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A Decade Later, Your Phone Still Does Not Replace a Pro Camera

Commentary: Phone cameras are getting better and better, but they still aren’t much closer to replacing dSLRs and professional mirrorless cameras.

On a chilly Saturday afternoon in San Francisco, I was under a patio heater with a group of friends when someone said we should get a group photo. What happened next was surprising. Instead of using his phone to take a commemorative photo, my friend pulled out a point-and-shoot camera. I thought to myself, «Wait. The phone killed the point-and-shoot camera years ago. Why didn’t he just use his iPhone?» Granted it was the high-end Sony RX100 VII, which is an excellent compact camera and one of the few point-and-shoots still made today.

Phones from Apple, Samsung and Google include some of the best phone cameras you can buy, like the iPhone 14 Pro, Google Pixel 7 Pro and Samsung Galaxy S22 Ultra. But for professional photographers and filmmakers, that’s not always enough. The holy grail is being able to have a truly large image sensor like the one you’d find in a high-end mirrorless camera and a lens mount that could attach to your phone. Sounds simple enough right? Wrong.

Everyone from Samsung to Panasonic, Sony and Motorola has tried to make this dream a reality in some way. Now Xiaomi, the world’s third largest phone-maker (behind Samsung and Apple) is the latest to rekindle the quest for the phone camera holy grail. The company has a new prototype phone that lets you mount a Leica M lens on it.

But this is just a concept. If you’re wondering whether phones will ever make dedicated pro cameras obsolete the way they did with point-and-shoots, the answer is a resounding no. The past decade has shown us why.

Why phone cameras are limited

First, it’s important to understand how your phone’s camera works. Behind the lens is a tiny image sensor, smaller than a single Lego brick. Sometimes there are headlines that Sony, Sharp or, years ago, Panasonic put a 1-inch sensor in a phone. Sadly, that name doesn’t refer to the actual dimensions and in reality, a 1-inch image sensor is about 0.6 of an inch diagonally or, for the sake of approximation, two Lego bricks. The 1-inch sensor is the hoverboard of cameras, but it’s still one of the largest to be put into a phone.

Dedicated cameras have sensors that are closer to 12 Lego bricks (positioned side-by-side in a four-by-three rectangle) and most come with a lens mount that lets you change lenses. The «holy grail» is to put one of these larger sensors into a phone.

But bigger sensors are more expensive than the little ones used in your iPhone and there are space considerations. A lens for a phone camera sensor is relatively small. But lenses for a full-frame sensor are larger and require more space between the back of the lens and the sensor. Phones simply lack this room without becoming significantly thicker.

Every year we see Apple, Samsung and the like take small steps toward improving phone photography. But phone camera hardware has largely hit a ceiling. Instead of radical camera improvements, we get modest upgrades. This could be a sign that companies have honed in on what consumers want. But it could also be a consequence of space and size limitations of tiny sensors.

Instead smartphone-makers use computational photography to overcome a tiny sensor’s limitations — smaller dynamic range and light sensitivity. Google, Apple, Samsung all use machine learning algorithms and artificial intelligence to improve the photos you take with your phone.

But hardware is also important. Earlier this month Tim Cook, Apple’s CEO, shared a photo on Twitter, above, of a visit to Sony in Japan. While it’s been widely assumed that Apple uses Sony’s image sensors in the iPhone, this is the first time Cook formally acknowledged it. And as CNET readers already know, Sony phones like the Xperia 1 IV have some of the best camera hardware found on any phone sold today.

The Xperia 1 IV won a CNET Innovation award for its telephoto camera, which has miniature lens elements that actually move back and forth, like a real telephoto lens. The result is that you can use the lens to zoom without cropping digitally, which degrades the image. Can you imagine an iPhone 15 Pro with this lens?

The Xiaomi 12S Ultra Leica lens prototype is so 2013

That brings us to Xiaomi, which is the latest company attempting to merge pro-level cameras with your phone. In November, Xiaomi released a video of a phone camera concept that shows a Leica lens mounted on a 12S Ultra phone. This prototype is like a concept car: No matter how cool it is, you’ll never get to drive it.

The Chinese company took the 12S Ultra and added a removable ring around its circular camera bump. The ring covers a thread around the outside edge of the camera bump onto which you can attach an adapter that lets you mount Leica M lenses. The adapter’s thickness is the same distance that a Leica M lens needs to be positioned away from the sensor in order to focus.

A few caveats: The Xiaomi 12S Ultra concept uses an exposed 1-inch sensor, which as I mentioned earlier, isn’t actually 1-inch. Next, this is purely a concept. If something like this actually went on sale, it would cost thousands of dollars. A nice dedicated camera like the Fujifilm X100 V, which has a much bigger sensor, costs $1,399 in comparison.

Xiaomi isn’t the first phone-maker to try this. In 2013, Sony took an image sensor and put it on the back of a lens that has a grip to attach to the back of a phone. The idea is to use your phone’s screen as the viewfinder for the camera system, which you can control through an app. Essentially you bypass your phone’s cameras.

Sony made several different versions of this «lens with a grip» and used sensors that were just a bit bigger than those found in phone cameras. Sony also made the QX-1 camera, which had an APS-C sized sensor that in our Lego approximation is about six bricks positioned side-by-side in a three-by-two rectangle. That’s not as large as a full-frame sensor, but vastly bigger than your phone’s image sensors.

The Sony QX-1 has a Sony E-mount, meaning you can use various E-mount lenses or use adapters for Canon or Nikon lenses. Because the QX-1 is controlled with Bluetooth, you could either attach it to your phone or put it in different places to take photos remotely.

The QX-1 came out in 2014 and cost $350. Imagine having something like this today? I would definitely buy a 2022 version if Sony made it, but sadly the QX-1 was disconitntued a few years after it went on sale. That’s around the time that Red, the company that makes cinema cameras used to film shows and movies like The Hobbit, The Witcher, Midsommar and The Boys, made a phone called the Red Hydrogen One.

Despite being a phone made by one of the best camera companies in the world, the $1,300 Red Hydrogen One’s cameras were on par with those from a $700 Android phone. The back of the phone had pogo pins designed to attach different modules (like Moto Mods), including a «cinema camera module» that housed a large image sensor and a lens mount, according to patent drawings. The idea is that you would use a Hydrogen One and the cinema mod to turn the phone into a mini-Red cinema camera.

Well, that never happened.

The Red Hydrogen One was discontinued and now shows up as a phone prop in films like F9, on the dashboard of Dominic Toretto’s car or in the hands of Leonard DiCaprio in Don’t Look Up.

2023 will show that pro cameras won’t be killed off by our phones

There aren’t any rumors that Apple is making an iPhone with a camera lens mount, nor are there murmurs of a Google mirrorless camera. But if Xiaomi made a prototype of a phone with a professional lens mount, you have to imagine that somewhere in the basement of Apple Park sits an old concept camera that runs an iOS-like interface, is powered by the iPhone’s A-series chip and able to use some of the same computational photography processing. Or at least that’s what I’d like to believe.

How amazing would photos look from a pro-level dedicated camera that uses the same processing tricks that Apple or Google implement on their phones? And how nice would it be to have a phone-like OS to share those photos and videos to Instagram or TikTok?

Turns out, Samsung tried bringing an Android phone’s interface to a camera in 2012. Noticing a theme here? Most of these holy grail phone camera concepts were tried 10 years ago. A few of these, like the Sony QX-1, were truly ahead of their time.

I don’t think Apple will ever release a standalone iOS-powered camera or make an iPhone with a Leica lens mount. The truth is that over the past decade, cameras have gotten smaller. The bulky dSLRs that signified professional cameras for years are quickly heading into the sunset. Mirrorless cameras have risen in popularity. They tend to be smaller, since they don’t need the space for a dSLR mirror box.

If there is a takeaway from all of this, it’s just a reminder of how good the cameras on our phones have gotten in that time. Even if it feels like they’ve plateaued, they’re dependable for most everyday tasks. But they won’t be replacing professional cameras anytime soon.

If you want to step up into a professional camera, find one like the Fujifilm X100 V or Sony A7C, that pack a large image sensor, a sharp lens and can fit into a coat pocket. And next time I’m at a dinner party with friends, I won’t act so shocked when someone wants to take a picture with a camera instead of a phone.

Read more: Pixel 7 Pro Actually Challenges My $10,000 DSLR Camera Setup

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I Used to Tell People Wi-Fi 7 Routers Were a Waste of Money. CNET’s Lab Data Just Proved Me Wrong

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My Camera Test: Comparing the $499 Pixel 10A With the Galaxy S25 FE, Motorola Edge

The Pixel 10A’s cameras are similar to those on the 9A, but it still performs quite well compared to other phones in its price range.

Google’s $499 Pixel 10A uses nearly the same cameras as last year’s Pixel 9A, but I wanted to see how its photos directly match up to its midrange Android rivals: the $650 Samsung Galaxy S25 FE and the $550 Motorola Edge.

I traveled with all three phones around St. Petersburg, Florida, checking how flexible each was in different environments, from bright outdoor settings to an indoor coffee shop and an evening brewery. All three environments can be challenging for the small image sensors on each phone. 

While I find the cameras on all three phones to have different strengths and weaknesses depending on the setting, I’m quite impressed with how the Pixel 10A keeps up. In my tests, the photos include lots of detail, even though certain settings appear to involve a lot of processing to improve them.

Wide and telephoto cameras

Starting with photos taken on the sidewalk in downtown St. Petersburg, I notice that all three phones handle bright sunlight slightly differently, especially how it’s depicted on the street.

For the Pixel 10A, the sun provides a slight exposure mark over the Bay First sign at the top of the frame, but it remains fairly cordoned off to focus on the rest of the streetscape. Zooming in, you can see the Century 21 location, but the street is captured in the most detail, with the phone’s camera maintaining its natural gray color.

For both the Galaxy S25 FE and the Motorola Edge, the sun has a more pronounced effect on the rest of the image. The pavement’s color is notably brighter. I also find both the S25 FE and the Edge have slightly more clarity on the business signs on the Bay First building, including the aforementioned Century 21 logo.

Since the S25 FE and the Edge each include a telephoto camera that supports 3x optical zoom, I took a photo at that zoom with each phone. The Pixel 10A uses digital zoom on the phone’s 48-megapixel wide camera, but a lot of the scene’s detail remains preserved.

The Pixel’s zoom photo provides a clear view of the 7th St N sign, the trees and the plants. However, if you look further back at the next intersection, you’ll notice that the 7th St S sign and the Colony Grill are much harder to see. It’s those smaller details that are captured by the S25 FE and the Edge, both aided by telephoto cameras, making them more visible.

Of the three zoom photo examples, I feel like the S25 FE has the best color reproduction while also retaining details like the signs further back. Even though the photo was taken with the S25 FE’s 8-megapixel telephoto camera rather than its 50-megapixel wide camera, the colors remain complementary when comparing the 1x to the 3x. Meanwhile, the Edge’s 10-megapixel telephoto camera looks quite a bit different from the 50-megapixel wide camera — the whole image has a more yellowish hue.

Ultrawide cameras

Moving inside the Southern Grounds coffee shop, I decided to use the ultrawide cameras to capture my sausage, egg and cheese on toast. The three photos came out wildly different.

The Pixel 10A’s 13-megapixel ultrawide and S25 FE’s 12-megapixel ultrawide have a more balanced set of colors and details, in my opinion. The wheat toast appears lighter in the Pixel’s photo than in the darker hues captured by both the S25 FE and the Edge.

When zooming into my notebook, however, the Pixel and S25 FE captured more of the page markings, details that blur together more in the photo taken by the Edge. While the Edge’s 50-megapixel ultrawide camera is a higher-spec number, I noticed it had a harder time distinguishing toast levels, giving more of it a darker look. If I hadn’t eaten it myself, I’d have thought it was burned based on the Edge’s photo.

Night photography

Moving over to a nighttime setting, I used the three phones to take photos outside of 3 Daughters Brewing. I felt like all three did a decent job at producing the colors of the building, but they differ in how they handle light sources.

Both the Pixel and the S25 FE tone back the glare produced by the various lighting fixtures. Meanwhile, the Edge’s photos show noticeable streaks that dominate the sky. When inspecting the photos more closely, I find that the Galaxy captured a sharper view of the furniture, like in the Connect 4 set next to the blue chairs in the center of the frame. The same details are visible in the Pixel’s and the Edge’s depictions of the scene, but they appear smudgy by comparison. 

This type of scene needs to take advantage of a phone’s processing power in order to iron out visibility issues, and I do find that the Edge appears to come up short here in this regard, with a lot of noticeable image noise.

Selfies

Each phone takes selfies with noticeable differences in style and color choices. For this test example, I’m in a well-lit daytime room with natural light from a window. The 12-megapixel front-facing camera on Google’s Pixel 10A brightened up my face as if there was a light in front of me, and captured a decent amount of the details of my hair and face.

The front-facing camera on Samsung’s Galaxy S25 FE shows a noticeably darker color tone, but it still captures a similar shade of orange on the wall behind me. Of the three photos, I felt like the S25 captures the most details, including strands of hair, and defaulted to a closer crop than the other two.

The photos taken by the 50-megapixel selfie camera on the Motorola Edge feel a bit smoothed out. The orange color on the wall is noticeably different from the Pixel and the S25 FE, though it does capture a lot of my face details, from hair strands to the fabric textures on my shirt.

The $499 Pixel 10A camera keeps up and, in some cases, exceeds the detail captured by the slightly more expensive $550 Motorola Edge and $650 Galaxy S25 FE. I’m quite impressed by how the Pixel camera handles colors and low-light environments, but the phone’s processing work sometimes makes scenes appear brighter than they are in real life.

The Galaxy S25 FE is no slouch either, with a third telephoto lens for capturing more detail farther away. While I did find the Motorola Edge to struggle in low light, it is one of the lowest-cost phone options currently available for someone who must have a 3x optical telephoto camera.

But if you can live without the telephoto lens, the Pixel 10A’s low cost and photography abilities will likely be a good fit for most people.

Google’s Pixel 10A Looks Stylish for a Low-Cost Flagship Phone

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Today’s NYT Strands Hints, Answers and Help for March 14 #741

Here are hints and answers for the NYT Strands puzzle for March 14, No. 741.

Looking for the most recent Strands answer? Click here for our daily Strands hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle, Connections and Connections: Sports Edition puzzles.


Does today’s date seem memorable to you? If so, today’s NYT Strands puzzle might be easy. Some of the answers are difficult to unscramble, so if you need hints and answers, read on.

I go into depth about the rules for Strands in this story. 

If you’re looking for today’s Wordle, Connections and Mini Crossword answers, you can visit CNET’s NYT puzzle hints page.

Read more: NYT Connections Turns 1: These Are the 5 Toughest Puzzles So Far

Hint for today’s Strands puzzle

Today’s Strands theme is: A math teacher’s favorite dessert.

If that doesn’t help you, here’s a clue: 3.14

Clue words to unlock in-game hints

Your goal is to find hidden words that fit the puzzle’s theme. If you’re stuck, find any words you can. Every time you find three words of four letters or more, Strands will reveal one of the theme words. These are the words I used to get those hints but any words of four or more letters that you find will work:

  • RITE, SPIT, TIPS, STAT, STATE, GIVE, RUST, FINE, LAZE, SURE, PEAL

Answers for today’s Strands puzzle

These are the answers that tie into the theme. The goal of the puzzle is to find them all, including the spangram, a theme word that reaches from one side of the puzzle to the other. When you have all of them (I originally thought there were always eight but learned that the number can vary), every letter on the board will be used. Here are the nonspangram answers:

  • VENT, CRUST, FRUIT, EDGES, GLAZE, FILLING, LATTICE

Today’s Strands spangram

Today’s Strands spangram is HAPPYPIDAY. To find it, start with the H that’s six rows down and three to the right from the upper-left corner, and make — well, a pie shape.

Toughest Strands puzzles

Here are some of the Strands topics I’ve found to be the toughest.

#1: Dated slang. Maybe you didn’t even use this lingo when it was cool. Toughest word: PHAT.

#2: Thar she blows! I guess marine biologists might ace this one. Toughest word: BALEEN or RIGHT. 

#3: Off the hook. Again, it helps to know a lot about sea creatures. Sorry, Charlie. Toughest word: BIGEYE or SKIPJACK.

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