I tried the McDonaldland Meal at my local McD’s on Aug. 12, the day it came out. And I don’t want to say that I’ve been thinking about the mystery flavor of its pink-and-blue Mt. McDonaldland shake ever since, because that would make me sound truly bizarre, but…I have pondered it. 

When I tasted the shake, I guessed it was maybe blue raspberry, maybe cotton candy, maybe mixed berry. It’s sweet but not sickeningly so, though I’d never order it again. (I’m a chocolate fan.) 

But I kind of wanted to know what the mystery flavor was. And now I do: According to McDonald’s Canada’s own nutrition page for the shake, the blue beauty features a «mix of creamy vanilla soft serve and raspberry flavored syrup.» (I tried to confirm this on the US nutrition page, but it just spun and spun and never loaded. Get on that, Ronald.)

RASPBERRY! The Mt. McDonaldland shake is raspberry flavor! And it’s blue in color, so my guess of blue raspberry was correct! Raspberry is the hot fast-food flavor these days, as Starbucks just brought back its much-loved raspberry drink syrup in late July.

If you’re wondering what I’m even talking about, McDonald’s continues to capitalize on the love of its customers for the company’s goofy history. Recently, Happy Meals included McDonald’s-themed toys — such as drink machines, fryers and trays with food on them — delivered in mini-Happy Meal boxes. And the much-longed-for Snack Wraps finally returned after a viral fan campaign. 

The McDonaldland Meal goes straight after that market of adults who have a nostalgic feeling for the Golden Arches. It’s not cheap — here in high-cost-of-living Seattle, the medium meal was $16.59 and the large was $18.29. 

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You can choose from a Quarter Pounder with cheese or a 10-piece McNugget order. It also comes with the chain’s famous french fries and your choice of drink. But the specialty drink that’s made to go with the meal is called that mystery-until-now-flavored Mt. McDonaldland shake, and it’s a blazing blue color, topped with hot pink whipped cream. It’s supposed to look like a volcano, with the pink cream as lava, I guess.

You can order the shake without the meal if you just want to try it. If you don’t want to try it, you can choose a regular drink or another flavor of shake with your McDonaldland meal.

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I sampled the hot pink whipped cream by itself, and it seemed to have no flavor, so maybe they just took regular whipped cream and dyed it pink.

Instead of a simple toy, the McDonaldland Meal comes with a 5-by-7-inch tin with one of the McDonaldland mascot characters on it. I ended up with Hamburglar, who, after Grimace, would probably have been my choice. 

Tins come embossed with Hamburglar, Grimace, Ronald McDonald, Mayor McCheese, Birdie the Early Bird and the Fry Guys. Honestly, I’m not sure what anyone would do with this tin, but it was definitely a classier included item than most of the Happy Meal toys.

Inside the tin is a card with a code you can scan to explore McDonaldland online, an ID card for your particular character, two postcards and four stickers. One of my stickers said «robble robble,» the Hamburglar’s favorite saying, and one read, «Keep up! Hamburglar and I are mid-heist.» I can’t really imagine anyone putting these on their water bottle or laptop, but to each their own.

Honestly, unless McDonald’s nostalgia is your thing, I’d recommend you just stick to ordering your usual at the Golden Arches and skipping the meal. But if you just don’t get enough blue and pink food in your life — and who does? — try the Mt. McDonaldland shake once, pass it around to let your friends make them guess the flavor before you smugly deliver the big reveal, and then go back to chocolate or another good old standard flavor.

Listing at $299, the Meta Quest 3S is the most affordable way to dip your toes into the world of VR. But for high-end console gaming, the PlayStation VR 2 is the way to go. It’s a little pricier than the competition at $400, but this remaining Cyber Monday deal drops it down to a new record low.

Both Amazon and Walmart have the Horizon Call of the Mountain bundle on sale for just $299 right now. That means you’ll save $101 on the headset and also get one of the best PSVR 2 games for free. We don’t expect this deal to last for long since most sales have ended, though, so be sure to take advantage of these savings while you still can.

It’s important to note that you’ll also need a PS5 console to use the PSVR 2 headset, but thankfully they are also on sale right now. You can grab the digital-only PS5 Slim for just $400, which is $100 off the usual price.

The PSVR 2 features heightened Sense technology with eye tracking, 3D audio, haptic feedback, adaptive triggers and touch detection. Its enhanced eye tracking and haptics set it apart from the Quest headset, though the Meta system can be standalone and is more versatile.

Sony has not been amazing at supporting its PSVR 2 headset with first-party titles, but there are plenty of third-party games to play. Additionally, you can pick up an adapter to use it on a PC. All in all, it makes for a great gift this holiday season. And for $299, this is a sizable drop in price compared to when it launched.

Why this deal matters

Because you need both a PS5 console and the headset, investing in a PSVR 2 can be pretty pricey. But if you are looking to grab one, now is the time to do so. Not only is this the all-time lowest price we’ve seen on the Horizon Call of the Mountain bundle, but now you also have a rare chance to grab a PS5 console on sale.

Las Vegas and Formula 1 are a perfect pairing for photography: bright colors, late-night lights and high intensity. So when I came here to cover the Formula 1 Las Vegas Grand Prix, which ran Nov. 20-22, I couldn’t resist bringing three top camera phones to see how they perform against one another. Between the Samsung Galaxy S25 Ultra, the Google Pixel 10 Pro XL, and the Apple iPhone 17 Pro, which would occupy spots P1, P2 and P3 at the event?

My plan quickly skidded on wet tarmac (matching the unexpectedly rainy weather in Vegas), because I discovered late that I wouldn’t be allowed to take photos or videos in race areas. The Formula 1 organization, which owns and operates the Las Vegas Grand Prix, completed the press accreditation process well in advance of this opportunity; I was invited by T-Mobile, a co-sponsor of the event, a few weeks prior to the race.

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Although I couldn’t capture any photos of the main event, there was still plenty to see in Las Vegas, which gets transformed each year for the Grand Prix. The Strip (South Las Vegas Blvd., where most of the big hotels are) and surrounding public streets are converted into the race track. That disrupts car traffic and walking routes, adding stress to everyone.

Here’s a slice of the F1 Las Vegas Grand Prix weekend, shot on three cameras. Keep in mind that photo quality is subjective, and in many cases, the differences between them might be hard to spot. All photos were captured using default settings using each phone’s camera app. For the iPhone 17 Pro images, the Standard photographic style was used to keep the processing as basic as possible. The photos were exported to JPEG format with no HDR (high-dynamic range) applied, no edits and resized using Apple’s Photomator app.

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Although I couldn’t publish any photos from the race or around the track, there were still opportunities to get up close to F1 cars. Several hotels had cars set up in their lobbies. This racer from the Haas team was in The Cosmopolitan Resort. It’s awash in red, on the car itself, but also that carpet, which can sometimes be a challenge for small camera sensors. Plus, despite some spot lighting, you have to remember that this is in a generally dark, indoor environment.

Although all three photos look good, the iPhone 17 Pro seems to be warmer and more saturated — a tad too much. The S25 Ultra and Pixel 10 Pro XL shots have better white balance; for this comparison, I like the Pixel’s photo.

Here’s another car, from the Mercedes team. Photographically, this has a lot of challenges for a phone camera. There’s light coming through the windows, a platform that’s lit from below and lots of reflected details in the middle section of the car.

None of the cameras blew out the windows to white, which can be common when you’ve got a large light source in the background (it helped that the weather was cloudy and gray). The S25 Ultra and Pixel 10 Pro XL resolve more details in the buildings outside, but at the expense of toning down the brightness in the foreground; the white platform looks muted and green in both. The iPhone photo looks best to my eyes.

Near the Mercedes car was this helmet in glass, with racing simulators that people stood in long lines to play. All three phones have captured the variety of colors, reflections and textures well. I prefer the Galaxy S25 Ultra shot for its color, like the slot machines in the back, but it focused on the driver in the back instead of the helmet, so the foreground is a little out of focus. For that reason, I think the iPhone 17 Pro has made a successful overtake.

You’ve got to love Las Vegas for its willingness to smash together any look or influence it wants. This is the F1 Arcade, an F1-themed «ultimate bar experience» adjacent to Caesar’s Palace (hence the columnar design). The statues are clearly cast from the same mold, but I’m not sure the F1 logo and «Arcade» evoke original Greek typography.

Once again, the iPhone takes a different approach to its coloring, coming across as warmer and a little greener than the other two phones. Still, there’s plenty of fine detail, and each camera has retained the hint of blue in the sky. This is also where the zoom ranges are noticeable: The iPhone’s 4x zoom is wider than the 5x zoom on the Pixel or Galaxy.

Zoom aside, I like the Pixel 10 Pro XL image best (despite not being very level — I was distracted by a security guard looking at me funny for apparently standing in a place just off the main walkway). The «Arcade» letters are oddly crisp and bright on the Galaxy S25 Ultra image.

T-Mobile held a flashy keynote for its new 15 Minutes or Better feature for switching from other carriers, and after the keynote, the crowd was ushered into another room where musician T-Pain performed a live set. A concert like this is one of the more difficult tasks for phone cameras, since it’s in a dark environment, lit with multiple colored lights (so much magenta) and the star is moving at all times. It’s also when everyone’s phones come out to take pictures and record video.

The photos from this trio of cameras don’t stack up to traditional cameras with larger lenses, but they still hold their own. Nailing focus on T-Pain isn’t easy, so there’s a fair amount of motion blur — which isn’t a bad thing when capturing an energetic performance. Plus, since I wasn’t at the front, I was shooting with the 4x (iPhone) and 5x (Galaxy and Pixel) zooms to focus on him, and not Paris Hilton dancing at the front. On each phone, the main cameras have the best light-gathering abilities, so I was making a choice of composition over image quality by picking the telephoto options. I think the Pixel 10 Pro XL made the best shot of this test.

The Ski Lodge is a semi-secret bar in The Cosmopolitan that’s absolutely worth waiting in a line next to a blank white wall and a single nondescript door. Inside, the bar was decorated for Heavy Metal Holiday, with detail everywhere you look. Is this a cruel test of a cellphone camera? Absolutely.

Of the three photos, I give the iPhone 17 Pro a slight edge. It’s keeping up with its characteristic warmer tones, but they work here. It’s also done a better job of rendering the lights above that are wrapped in the tree boughs (they’re actually skulls, keeping with the heavy metal theme). The Pixel 10 Pro XL is a little soft, perhaps because its night mode uses a 1/7-second exposure versus 1/15 seconds for the other two phones.

Las Vegas is always associated with its elaborate neon signs, and the Flamingo is one of the classics. The fact that it was reflected on a polished surface at left was just extra candy for this photographer.

Of these three images testing the 2x zoom, the Galaxy S25 Ultra stands out to me for its color and clarity in the reflection. The Pixel 10 Pro XL is also good, but its 2x zoom is too tight for this composition; normally I would back up and reframe, but I was trying to take all shots from the same vantage point, and stepping back would put me into busy pedestrian traffic. The iPhone 17 Pro is underserved partially because it caught a moment when not as many of the bright white lights were illuminated on the flashing sign.

It rained in Las Vegas, a city in the desert that doesn’t get a lot of precipitation. Although the wet surfaces made things difficult for the F1 drivers, it was great for capturing reflected light. I’m happy with all three of these; the Galaxy S25 Ultra did a better job of catching detail in the sign to the left of the garden entrance, but I should have framed it to include more of the lions like the other shots. Also notable is the coloring on the structure — in Vegas, there’s so much light coming from screens all around that the lighting changes color frequently. So in this case, that isn’t from the cameras misinterpreting the scene.

For the Las Vegas Grand Prix, the Strip is turned into the racetrack, which needs maintenance every night after practice sessions and the qualifying race. Here’s a look at the infrastructure outside the Paris Las Vegas Hotel and Casino, including the lighting, scaffolding and the crash barriers.

Of these, the iPhone stands out for its warmth and detail. It was captured using the main camera, so it didn’t need to switch to Night Mode for this shot. The Galaxy S25 Ultra is more cool, and if I wasn’t pitting it against the others I’d say it was also a good shot. The Pixel 10 Pro XL image has somehow rendered the color in the Eiffel Tower more blue than purple, though I can’t recall if the tower was changing color or not; sometimes it’s colored red, white and blue like the French flag.

These are not stellar pictures, let’s be perfectly clear. But I wanted to share the lengths the organizers go to make sure not just anyone can watch the race in Las Vegas. Temporary barriers are set up on the walkways over the Strip to ensure that you can’t see the track below. All images were shot with the ultra-wide camera on each phone. I like the Galaxy S25 Ultra the best here for its color, compared to the too-warm hues of the other two. Again, in isolation, they’re all fine, but side-by-side, the Galaxy phone takes the win.

Speaking of the ultra-wide cameras, here’s a shot you won’t get in Paris, France: the Arc de Triomphe and Eiffel Tower right next to each other. (True story: A guy I once knew had no interest in going to the original Eiffel Tower when he was in Paris because he’d already seen it in Vegas.)

I was standing at the base of the arch, so the ultra-wide angle distortion is pronounced here, but it makes for a dramatic image. In terms of image quality, I’m partial to the iPhone 17 Pro because it caught a little glare from the sun at left, which gives it some character. The framing of the other two is better, and yet again they’re perfectly fine, if a little flat to compensate for the bright clouds at the top left, in the case of the Pixel 10 Pro XL version.

At the New York-New York Hotel and Casino, a scale replica of the Statue of Liberty overlooks one corner, providing a great opportunity to see how telephoto cameras perform. (Fun fact: When the US Postal Service designed a postage stamp of the Statue of Liberty, they accidentally did so from a stock photo of the Las Vegas version.)

Taken late at night, this subject shows the most color variation among the three cameras. The Galaxy S25 Ultra did the best with the statue’s green color, reducing the exposure slightly. The Pixel 10 Pro XL boosted the green, making a version that still looks OK. But the iPhone 17 Pro has misinterpreted the green as a color to be corrected, and bled the image of most of it. Samsung gets the win this time.

This view from the Venetian Resort is underexposed in all three cameras, each of which appears to be compensating for the bright areas of the sky. In terms of color, the Pixel 10 Pro XL looks best to my eye, keeping plenty of texture in the clouds while also making the gold windows of the former Mirage hotel pop. In the middle ground is construction on the Hard Rock Hotel and Casino Las Vegas, which will look like the base of an electric guitar.

Finally, we come to a selfie at midnight taken in front of New York New York, after your humble correspondent had walked the entire Strip to take photos. Each destination in Las Vegas looks closer than it is, and when you’re on foot it turns out to be even farther than that. However, it still capped a day of F1 racing, meeting new people and exploring this city oddity firsthand.

The iPhone 17 Pro selfie looks natural but softer than I would expect from Apple’s newly designed front-facing camera. The Galaxy S25 camera is similarly drab, with the detail in my beard appearing smudgy. But the Pixel 10 Pro XL, while oversharpening slightly, holds onto that detail and also has the best nighttime exposure.

Which phone camera captured Vegas the best?

So how do we rank these three cameras on a podium? Adding up my preferences above, the Pixel 10 Pro XL and iPhone 17 Pro each nabbed five wins, with the Galaxy S25 Ultra trailing just behind at four. As I said at the beginning, in most cases they each do an excellent job taking photos, so you won’t go wrong with any of them. 

And if you wanted to keep the F1 theme going, thanks to the IP68 rating for dust and water resistance on each one, you can spray them all with victory champagne and not worry about destroying your finely tuned machine.