Technologies
How science is helping unearth an 80-year-old Holocaust mystery
Out of the ruins of the Warsaw Ghetto, remnants of resistance emerge, thanks to advanced geoscientific tools and a team determined to keep the horrors of history from fading.
In a grassy patch of public park in central Warsaw last week, archaeologists dug up a rusted metal coat hook and the tangled chain of a decayed necklace. The objects couldn’t be more ordinary. Or more extraordinary.
The team excavated them from the buried rubble of the Warsaw Ghetto, where German occupiers sealed hundreds of thousands of Poland’s Jews into crowded, desperate squalor during World War II and over 80,000 died inside the walls of starvation, exposure and infectious diseases. Amid the twisted metal and bits of glass, the archaeologists unearthed small, unassuming remnants of daily life, suspended in hardened earth «like a time capsule,» says Philip Reeder, a professor of natural and environmental science at Pittsburgh’s Duquesne University and chief cartographer for the group working on the dig.
A fork. A light-green heart-shaped keepsake. A palm-size silver memorial medallion for a man named Nachum Morgenstern who died in 1880, inscribed in Hebrew.
«It makes you think,» Reeder muses of the tiny heart. «Did it belong to a child who lived in that house and most likely ended up dead when the ghetto was liquidated?»
The excavation — organized by Poland’s Warsaw Ghetto Museum and led by its research specialist Jacek Konik — is part of a broader effort to fill gaps in Holocaust history using geoscientific tools. These include ground-penetrating radar; GPS systems; magnetometers, which study variations in Earth’s geomagnetic field; and electrical resistivity tomography, a technique typically used for engineering and environmental investigations that images subsurface structures down as far as 660 feet (200 meters). Geoscience allows for what’s called «non-invasive archaeology.»
«Archaeology is the most destructive science on Earth,» says Richard Freund, an archaeologist and professor of Jewish studies at Christopher Newport University in Virginia. «What’s good about the geoscience is you don’t destroy anything before you stick a spade in the earth. It’s not very labor intensive and, most importantly, it’s not very expensive.»
Because these advanced tools identify and map historical sites without disturbing human remains, they also enable searches that honor the view held by some that digging up Holocaust graves disrespects the victims.
«It’s a game changer for Holocaust studies,» says Freund. He heads a multidisciplinary geo-archaeological research group aimed at unearthing lost Holocaust history to preserve the past and to protect the future from similar depravity. The group includes Geoscientists Without Borders, a program of the Society of Exploration Geophysicists that applies geoscience to humanitarian efforts.
This summer in Warsaw’s Krasinskich Park, a powerful metal detector turned up an anomaly that Freund’s team thought could be part of the Ringelblum Archive, a vast undercover cache of documents collected by as many as 60 volunteers determined to bear witness to Jewish life in Poland under Nazi occupation. The archive contains tens of thousands of invaluable items that testify to terror and suffering, but also to courage and acts of defiance. Collated in secret, the archive itself represents one such act.
The archive — spearheaded by Warsaw-based Jewish historian and political activist Emanuel Ringelblum starting in fall 1939 when Germany invaded Poland — includes underground newspapers, essays, letters, postcards, diaries, last wills and testaments, tram tickets, ration tickets, Nazi decrees, school schedules and original drawings, literature and poetry by Jewish artists and intellectuals that bring daily life in wartime Warsaw and beyond to vivid life.
In 1946, one of the few survivors of the ghetto guided a search party to metal boxes filled with archive documents amid the ghetto’s ruins. Polish construction workers building new apartments chanced upon two milk cans holding more archive material in 1950. Another milk can has long been rumored — based on diaries like Ringelblum’s — to be hidden at the site of an old brushmaker’s shop near the ghetto’s edge.
The archaeologists had hoped the metal object detected this summer would be that missing piece. Instead, they dug into the rocky earth last week to find a large steel beam collapsed on top of brick walls.
This was a letdown, but still a significant victory, as the other, more subtle artifacts they found carry their own historical and emotional value.
«In many ways it’s a somber experience,» Reeder says of uncovering such everyday relics. «But in many ways it’s an exhilarating experience. You get to tell the stories of people who can’t.»
Freund has led international teams exploring some 30 Holocaust-era sites in Poland, Latvia, Greece and Lithuania. There, researchers have mapped sites of mass burials and used radar and radio waves to uncover a 100-foot (30-meter) hidden escape tunnel leading out of a little-known Nazi extermination site at Ponar forest, known today as Paneriai. Eighty Jewish prisoners dug the tunnel over 76 nights using only their hands and rudimentary tools like spoons.
Just 12 prisoners managed to make it through the escape tunnel to the forest, with 11 surviving to recount constructing the passageway and squeezing through it to avoid massacre. But until Freund’s team found the tunnel, there hadn’t been physical evidence to reinforce the survivors’ accounts.
More than 100,000 people died at Ponar, bullet by bullet, including 70,000 Jews, as well as Poles and Russians. The tunnel’s discovery sheds light on another piece of the story: the tenacity and hope some prisoners still managed to harbor in the most unspeakable circumstances.
«We’re using science to help write or rewrite history,» Reeder says.
Electrical resistivity tomography images the ground’s subsurface by assessing the transition of electrical charges at various depths. Because different materials conduct electricity in different ways, the ERT instrument can delineate between stone, sand, clay, organic material or open voids buried underground. It reports findings back to an attached monitor and, after processing the information with ERT-specific software, generates images that outline the shape of the underground finds.
«There’s nothing it cannot locate,» Freund says.
In July, 21-year-old Christopher Newport University undergraduate Mikaela Martínez Dettinger stood in Krasinskich Park and watched tangible pieces of the past pulled from the ground attached to electricity-conducting metal ERT stakes as passersby rode their bikes and pushed strollers in the afternoon heat.
«The tips of [the stakes] were all stained terracotta orange, and it was because we had literally been hammering them into the rubble of the Warsaw Ghetto factory that was right beneath our feet,» says Martínez Dettinger, a senior studying political science, philosophy and comparative religion who joined Freund in Poland as a research intern this summer.
«I never want to make it sound like I know what it would have been like to be in [ghetto inhabitants’] shoes,» Martínez Dettinger added, «but you can feel in your heart the sorrow or the feelings of anger or persistence these people must have felt.»
Martínez Dettinger, who wants to pursue a career in archaeology, worries her generation doesn’t know enough about Holocaust horrors. She cites a 2020 national survey of Holocaust awareness among American millennials and members of Gen Z from 50 states. Of all survey respondents, 63% didn’t know 6 million Jews were murdered and 36% thought «2 million or fewer Jews» were killed. Of those polled, 48% couldn’t name a single ghetto or concentration camp.
This summer, visiting the most notorious of those camps, Auschwitz, Martínez Dettinger walked the path that prisoners took to the gas chambers where they took their last breaths. And she toured warehouses where prisoners sorted fellow inmates’ suitcases and other personal effects. As she stepped off a gravel path onto the floor of one warehouse, she noticed the sound of her footsteps changing and realized she was standing on hundreds of buttons that had once fastened shirts, possibly like the one she was wearing that day.
With most Holocaust survivors now in their 80s and 90s, fewer and fewer are alive to share their memories. Holocaust deniers distort the facts of the mass extermination or claim it never happened at all. Earlier this month, a Texas school district came under fire after an administrator discussed with teachers the potential need to offer «opposing» views of the Holocaust, based on a new state law that requires teachers to present multiple perspectives when covering «widely debated and currently controversial» issues.
«The science helps prove if atrocities have taken place and can be used to demonstrate war crimes,» says Alastair McClymont, a Calgary-based geophysicist and environmental consultant who joined the Ponar excavation in 2016 and just returned home from working on the Warsaw dig. «Holocaust education helps young people understand how important it is to protect human rights and keep democracies from failing.»
«May this treasure end up in good hands, may it live to see better times. May it alarm and alert the world to what happened,» 19-year-old Dawid Graber, one of the Jewish volunteers who hid the Ringelblum Archive, wrote in his last will and testament.
The Ringelblum Archive isn’t the only trove of eyewitness testimony to survive the Holocaust, but it’s considered the most comprehensive, valuable chronicle of Jewish life in occupied Poland, and a vital piece in the history of Jewish resistance. UNESCO included the archive in its Memory of the World register, alongside the original manuscripts of composer Frederic Chopin and writings by astronomer Nicolaus Copernicus.
Sealed off in November 1940, the Warsaw Ghetto confined more than 350,000 Jews, about 30% of the city’s population, into 2.4% of the city’s total area, or about 1.3 square miles. German SS and police forces liquidated the ghetto in May 1943 following the Warsaw Ghetto Uprising, a monthlong armed revolt of Jewish ghetto residents trying to prevent their deportation to death camps.
Before the ghetto’s obliteration, the archivists — a group code-named Oyneg Shabes («Sabbath pleasure») — strategically hid the archive, divided in three parts to increase the chance at least some of the documents might survive. They also transmitted to the Polish underground all the information they’d recorded about deportations and murders. The underground smuggled the materials out of the country so the free world could learn first-hand of the horrors taking place.
But as Warsaw was rebuilt post-war, some city maps shifted, and that has complicated the search for the archive’s missing piece.
Using subsurface mapping techniques, Freund’s team surmised that the wartime location of the brushmaker’s shop at 34 Świętojerska Street doesn’t correspond with the modern-day 34 Świętojerska Street, where the Chinese embassy now stands — and where another team using traditional archaeology methods already tried, unsuccessfully, to find the missing part of the archive. The geoscientists concluded the old shop can now be found across the street beneath Krasinskich Park, countering long-held assumptions about the best place to search for the lost section of the archive.
«We solved an 80-year-old mystery,» Freund says.
At the end of one long workday in the park this summer, Martínez Dettinger found Freund sitting on an equipment bin, staring transfixed at a section of grass with pink flags stuck in it to indicate scanners had found an object of interest. She asked him a question, but he couldn’t seem to summon the words to answer.
«He could not take his eyes off the piece of grass, and he looked at me and goes, ‘This could be the Ringelblum Archive,'» Martínez Dettinger recalls. «It felt like a moment out of a movie.»
Last week’s excavation might not have produced the cinematic scene the team envisioned, at least not yet. But they hope the Polish government will issue further permits so they can excavate more of the area they’ve identified as the former 34 Świętojerska Street.
«What we were unable to cry and shriek out to the world, we buried in the ground,» the young Dawid Graber wrote. Now that Freund’s team has pinpointed the original location of the brushmaker’s shop, they’re determined to make more silenced voices heard.
«The work,» Freund says, «will continue.»
Technologies
Dreaming of a Touchscreen MacBook? You’d Better Be a Fan of Apple’s Dynamic Island
Apple’s first touchscreen MacBook Pros will reportedly include the iPhone’s Dynamic Island feature on their OLED screens.
Apple’s long-awaited first entries into the touchscreen laptop market could be here as early as the fall, according to a new report from Bloomberg. And they could arrive with a feature familiar to iPhone owners: Dynamic Island.
The pill-shaped cutout and alert interface sits at the top of the screen and would presumably offer to people using new touchscreen MacBook Pro models the same kind of conveniences Dynamic Island brings to iPhones — system alerts, app controls, and tracking live activities, among other features — at the top of the screen, using a small amount of real estate.
The Dynamic Island is an evolution of Apple’s much-maligned «notch» from 2017. In 2021, Apple brought the notch over to laptop models around the hardware’s camera.
Dynamic Island aside, the new laptops will not involve a massive redesign, according to Bloomberg’s report. The first touchscreen versions will reportedly be iterations of its 14- and 16-inch MacBook Pros with OLED screens. They’ll retain the keyboard and large trackpad, but will add a context-sensitive touch menu when someone puts their finger the the screen. Scrolling or pinching to zoom would be part of the touch interface.
Given that it’s Apple, you can expect other enhancements that make the most of to the touchscreen. Bloomberg suggests there may be touch-optimized features for choosing emojis, for instance. But since they’ll also have a physical keyboard, owners likely won’t use the screen to type as they would on an iPhone.
The report also suggests that Apple plans to redesign its Dynamic Island feature to make it smaller on its iPhone 18 Pro and Pro Max models.
Technologies
Resident Evil Requiem Review: Classic Survival Horror With Modern Action
Capcom finally found the right formula to give fans the scares they’ve wanted with the fan service they’ve been demanding.
The Resident Evil series is on a triumphant comeback. While Resident Evil 6 was critically panned, the series roared back with the horror-focused Resident Evil 7 in 2017. Since then, the series has seen another mainline entry (Resident Evil Village) and three remakes (Resident Evil 2, 3 and 4), with a majority of the games being highly praised by both fans and critics, which is a far cry from when the series was just a stumbling corpse of itself.
Resident Evil Requiem is the ninth game in the mainline series, and Capcom mixes some of the old with the new in this one. Experimentation with the formula was sorely needed as newer entries reminded fans of the delight of being scared, while the remakes had the fanbase pining for their favorite heroes, who had been hardly mentioned since Resident Evil 6. The result is a game that hits the right notes for fans while remaining approachable to nondiehard players who haven’t consumed every scrap of RE content ever made.
Requiem, like some previous Resident Evil games, has two protagonists: newcomer Grace Ashford and series mainstay Leon Kennedy. Grace is an FBI analyst sent to investigate mysterious murders at a hotel where her mother was killed a decade ago. Leon, meanwhile, goes where the bioweapons are, arriving just in time to meet Grace when all hell breaks loose.
Throughout the game, players switch between controlling Grace and Leon — you’ll spend roughly the same amount of time as each character by the end of the game. Grace is the primary character for the first chunk of the game, with Leon initially playable only briefly. But that changes in the second half, when Leon becomes the primary character.
Requiem in two parts
Playing as two different characters isn’t new in RE games, but in Requiem, Grace and Leon don’t play remotely the same, whereas in previous games, the two characters are relatively similar, aside from access to a couple of weapons and affinity for certain guns. Grace has access to a few weapons, while Leon has a full arsenal at his disposal. In Grace’s sections, the focus is more on stealth, and to preserve the horror tone of Resident Evil 7 and Village, Capcom sets the default camera to first-person. This ramps up the tension and adds plenty of jump scares while controlling Grace, though it can be switched to third-person if it’s too much.
Leon’s default view is third-person, and his sections largely serve as stress relief. You’re not constantly dealing with that same intense horror pressure. Instead, Leon is a full-on badass. He gets access to multiple handguns, a shotgun, a machine gun, grenades and his own special hand cannon, the Requiem. If that wasn’t enough, he also carries a hatchet to pull off melee combos and chop off heads, ensuring that even without ammo, he’s far from helpless.
That dichotomy between Grace and Leon is what the series needed. The previous two mainline games featured a protagonist with seemingly no combat experience who just happened to be resilient, while earlier entries starred highly trained professionals, members of the S.T.A.R.S. team. Feeling helpless as Grace, then exacting revenge in brutal fashion during Leon’s sections, creates an experience that delivers both the horror and the power fantasy the series is known for.
It makes sense, because you can’t bring back some of the series’ mainstays — like Leon — and have them be completely out of their depth. On the other hand, introducing new characters with minimal combat training risks sidelining the fan-favorite cast established across games, films and shows. Having both Grace and Leon keeps some segments scary while others deliver the Resident Evil joy fans crave, which helps explain the remakes’ popularity.
Take me back to Raccoon City
One of the big selling points for Requiem is its return to where the series started, Raccoon City. While time in the now-destroyed city is limited, Requiem is the first time we’re seeing what the city is like since it was destroyed in an attempt to contain the G-virus outbreak.
As a longtime RE fan, this new lore is exactly what many of us have been wanting. It provides more backstory on the events that led to the original outbreak in Resident Evil and more details about the destruction of Raccoon City in Resident Evil 2. While it doesn’t answer everything and may raise additional questions, it’s refreshing to play a new RE game that acknowledges the events of the first three games rather than ignoring them. It’s also hard to express the nostalgia I felt upon entering the remnants of the Raccoon City Police Department. There’s a strange fondness that contrasts with the obvious trauma Leon experiences as he returns to the place where his career as a monster fighter began.
Requiem’s gameplay is essentially the same as other modern RE games. There’s a lot of shooting and slashing at enemies, and it will feel familiar to anyone who has played any of the previous games. The new twist comes with Grace’s sections, where stealth is vital. She will have to routinely sneak around zombies and other monsters to avoid being attacked, as she can’t take as many hits as Leon. Grace does have a few tools at her disposal to go with her gun, including a glass to distract enemies when thrown and chemical concoctions that can cause zombies to explode.
The game’s visual presentation continues the high quality seen in recent games, including the remakes, which all use the RE Engine to power the graphics. The characters are detailed; the monsters are grotesque. Some vast landscapes are visible, but there’s only so much to explore, maintaining the tighter, more enclosed spaces typical of a survival horror game.
Not enough evil
If there is one glaring flaw with Requiem, it’s the lack of replay value. I finished the game in about 12 hours on my first playthrough, which could stretch to 15 if you explore every nook and cranny. That’s on par with other RE games, but that’s about it.
There are two endings available: one good and one bad. The good ending seemingly teases new modes or scenarios to play through, but once the credits roll, the only content unlocked is some new costumes and the highest possible difficulty, Insanity Mode. The game autosaves right before the big decision on determining which ending you’ll see, so seeing the other takes just a few minutes of play after loading the previous save before you have to make the important choice. Capcom confirmed that no new modes unlock after beating Insanity Mode, leaving only the self-satisfaction of completing the game at its toughest level, where just two or three zombie attacks can kill you, and every monster reacts to the slightest sound.
It’s a shame, as the game has so much potential for extra content, like the Mercenaries mode found in previous REs, which is like an arcade game where you try to achieve a high score by killing the most enemies possible. Capcom is rumored to be working on DLC for Requiem, but it won’t be released until later in the year. The good ending teases many possibilities to add to the RE lore via the extra content, which will make the DLC a must-play for diehard fans whenever it comes out.
Resident Evil Requiem is the perfect blend of the two sides of survival horror that Resident Evil established. There’s the genuinely scary survival horror, where you have to manage your items, and then the badass action side, where you can vent your aggression built up from being scared. Requiem nails everything except for providing a bit more content to justify the $70 price tag. Still, it’s one of the best Resident Evil games that both hard-core and casual fans will enjoy.
Resident Evil Requiem will be released on Feb. 27 for $70 on the PS5, PC, Nintendo Switch 2 and Xbox Series X and S.
Technologies
TextNow Adds eSIM Option for Immediate Unlimited Phone Data Access
The company’s new eSIM option should allow for a faster sign-up experience.
TextNow has built a business on free calling and texting, as long as you’re fine with using its app over Wi-Fi, viewing ads and letting TextNow determine which data is free and which you’ll need to pay for.
If you want to communicate away from Wi-Fi, you can sign up for a free or paid data plan, but that requires purchasing a physical SIM card and waiting for it to be delivered.
Now, customers can circumvent the wait and the cost (just $4 for the card, but still) with TextNow’s new eSIM option, which is set up from within the TextNow app. eSIM is currently available on iOS and will be coming soon for Android, according to the company.
Once people decide to sign up for cellular data, they want it right away, said TextNow CEO and founder Derek Ting, noting that eSIM reduces the friction of a physical SIM. «They can download a fully functioning phone plan on their phone without spending a nickel,» he said.
Upon activation, the eSIM defaults to the Free Essential Data plan, which offers unlimited talk, texting and data «for apps like email, maps, rideshare and finance,» according to TextNow. Or, customers can sign up for one of the following unlimited data plans that open up wireless data to any app: Day Pass ($3 a month), Week Pass ($9 a month) or Month Pass ($36 a month).
During setup, FaceTime and Messages can be enabled. However, phone calls still need to be made using the TextNow app. Ting also said that support for using a phone as a mobile hotspot is not yet available, but the company is working on it.
While this eSIM option should provide a fast way to activate service on most modern phones, TextNow will still offer a physical SIM option.
TextNow also said its 5G network infrastructure has been improved, but didn’t point to specific improvements. Ting declined to disclose which network provider TextNow relies on, whether that’s T-Mobile, Verizon, AT&T or a mix, such as the way US Mobile straddles all three.
«It’s not just eSIM. There’s a lot of stuff we did underneath the hood,» he said, noting that customers will see improvements in coverage and connectivity.
While TextNow’s free service could get customers in the door, ramping up to its $36 monthly pass to use it for all purposes puts it squarely into the same price range as other prepaid carriers like Verizon’s Visible and US Mobile.
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