best iPhone 14 Camera Accessories

Check out some of the best camera accessories, including lenses, gimbals, microphones and tripods, that will help you get pro-level cinematic video from your iPhone.

Not too long ago, photographers used to laugh at smartphones. A lot has changed over the years, however, with many phone launches focusing on the cameras themselves. Now smartphones can take impressive photos on par with even the best cameras. All you need is some additional gear, and you can be shooting photos that border on professional-grade. 

The iPhone 14 and 14 Pro offer excellent features that creative professionals will enjoy, like multiple rear cameras — including a superwide-angle lens — that can capture incredible photos and videos. 

Perhaps the most notable, however, is the addition of ProRes, which started in the previous generation and is available on the iPhone 14 Pro and Pro Max. It enables you to produce a far more professional-looking postproduction look. This means that, now, creative professionals can incorporate these phones into their productions. 

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And sure, you can simply walk outside with your phone and snag some beautiful footage, but there’s a wealth of iPhone 14 accessories you can use that’ll help elevate both your videos and photos to new levels to wow your followers.

Here’s our list of the best gear to pair with your iPhone to give your shots a boost. Every iPhone 14 accessory listed here has been tested by us to make sure it works as well as it’s supposed to. If it didn’t impress, it didn’t make the list. Look no further if you’re after the best iPhone filming accessories to take your skills to the next level. These excellent accessories will make shooting a breeze. 

Read more: Best iPhone 14 and iPhone 14 Pro Cases You Can Buy Right Now

The best iPhone camera accessories 

There’s no one accessory that by itself will revolutionize your iPhone photography, as different products bring different things to the table. I love the Moment Anamorphic lens as it lets you achieve a stunning cinematic look with your phone. DJI’s phone gimbal meanwhile provides superb stability to get super smooth-looking shots, while the Aputure MC LED video light simply lets you light up the scene you’re shooting when the sun goes down. 

But an LED light will do nothing to improve your audio, so you’ll need to look towards the Rode VideoMicro if sound quality is important. These items all add something different to your photo and video production and used together let you take your mobile video production to a whole new level. Want some inspiration? Here’s my guide for shooting better video with your phone

Camera cages are common tools that let you attach a wide variety of accessories to a DSLR, including lights, microphones, handles and external monitors. SmallRig’s new mobile cage offers much the same functionality, but for your iPhone, and with multiple mounting points around the edge to attach whatever accessories you need like microphones. 

I’ve been using the cage with an attached Aperture LED light, PolarPro tripod and Rode microphone (all seen below), which makes for an incredible mobile vlogging rig. SmallRig also offers various attachments of its own, including top and side handles, which help provide stability when you’re hand-holding while filming. The cage is solidly built from aluminum, has bayonet lens mounts (see below), and has a convenient clasp for easily slotting your phone in and out. 

Moment Anamorphic lens Moment Anamorphic lens

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Moment Anamorphic lens

Excellent add-on lens for iPhone

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Anamorphic lenses are normally something you’d find in a professional cinematographer’s kit bag. These lenses provide a wider aspect ratio that you get in a wide angle lens, along with distinctive blue-line lens flares that give footage a much more filmic quality. Moment’s mobile anamorphic lens does exactly that for your iPhone.

Clip it on and it’ll squeeze your footage into the shorter, wide shots format that completely transforms the look of the video you can take from your phone. I’ve absolutely loved the look of my phone footage using the lens and it’s a must-have for any budding film producers wanting to up their game with their phone. 

You’ll need to shoot with apps like Filmic Pro that let you «unsqueeze» the footage so it doesn’t look all distortedon most cameras. The lens uses a bayonet mount that attaches to compatible cases, including Moment’s own ones or a variety of third-party options, including the SmallRig cage mentioned above.

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Aputure MC LED video light Aputure MC LED video light

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Aputure MC LED video light

Powerful lighting on a budget

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iPhone cameras don’t have the greatest lighting, so having a backup light is always a good idea. This USB-C rechargeable video light is packed with LED lights andis small enough to fit into the palm of your hand but puts out a huge amount of light when you’re short of proper lighting.

It’s great for lighting up your subjects, whether that’s for portraits, product photography or macro or to light up yourself if you’re vlogging at night. The power output is easily adjustable, as is the color temperature of the light. 

It also has a variety of creative light effects to spice up your production, including simulations of fireworks, lightning, a flickering fireplace or the flashing red and blue of police car lights.

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The iPhone 14’s built-in image stabilization is already superb, but for an even smoother ride, consider using a dedicated gimbal like DJI’s OM 5. It evens out all but the most aggressive movements, allowing you to get smooth tracking footage of you running behind your subject as you film a chase scene. 

It also has a built-in extendable selfie stick, which not only makes it great for YouTube vloggers, but also allows for more creative angles by holding it up higher, or even flipping it over and having the camera run close to the ground or through grasses.

Recording good audio for your vlogs or your next iPhone-based short film is crucial, and while the iPhone does a decent job of capturing audio, a dedicated microphone will take things to the next level. Rode’s VideoMicro shotgun mic can plug into your phone’s Lightning port (via an adapter) and provides crystal-clear audio when recording with the standard iPhone camera app or any third-party video app, making it one of the best iPhone camera accessories on the market. 

I love using it on top of my phone for vlogging and the included wind shield is superb for cutting out wind noise when working on location. Alternatively, get a 3.5mm extension cable and you can try using the mic on the end of a boom pole for recording audio in a conversation you’re filming.

It’s a great investment if you’re looking for a directional microphone.

At $1,349, industry goliath Profoto’s B10 studio flash will be little more than a pipe dream for most. But if you want to get truly professional lighting on location or in a studio using your iPhone, the B10 is second is one of the best iPhone camera accessories. . This pro flash is designed primarily for use with DSLRs but can also be used with iPhones and Android phones via the Profoto app. If you’re ready to take your smartphone photography to the next level, it allows you to get shots with your phone that would simply not be possible to achieve without it. 

Sure, most pros probably wouldn’t consider shooting a major project on just their phone, but it’s a potentially great backup in case of camera failure, or simply a lightweight and convenient way to test ideas in the field without hauling bags of gear around.

It also comes with a carrying case that will protect it from other elements. Its rechargeable battery provides a battery life that can provide more than 400 full flashes.

Rather than use screw clamps to secure your phone in place, Moment’s tripod mount uses Apple’s MagSafe system, which makes it incredibly quick to pop your phone in place and start shooting. When you’re done, just rip your phone away from the magnetic disk and pop it back in your pocket. Easy!

The minimalist approach to the mount’s design makes it extremely compact so it’s no hassle to always carry it with you for when inspiration strikes. The magnets are strong, too, so you don’t need to worry about your phone popping loose while you’re walking along. It’s available as a mount by itself, or with the cold-shoe bracket (pictured) to attach a microphone when vlogging.

Having a solid tripod can make all the difference in getting stable, wobble-free video, particularly if you want to put yourself in the frame. PolarPro’s Apex Minimalist tripod is a great option for mobile producers, as its compact size means it’s easy to chuck into a backpack, but it’s burly enough to support bigger cameras should you need to. 

I love using it for static shots, and for holding my phone up to shoot vlogs while walking around. It comes either with an integrated twist-locking ball head, or as the tripod legs only. I prefer the latter as it allows me to use my own compact ball heads, which are more stable with heavier loads.

How we test iPhones

We test phones in real-world scenarios, looking at the performance of the processor, battery and cameras, and judge how each model compares to its competition. We take value into account, as well as extra features like storage, connectivity, software additions and anything else that will make a real difference to your life with the product. 

Accessories like the ones seen in this list are treated in exactly the same way; they’re put to real-world use both indoors and outside, evaluating how well they perform and whether they’re worth the money. Everything that’s featured here has been tested by our own fair hands and if it didn’t impress, it didn’t make the list. 

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Apple, I’m (Sky) Blue About Your iPhone 17 Air Color

Commentary: The rumored new hue of the iPhone 17 Air is more sky blah than sky blue.

I can’t help but feel blue about the latest rumor that Apple’s forthcoming iPhone 17 Air will take flight in a subtle, light-hued color called sky blue.

Sky blue isn’t a new color for Apple. It’s the featured shade of the current M4 MacBook Air, a shimmer of cerulean so subtle as to almost be missed. It’s silver left too close to an aquarium; silver that secretly likes to think it’s blue but doesn’t want everyone else to notice.

Do Apple employees get to go outside and see a real blue sky? It’s actually vivid, you can check for yourself. Perhaps the muted sky blue color reflects a Bay Area late winter/early spring frequent layer of clouds like we typically see here in Seattle.

«Who cares?» you might find yourself saying. «Everyone gets a case anyway.» I hear you and everyone else who’s told me that. But design-focused Apple is as obsessive about colors as they are about making their devices thinner. And I wonder if their heads are in the clouds about which hues adorn their pro products.

Making the case for a caseless color iPhone

I’m more invested in this conversation than most — I’m one of those freaks who doesn’t wrap my phone in a case. I find cases bulky and superfluous, and I like to be able to see Apple’s design work. Also, true story, I’ve broken my iPhone screen only twice: First when it was in a «bumper» that Apple sent free in response to the iPhone 4 you’re-holding-it-wrong Antennagate fiasco, and second when trying to take long exposure starry night photos using what I didn’t realize was a broken tripod mount. My one-week-old iPhone 13 Pro slipped sideways and landed screen-first on a pointy rock. A case wouldn’t have saved it.

My current model is an iPhone 16 Pro in black titanium — which I know seems like avoiding color entirely — but previously I’ve gone for colors like blue titanium and deep purple. I wanted to like deep purple the most but it came across as, in the words of Patrick Holland in his iPhone 14 Pro review, «a drab shade of gray or like Grimace purple,» depending on the light.

Pros can be bold, too

Maybe the issue is too many soft blues. Since the iPhone Pro age began with the iPhone 11 Pro, we’ve seen variations like blue titanium (iPhone 15 Pro), sierra blue (iPhone 13 Pro) and pacific blue (iPhone 12 Pro).

Pacific blue is the boldest of the bunch, if by bold you mean dark enough to discern from silver, but it’s also close enough to that year’s graphite color that seeing blue depends on the surrounding lighting. By comparison, the blue (just «blue») color of the iPhone 12 was unmistakably bright blue.

In fact, the non-Pro lines have embraced vibrant colors. It’s as if Apple is equating «pro» with «sophisticated,» as in «A real pro would never brandish something this garish.» I see this in the camera world all the time: If it’s not all-black, it’s not a «serious» camera.

And yet I know lots of pros who are not sophisticated — proudly so. People choose colors to express themselves, so forcing that idea of professionalism through color feels needlessly restrictive. A bright pink iPhone 16 might make you smile every time you pick it up but then frown because it doesn’t have a telephoto camera.

Color is also important because it can sway a purchase decision. «I would buy a sky blue iPhone yesterday,» my colleague Gael Cooper texted after the first rumor popped online. When each new generation of iPhones arrive, less technically different than the one before, a color you fall in love with can push you into trading in your perfectly-capable model for a new one.

And lest you think Apple should just stick with black and white for its professional phones: Do you mean black, jet black, space black, midnight black, black titanium, graphite or space gray? At least the lighter end of the spectrum has stuck to just white, white titanium and silver over the years.

Apple never got ahead by being beige

I’m sure Apple has reams of studies and customer feedback that support which colors make it to production each year. Like I said, Apple’s designers are obsessive (in a good way). And I must remind myself that a sky blue iPhone 17 Air is a rumored color on a rumored product so all the usual caveats apply.

But we’re talking about Apple here. The scrappy startup that spent more than any other company on business cards at the time because each one included the old six-color Apple logo. The company that not only shaped the first iMac like a tipped-over gumdrop, that not only made the case partially see-through but then made that cover brilliant Bondi blue.

Embrace the iPhone colors, Apple.

If that makes you nervous, don’t worry: Most people will put a case on it anyway.

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Astronomers Say There’s an Increased Possibility of Life on This Distant Planet

Using the James Webb Space Telescope, astronomers are working to confirm potential evidence of life on a distant exoplanet dubbed K2-18b.

Astronomers are nearing a statistically significant finding that could confirm the potential signs of life detected on the distant exoplanet K2-18b are no accident.

The team of astronomers, led by the University of Cambridge, used data from the James Webb Space Telescope (which has only been in use since the end of 2021) to detect chemical traces of dimethyl sulfide (DMS) and/or dimethyl disulfide (DMDS), which they say can only be produced by life such as phytoplankton in the sea. 

According to the university, «the results are the strongest evidence yet that life may exist on a planet outside our solar system.»

The findings were published this week in the Astrophysical Journal Letters and point to the possibility of an ocean on this planet’s surface, which scientists have been hoping to discover for years. In the abstract for the paper, the team says, «The possibility of hycean worlds, with planet-wide oceans and H2-rich atmospheres, significantly expands and accelerates the search for habitable environments elsewhere.»

Not everyone agrees, however, that what the team found proves there’s life on the exoplanet.

Science writer and OpenMind Magazine founder Corey S. Powell posted about the findings on Bluesky, writing, «The potential discovery of alien life is so enticing that it drags even reputable outlets into running naive or outright misleading stories.» He added, «Here we go again with planet K2-18b.Um….there’s strong evidence of non-biological sources of the molecule DMS.»

K2-18b is 124 light-years away and much larger than Earth (more than eight times our mass), but smaller than Neptune. The search for signs of even basic life on a planet like this increases the chances that there are more planets like Earth that may be inhabitable, with temperatures and atmospheres that could sustain human-like lifeforms. The team behind the paper hopes that more study with the James Webb Space Telescope will help confirm their initial findings.

More research to do on finding life on K2-18b

The exoplanet K2-18b is not the only place where scientists are exploring the possibility of life, and this research is still an early step in the process, said Christopher Glein, a geochemist, planetary researcher and lead scientist at San Antonio’s Southwest Research Institute. Excitement over the significance of the research, he said, should be tempered.

«We need to be careful here,» Glein said. «It appears that there is something in the data that can’t be explained, and DMS/DMDS can provide an explanation. But this detection is stretching the limits of JWST’s capabilities.»

Glein added, «Further work is needed to test whether these molecules are actually present. We also need complementary research assessing the abiotic background on K2-18b and similar planets. That is, the chemistry that can occur in the absence of life in this potentially exotic environment. We might be seeing evidence of some cool chemistry rather than life.»

The TRAPPIST-1 planets, he said, are being researched as potentially habitable, as is LHS 1140b, which he said «is another astrobiologically significant exoplanet, which might be a massive ocean world.»

As for K2-18b, Glein said many more tests need to be performed before there’s consensus on life existing on it.

«Finding evidence of life is like prosecuting a case in the courtroom,» Glein said. «Multiple independent lines of evidence are needed to convince the jury, in this case the worldwide scientific community.» He added, «If this finding holds up, then that’s Step 1.»

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