Technologies

Netflix’s Biggest Hit Shows and Movies, Ranked (According to Netflix)

Every week, Netflix publishes stats on its most watched series and films. We keep track of an all-time ranking.

Netflix, for years, was notoriously tight-lipped about its viewership. But after a few years of dropping stats for some of its programming, Netflix launched a website in mid-November posting charts of its most popular shows and movies from the past week, as well as a global ranking of its all-time most watched titles.

The charts, which are updated every week and ranked by the total number of hours that subscribers spent watching them, represent an unprecedented trove of data about what’s popular on Netflix. The site details the most popular titles in the last week not only globally but also for more than 90 countries. And it’s meant to help subscribers like you get a better sense of the biggest hits on the world’s largest subscription streaming service, in the hopes you’ll discover something new to watch.

The company updates its weekly «Top 10 on Netflix» every Tuesday, based on hours viewed from Monday through Sunday the previous week for original and licensed titles. Netflix’s rankings are broken down into top 10 charts for films in English, TV in English, films in non-English languages and TV in non-English languages.

A ranking of all-time most watched titles also lives on the site, detailing shows that have the most viewing hours in their first 28 days of release. Netflix also has these split into films in English, TV in English, films in non-English languages and TV in non-English languages — but for our charts below, we don’t differentiate between language.

If a new season releases its episodes in two parts on different dates, Netflix counts the watch time of the first volume’s episodes for their first 28 days, then it counts the watch time of the second volume’s episodes for their first 28 days. These all-time rankings are also updated every Tuesday, whenever any programs make it into the charts during the week prior.

Why you won’t see Glass Onion in the rankings (yet)

Shows and movies need sustained popularity in many countries to crack into the all-time most watched charts. That means you can see titles with «Top 10» badges in Netflix’s app for days, but they still may not be generating enough hours of viewing to make the all-time rankings.

For example, Glass Onion: A Knives Out Mystery, the whodunit film sequel to 2019’s Knives Out, has generated 82.1 million hours in the first three days since its release Friday. It still has lots more time in its 28-day window to generate watch-time. But films need more than 200 million hours streamed and TV shows need nearly half a billion hours to make it onto the all-time list. Even the most popular shows and movies need multiple weeks and enduring attention to accumulate enough.

Netflix’s most watched TV series, ranked

The following are Netflix’s most watched series, based on Netflix’s own reporting of total hours viewed in the first 28 days of each titles’ release. Again, if a new season releases its episodes in two volumes on different dates, Netflix counts the watch time of the first volume’s episodes for their first 28 days, then it counts the watch time of the second volume’s episodes for their first 28 days.

Any changes in the rankings from the previous week are in bold text.

Squid Game (season 1), a Korean survival thriller — 1.65 billion hours.
Stranger Things (season 4), a retro sci-fi series — 1.35 billion hours.
Wednesday, a coming-of-age supernatural dark comedy — 1.24 billion hours
Dahmer, a true-crime serial killer series — 856.2 million hours.
Money Heist (part 5), a Spanish-language thriller — 792.2 million hours.
Bridgerton (season 2), a period romance — 656.3 million hours. >
Bridgerton (season 1) — 625.5 million hours.
Money Heist (part 4) — 619 million hours.
Stranger Things (season 3), a retro sci-fi series — 582.1 million hours.
Lucifer (season 5), a fantasy police procedural — 569.5 million hours.
All of Us Are Dead, a Korean zombie thriller taking place in a high school — 560.8 million hours.
The Witcher (season 1), a fantasy show — 541 million hours.
Inventing Anna, a true-crime limited series about a fake socialite — 511.9 million hours
13 Reasons Why (season 2), a controversial teen drama — 496.1 million hours.

Former top-ranking shows that have been bumped out of Netflix’s official all-time charts:

Ozark (season 4), a crime drama series — 491.1 million hours.
The Witcher (season 2) — 484.3 million hours.
13 Reasons Why (season 1) — 475.6 million hours
Maid, a limited series about a young mother fleeing abuse — 469.1 million hours.
You (season 3), a psychological thriller — 467.8 million hours.
You (season 2) — 457.4 million hours.
Stranger Things (season 2) — 427.4 million hours.
Money Heist (part 3) — 426.4 million hours.
Sex Education (season 3), a British teen dramedy — 419 million hours.
Ginny & Georgia (season 1), a dramedy about a young mom and kids — 381 million hours.
Extraordinary Attorney Woo (season 1), a South Korean legal drama — 402.5 million hours.
Café con Aroma de Mujer (season 1), a Colombian telenovela — 326.9 million hours.
Lupin (part 1), a French heist show — 316.8 million hours.
Elite (season 3), a Spanish teen drama — 275.3 million hours.
Who Killed Sara? (season 1), a Mexican mystery thriller — 266.4 million hours.
Elite (season 4) — 257.1 million hours.
The Queen of Flow (season 2), a musical Colombian telenovela — 230.3 million hours.
Lupin (part 2) — 214.1 million hours.
Dark Desire (season 1), a Mexican dramatic thriller — 213 million hours.

Netflix’s most watched movies, ranked

The following are Netflix’s most watched movies, based on Netflix’s own reporting of total hours viewed in the first 28 days of each titles’ release. Any changes are in bold text.

Red Notice, an action movie starring Dwayne Johnson, Gal Gadot and Ryan Reynolds — 364 million hours.
Don’t Look Up, a dark comedy with a star-packed cast — 359.8 million hours.
Bird Box, a post-apocalyptic movie starring Sandra Bullock — 282 million hours.
The Gray Man, a CIA action thriller — 253.9 million hours.
The Adam Project, a sci-fi adventure comedy — 233.2 million hours.
Extraction, an action movie starring Chris Hemsworth — 231.3 million hours.
Purple Hearts, a romantic drama about a musician marrying a Marine — 228.7 million hours.
The Unforgivable, a drama about a woman rebuilding her life after prison — 214.7 million hours.
The Irishman, a period Mafia epic directed by Martin Scorsese— 214.6 million hours.
The Kissing Booth 2, a teen rom-com sequel — 209.3 million hours.

Former top-ranking movies that have been bumped out of Netflix’s official all-time charts:

6 Underground, a Michael Bay explosion-fest starring Ryan Reynolds — 205.5 million hours.
Spenser Confidential, an action-comedy starring Mark Wahlberg — 197.3 million hours.
Enola Holmes, a period detective film — 189.9 million hours.
Army of the Dead, a heist set in a zombie apocalypse — 187 million hours.
The Old Guard, an action-thriller starring Charlize Theron — 186 million hours.
Murder Mystery, a comedy starring Adam Sandler and Jennifer Aniston — 170 million hours.

Netflix appears to have never released a non-English-language film that generated enough viewing hours to make it into an overall top-watched ranking. But additional widely watched non-English language movies on Netflix have included:

Troll, a Norwegian monster movie — 152.4 million hours.
Blood Red Sky, a German/British action horror film set during a plane hijacking — 110.5 million hours.
The Platform, a Spanish social commentary wrapped in a horror film — 108.1 million hours.
All Quiet on the Western Front, a German war drama — 101.4 million hours.
Black Crab, a Swedish apocalyptic war thriller starring Noomi Rapace — 94.1 million hours.
Through My Window, a Spanish teen romance — 92.4 million hours.
The Takedown, a French cop comedy — 78.6 million hours.
Below Zero, a Spanish action thriller about a breakout from a prison transport vehicle — 78.3 million hours.
Loving Adults, a Danish thriller about an extramarital affair — 67.3 million hours.
My Name is Vendetta, an Italian crime/action film — 67.3 million hours.

Former top-ranking non-English movies that have been bumped out of the non-English top 10 include:

Rogue City, a French action thriller about an unorthodox team of cops — 66.6 million hours.
Carter, a South Korean action thriller about a man who wakes up with no memories and a voice in his ear — 65.4 million hours
The Forgotten Battle, a Dutch World War II film — 60.9 million hours.
Restless, a French action thriller — 59.1 million hours.
Lost Bullet, like a Fast & Furious movie but French — 58.3 million hours
Spoiled Brats, a French comedy about rich siblings tricked into earning their own living — 56.9 million hours.
#Alive, a South Korean movie about a gamer’s bid to survive the zombie apocalypse — 54.6 million hours.
Space Sweepers, a South Korean space western with a weaponized child-android — 53.3 million hours
The Last Mercenary, a French action movie starring Jean-Claude Van Damme — 52.1 million hours.
Just Another Christmas, a Brazilian Christmas comedy — 48 million hours.

Technologies

How to Get Verizon’s New Internet Plan for Just $25 Per Month

Technologies

This $20K Humanoid Robot Promises to Tidy Your Home. But There Are Strings Attached

The new Neo robot from 1X is designed to do chores. It’ll need help from you — and from folks behind the curtain.

It stands 5 feet, 6 inches tall, weighs about as much as a golden retriever and costs near the price of a brand-new budget car.

This is Neo, the humanoid robot. It’s billed as a personal assistant you can talk to and eventually rely on to take care of everyday tasks, such as loading the dishwasher and folding laundry.

Neo doesn’t work cheap. It’ll cost you $20,000. And even then, you’ll still have to train this new home bot, and possibly need a remote assist as well.

If that sounds enticing, preorders are now open (for a mere $200 down). You’ll be signing up as an early adopter for what Neo’s maker, a California-based company called 1X, is calling a «consumer-ready humanoid.» That’s opposed to other humanoids under development from the likes of Tesla and Figure, which are, for the moment at least, more focused on factory environments.

Neo is a whole order of magnitude different from robot vacuums like those from Roomba, Eufy and Ecovacs, and embodies a long-running sci-fi fantasy of robot maids and butlers doing chores and picking up after us. If this is the future, read on for more of what’s in store.

Don’t miss any of our unbiased tech content and lab-based reviews. Add CNET as a preferred Google source.

What the Neo robot can do around the house

The pitch from 1X is that Neo can do all manner of household chores: fold laundry, run a vacuum, tidy shelves, bring in the groceries. It can open doors, climb stairs and even act as a home entertainment system.

Neo appears to move smoothly, with a soft, almost human-like gait, thanks to 1X’s tendon-driven motor system that gives it gentle motion and impressive strength. The company says it can lift up to 154 pounds and carry 55 pounds, but it is quieter than a refrigerator. It’s covered in soft materials and neutral colors, making it look less intimidating than metallic prototypes from other companies.

The company says Neo has a 4-hour runtime. Its hands are IP68-rated, meaning they’re submersible in water. It can connect via Wi-Fi, Bluetooth and 5G. For conversation, it has a built-in LLM, the same sort of AI technology that powers ChatGPT and Gemini.

The primary way to control the Neo robot will be by speaking to it, just as if it were a person in your home.

Still, Neo’s usefulness today depends heavily on how you define useful. The Wall Street Journal’s Joanna Stern got an up-close look at Neo at 1X’s headquarters and found that, at least for now, it’s largely teleoperated, meaning a human often operates it remotely using a virtual-reality headset and controllers.

«I didn’t see Neo do anything autonomously, although the company did share a video of Neo opening a door on its own,» Stern wrote last week.

1X CEO Bernt Børnich told her that Neo will do most things autonomously in 2026, though he also acknowledged that the quality «may lag at first.»

The company’s FAQ says that for any chore request Neo doesn’t know how to accomplish, «you can schedule a 1X Expert to guide it» to help the robot «learn while getting the job done.»

What you need to know about Neo and privacy

Part of what early adopters are signing up for is to let Neo learn from their environment so that future versions can operate more independently.

That learning process raises privacy and trust questions. The robot uses a mix of visual, audio and contextual intelligence — meaning it can see, hear and remember interactions with users throughout their homes.

«If you buy this product, it is because you’re OK with that social contract,» Børnich told the Journal. «It’s less about Neo instantly doing your chores and more about you helping Neo learn to do them safely and effectively.»

Neo’s reliance on human operation behind the scenes prompted a response from John Carmack, a computer industry luminary known for his work with VR systems and the lead programmer of classic video games including Doom and Quake.

«Companies selling the dream of autonomous household humanoid robots today would be better off embracing reality and selling ‘remote operated household help’,» he wrote in a post on the X social network (formerly Twitter) on Monday.

1X says it’s taking steps to protect your privacy: Neo listens only when it recognizes it’s being addressed, and its cameras will blur out humans. You can restrict Neo from entering or viewing specific areas of your home, and the robot will never be teleoperated without owner approval, the company says.

But inviting an AI-equipped humanoid to observe your home life isn’t a small step.

The first units will ship to customers in the US in 2026. There is a $499 monthly subscription alternative to the $20,000 full-purchase price, though that will be available at an unspecified later date. A broader international rollout is promised for 2027.

Neo’s got a long road ahead of it to live up to the expectations set by Rosie the Robot in The Jetsons way back when. But this is no Hanna-Barbera cartoon. What we’re seeing now is a much more tangible harbinger of change.

Technologies

I Wish Nintendo’s New Switch 2 Zelda Game Was an Actual Zelda Game

Hyrule Warriors: Age of Imprisonment has great graphics, a great story and Zelda is actually in it. But the gameplay makes me wish for another true Zelda title instead.

I’ve never been a Hyrule Warriors fan. Keep that in mind when I say that Nintendo’s new Switch 2-exclusive Zelda-universe game has impressed me in several ways, but the gameplay isn’t one of them. Still, this Zelda spinoff has succeeded in showing off the Switch 2’s graphics power. Now can we have a true Switch 2 exclusive Zelda game next?

The upgraded graphics in Tears of the Kingdom and Breath of the Wild has made the Switch 2 a great way to play recent Zelda games, which had stretched the Switch’s capabilities to the limit before. And they’re both well worth revisiting, because they’re engrossing, enchanting, weird, epic wonders. Hyrule Warriors: Age of Imprisonment, another in the Koei-Tecmo developed spinoff series of Zelda-themed games, is a prequel to Tears of the Kingdom. It’s the story of Zelda traveling back in time to ancient Hyrule, and the origins of Ganondorf’s evil. I’m here for that, but a lot of hack and slash battles are in my way.

A handful of hours in, I can say that the production values are wonderful. The voices and characters and worlds feel authentically Zelda. I feel like I’m getting a new chapter in the story I’d already been following. The Switch 2’s graphics show off smooth animation, too, even when battles can span hundreds of enemies.

But the game’s central style, which is endless slashing fights through hordes of enemies, gets boring for me. That’s what Hyrule Warriors is about, but the game so far feels more repetitive than strategic. And I just keep button-mashing to get to the next story chapter. For anyone who’s played Hyrule Warriors: Age of Calamity, expect more of the same, for the most part.

I do like that the big map includes parts in the depths and in the sky, mirroring the tri-level appeal of Tears of the Kingdom. But Age of Calamity isn’t a free-wandering game. Missions open up around the map, each one opening a contained map to battle through. Along the way, you unlock an impressive roster of Hyrule characters you can control.

As a Switch 2 exclusive to tempt Nintendo fans to make the console upgrade, it feels like a half success. I admire the production values, and I want to keep playing just to see where the story goes. But as a purchase, it’s a distant third to Donkey Kong Bananza and Mario Kart World.

Hyrule Warriors fans, you probably know what you’re probably in for, and will likely get this game regardless. Serious Zelda fans, you may enjoy it just for the story elements alone.

As for me? I think I’ll play some more, but I’m already sort of tuning the game out a bit. I want more exploration, more puzzles, more curiosity. This game’s not about that. But it does show me how good a true next-gen Zelda could be on the Switch 2, whenever Nintendo decides to make that happen.