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How science is helping unearth an 80-year-old Holocaust mystery

Out of the ruins of the Warsaw Ghetto, remnants of resistance emerge, thanks to advanced geoscientific tools and a team determined to keep the horrors of history from fading.

In a grassy patch of public park in central Warsaw last week, archaeologists dug up a rusted metal coat hook and the tangled chain of a decayed necklace. The objects couldn’t be more ordinary. Or more extraordinary.

The team excavated them from the buried rubble of the Warsaw Ghetto, where German occupiers sealed hundreds of thousands of Poland’s Jews into crowded, desperate squalor during World War II and over 80,000 died inside the walls of starvation, exposure and infectious diseases. Amid the twisted metal and bits of glass, the archaeologists unearthed small, unassuming remnants of daily life, suspended in hardened earth «like a time capsule,» says Philip Reeder, a professor of natural and environmental science at Pittsburgh’s Duquesne University and chief cartographer for the group working on the dig.

A fork. A light-green heart-shaped keepsake. A palm-size silver memorial medallion for a man named Nachum Morgenstern who died in 1880, inscribed in Hebrew.

«It makes you think,» Reeder muses of the tiny heart. «Did it belong to a child who lived in that house and most likely ended up dead when the ghetto was liquidated?»

The excavation — organized by Poland’s Warsaw Ghetto Museum and led by its research specialist Jacek Konik — is part of a broader effort to fill gaps in Holocaust history using geoscientific tools. These include ground-penetrating radar; GPS systems; magnetometers, which study variations in Earth’s geomagnetic field; and electrical resistivity tomography, a technique typically used for engineering and environmental investigations that images subsurface structures down as far as 660 feet (200 meters). Geoscience allows for what’s called «non-invasive archaeology.»

«Archaeology is the most destructive science on Earth,» says Richard Freund, an archaeologist and professor of Jewish studies at Christopher Newport University in Virginia. «What’s good about the geoscience is you don’t destroy anything before you stick a spade in the earth. It’s not very labor intensive and, most importantly, it’s not very expensive.»

Because these advanced tools identify and map historical sites without disturbing human remains, they also enable searches that honor the view held by some that digging up Holocaust graves disrespects the victims.

«It’s a game changer for Holocaust studies,» says Freund. He heads a multidisciplinary geo-archaeological research group aimed at unearthing lost Holocaust history to preserve the past and to protect the future from similar depravity. The group includes Geoscientists Without Borders, a program of the Society of Exploration Geophysicists that applies geoscience to humanitarian efforts.

This summer in Warsaw’s Krasinskich Park, a powerful metal detector turned up an anomaly that Freund’s team thought could be part of the Ringelblum Archive, a vast undercover cache of documents collected by as many as 60 volunteers determined to bear witness to Jewish life in Poland under Nazi occupation. The archive contains tens of thousands of invaluable items that testify to terror and suffering, but also to courage and acts of defiance. Collated in secret, the archive itself represents one such act.

The archive — spearheaded by Warsaw-based Jewish historian and political activist Emanuel Ringelblum starting in fall 1939 when Germany invaded Poland — includes underground newspapers, essays, letters, postcards, diaries, last wills and testaments, tram tickets, ration tickets, Nazi decrees, school schedules and original drawings, literature and poetry by Jewish artists and intellectuals that bring daily life in wartime Warsaw and beyond to vivid life.

In 1946, one of the few survivors of the ghetto guided a search party to metal boxes filled with archive documents amid the ghetto’s ruins. Polish construction workers building new apartments chanced upon two milk cans holding more archive material in 1950. Another milk can has long been rumored — based on diaries like Ringelblum’s — to be hidden at the site of an old brushmaker’s shop near the ghetto’s edge.

The archaeologists had hoped the metal object detected this summer would be that missing piece. Instead, they dug into the rocky earth last week to find a large steel beam collapsed on top of brick walls.

This was a letdown, but still a significant victory, as the other, more subtle artifacts they found carry their own historical and emotional value.

«In many ways it’s a somber experience,» Reeder says of uncovering such everyday relics. «But in many ways it’s an exhilarating experience. You get to tell the stories of people who can’t.»

Freund has led international teams exploring some 30 Holocaust-era sites in Poland, Latvia, Greece and Lithuania. There, researchers have mapped sites of mass burials and used radar and radio waves to uncover a 100-foot (30-meter) hidden escape tunnel leading out of a little-known Nazi extermination site at Ponar forest, known today as Paneriai. Eighty Jewish prisoners dug the tunnel over 76 nights using only their hands and rudimentary tools like spoons.

Just 12 prisoners managed to make it through the escape tunnel to the forest, with 11 surviving to recount constructing the passageway and squeezing through it to avoid massacre. But until Freund’s team found the tunnel, there hadn’t been physical evidence to reinforce the survivors’ accounts.

More than 100,000 people died at Ponar, bullet by bullet, including 70,000 Jews, as well as Poles and Russians. The tunnel’s discovery sheds light on another piece of the story: the tenacity and hope some prisoners still managed to harbor in the most unspeakable circumstances.

«We’re using science to help write or rewrite history,» Reeder says.


Electrical resistivity tomography images the ground’s subsurface by assessing the transition of electrical charges at various depths. Because different materials conduct electricity in different ways, the ERT instrument can delineate between stone, sand, clay, organic material or open voids buried underground. It reports findings back to an attached monitor and, after processing the information with ERT-specific software, generates images that outline the shape of the underground finds.

«There’s nothing it cannot locate,» Freund says.

In July, 21-year-old Christopher Newport University undergraduate Mikaela Martínez Dettinger stood in Krasinskich Park and watched tangible pieces of the past pulled from the ground attached to electricity-conducting metal ERT stakes as passersby rode their bikes and pushed strollers in the afternoon heat.

«The tips of [the stakes] were all stained terracotta orange, and it was because we had literally been hammering them into the rubble of the Warsaw Ghetto factory that was right beneath our feet,» says Martínez Dettinger, a senior studying political science, philosophy and comparative religion who joined Freund in Poland as a research intern this summer.

«I never want to make it sound like I know what it would have been like to be in [ghetto inhabitants’] shoes,» Martínez Dettinger added, «but you can feel in your heart the sorrow or the feelings of anger or persistence these people must have felt.»

Martínez Dettinger, who wants to pursue a career in archaeology, worries her generation doesn’t know enough about Holocaust horrors. She cites a 2020 national survey of Holocaust awareness among American millennials and members of Gen Z from 50 states. Of all survey respondents, 63% didn’t know 6 million Jews were murdered and 36% thought «2 million or fewer Jews» were killed. Of those polled, 48% couldn’t name a single ghetto or concentration camp.

This summer, visiting the most notorious of those camps, Auschwitz, Martínez Dettinger walked the path that prisoners took to the gas chambers where they took their last breaths. And she toured warehouses where prisoners sorted fellow inmates’ suitcases and other personal effects. As she stepped off a gravel path onto the floor of one warehouse, she noticed the sound of her footsteps changing and realized she was standing on hundreds of buttons that had once fastened shirts, possibly like the one she was wearing that day.

With most Holocaust survivors now in their 80s and 90s, fewer and fewer are alive to share their memories. Holocaust deniers distort the facts of the mass extermination or claim it never happened at all. Earlier this month, a Texas school district came under fire after an administrator discussed with teachers the potential need to offer «opposing» views of the Holocaust, based on a new state law that requires teachers to present multiple perspectives when covering «widely debated and currently controversial» issues.

«The science helps prove if atrocities have taken place and can be used to demonstrate war crimes,» says Alastair McClymont, a Calgary-based geophysicist and environmental consultant who joined the Ponar excavation in 2016 and just returned home from working on the Warsaw dig. «Holocaust education helps young people understand how important it is to protect human rights and keep democracies from failing.»


«May this treasure end up in good hands, may it live to see better times. May it alarm and alert the world to what happened,» 19-year-old Dawid Graber, one of the Jewish volunteers who hid the Ringelblum Archive, wrote in his last will and testament.

The Ringelblum Archive isn’t the only trove of eyewitness testimony to survive the Holocaust, but it’s considered the most comprehensive, valuable chronicle of Jewish life in occupied Poland, and a vital piece in the history of Jewish resistance. UNESCO included the archive in its Memory of the World register, alongside the original manuscripts of composer Frederic Chopin and writings by astronomer Nicolaus Copernicus.

Sealed off in November 1940, the Warsaw Ghetto confined more than 350,000 Jews, about 30% of the city’s population, into 2.4% of the city’s total area, or about 1.3 square miles. German SS and police forces liquidated the ghetto in May 1943 following the Warsaw Ghetto Uprising, a monthlong armed revolt of Jewish ghetto residents trying to prevent their deportation to death camps.

Before the ghetto’s obliteration, the archivists — a group code-named Oyneg Shabes («Sabbath pleasure») — strategically hid the archive, divided in three parts to increase the chance at least some of the documents might survive. They also transmitted to the Polish underground all the information they’d recorded about deportations and murders. The underground smuggled the materials out of the country so the free world could learn first-hand of the horrors taking place.

But as Warsaw was rebuilt post-war, some city maps shifted, and that has complicated the search for the archive’s missing piece.

Using subsurface mapping techniques, Freund’s team surmised that the wartime location of the brushmaker’s shop at 34 Świętojerska Street doesn’t correspond with the modern-day 34 Świętojerska Street, where the Chinese embassy now stands — and where another team using traditional archaeology methods already tried, unsuccessfully, to find the missing part of the archive. The geoscientists concluded the old shop can now be found across the street beneath Krasinskich Park, countering long-held assumptions about the best place to search for the lost section of the archive.

«We solved an 80-year-old mystery,» Freund says.

At the end of one long workday in the park this summer, Martínez Dettinger found Freund sitting on an equipment bin, staring transfixed at a section of grass with pink flags stuck in it to indicate scanners had found an object of interest. She asked him a question, but he couldn’t seem to summon the words to answer.

«He could not take his eyes off the piece of grass, and he looked at me and goes, ‘This could be the Ringelblum Archive,'» Martínez Dettinger recalls. «It felt like a moment out of a movie.»

Last week’s excavation might not have produced the cinematic scene the team envisioned, at least not yet. But they hope the Polish government will issue further permits so they can excavate more of the area they’ve identified as the former 34 Świętojerska Street.

«What we were unable to cry and shriek out to the world, we buried in the ground,» the young Dawid Graber wrote. Now that Freund’s team has pinpointed the original location of the brushmaker’s shop, they’re determined to make more silenced voices heard.

«The work,» Freund says, «will continue.»

Technologies

Here’s How a Former Overwatch Pro Made the Support Hero He Always Wanted

Scott «Custa» Kennedy used his experience as a former Overwatch League pro to design one of the game’s most popular heroes in Reign of Talon season 1.

Overwatch’s Reign of Talon season 1 is starting to wind down, and the biggest story has been the five new heroes who joined the roster. A lot of attention has understandably gone to Jetpack Cat, a hero once scrapped in the game’s early design, but resurrected on the cusp of the game’s 10th anniversary. She’s been the subject of bans and memery due to her unique kit that features permanent flight and the ability to fly any other hero through the air with her Lifeline ability.

But another support hero has quietly gone under the radar as one of the most-played characters in the new season: Mizuki.

Mizuki is a complex hero, similar on paper to support heroes Brigitte and Lucio, who mix damage with healing in the radius around them, but with his own unique mechanics. He has a constant healing aura around him, which grows more powerful as he deals damage with his weapon or uses other healing abilities. His main weapon is a projectile that bounces off surfaces. One of his abilities, Katashiro Return, offers a burst of movement, but also the ability to teleport back to your starting point within a few seconds.

That all adds up to a hero design that gives players lots of options but also requires you to carefully strategize to turn the tide of battle. Do you stay with your team to maximize the value of your healing aura? Or do you split from them for a higher-risk, higher-reward play? Do you use your Katashiro Return ability to flank behind an enemy team, or save it to disengage from an unexpected attack?

Despite spending most of my time in Overwatch playing support heroes, including Ana and Kiriko, I found Mizuki challenging early in the season, even as I watched enemy Mizukis pump out damage and secure clutch kills while constantly healing their teams. 

This «unlockable challenge» element was an intentional part of Mizuki’s design, as I was soon to learn from chatting with the hero’s creator, a former Overwatch eSports pro.

By and large, support players have embraced this challenge. An Overwatch spokesperson told me via email that «Mizuki is consistently in the top four for all support picks in Season 1, across every region.» He’s one of several elements powering a revival of the game, along with a new ongoing story, weekly faction missions and the promise of more new heroes every season. People have flocked back into the game since the start of Season 1, with its average player count on Steam more than doubling over the past month.

Mizuki’s design was led by Scott «Custa» Kennedy, a longtime presence in Overwatch’s professional scene as both a player and match analyst, and now an associate hero designer. I spoke with Scott at Blizzard’s spotlight event and also spoke with him and Mizuki’s character artist, Melissa Kelly, in early March to discuss how they created one of the game’s most popular heroes.

From professional player to associate designer

After a few years as a professional player and several more as an analyst and caster for the Overwatch League, Kennedy was looking for the next step in his career.

«Overwatch [had] been my life for, like, the last 10 years in many different facets,» he said, but as he reached retirement age in the esports realm, he wanted a change. He spoke with some of the Overwatch developers, including associate game director Alec Dawson, about what it would take to get into game development. 

After doing some QA work and hands-on game development («I made the world’s hardest 2D cat platformer in three days,» he said), Kennedy secured an associate hero designer opening for Overwatch, which was a perfect fit with his experience. 

When given the task of envisioning the game’s next healer, Kennedy said he didn’t want to make another support designed around «point-and-shoot» mechanics that healed teammates and hurt enemies, like Ana or Juno. 

«I wanted [Mizuki] to be more of an AoE healing aura-type hero because I think that’s something that’s been underrepresented in our heroes,» Kennedy said. Instead, he came up with the area-of-effect healing that’s similar to how Lucio and Brigitte heal, but with the added layer of that healing becoming more powerful the better you play in combat.

Managing that nuance was a learning experience for Kennedy.

«One of the biggest things that I learned is how complexity can be really cool on paper, but when you’re making a hero how quickly that snowballs into making a player overwhelmed,» Kennedy said. But he feels the team ultimately found a good balance, where inexperienced players can still contribute with him, while more experienced and skilled players can benefit even more.

Kelly added that Mizuki was a complicated hero on the design side, too. 

«One of the issues is that he was looking kind of like a [damage hero],» she said. «He looked very aggressive for a healer. So we were just trying to soften him up.» Kelly pointed out that Mizuki’s weapon is a mix of a priest’s staff and a sickle, which also blurs the lines a bit between support and damage heroes. 

That nuance seems to be a big part of Mizuki’s appeal. Even though I generally prefer the kind of «point-and-shoot» healing hero Kennedy said he wanted to avoid, I’ve found Mizuki to be one of the most interesting additions to the roster, especially among support heroes. His Binding Chain ability, which roots an enemy hit by the chain into place, rewards good aim and timely use, while his Healing Kasa and Katashiro Return abilities let my brain ponder over creative escapes and ambushes. 

When I play Mizuki, I’m always thinking while I fight, and I enjoy feeling that kind of active engagement with the game. 

Mizuki’s reception and prospects for pro play

Kennedy worried that players would be turned off by how complex the hero is — wondering, «Are players going to try him, not understand him and then be like… ‘I’m just gonna play the cat?'» (The cat, of course, is Jetpack Cat, who was released alongside Mizuki in season 1 and immediately became one of the most popular and most-banned heroes. She has a more intuitive, point-and-heal design, although her launch state also allows for particularly aggressive gameplay.)

Instead, Kennedy has enjoyed watching players stick with Mizuki and later post about how they’ve «unlocked» the hero by figuring out the formula to succeed with him. Kennedy said it’s rewarding to see players grasp his original concept for the hero as it plays out in-game. After that initial, somewhat disastrous first game I played, I started clicking with Mizuki, too.

Players still struggled with parts of Mizuki’s kit, and Kennedy noted some initial frustrations with «intentional design limitations» he and the team placed on the hero. Players seemed to want to use his Katashiro Return ability to go on aggressive flanks, but found it didn’t last long enough to successfully move behind enemy teams. That kind of larger repositioning would go against the design team’s vision for the hero, who is meant to stay near his team and use the ability to return to them quickly.

Now, Kennedy said, «players seem to understand the limitations of the hero, and that’s been cool to see.»

Mizuki has had a strong launch, and has been sitting around a 54% win rate in competitive modes since the start of the season. That’s quite high, ranking just behind last season’s top performer: the damage hero Vendetta. I asked Kennedy how he reads that data — whether Mizuki is overtuned or just a good fit among this season’s most-played heroes.

Kennedy said Mizuki was in a «pretty healthy» spot, but could get pulled down a bit in future seasons. «The numbers that he can put out in terms of healing and damage output are things that really put him above everyone else at this point. So it’s definitely something we’re keeping an eye on.»

But that power won’t necessarily translate to Mizuki being picked up in professional play, at least based on last month’s Overwatch Championship Series Bootcamp. Kennedy said the hero’s kit isn’t as good for staying alive and executing plays as heroes such as Lucio and Kiriko, who have long been must-picks in pro play. 

«I could see Mizuki getting more playtime in a world in which we start playing more rush metas [centered around tanks like Ramattra or Orisa],» he said, «but with how fast the game is being played at the highest level, it can be difficult for Mizuki to keep up.»

Kennedy brought up one of Overwatch’s biggest and most inevitable challenges over its decade-long tenure: balancing heroes for both the pro level and the rest of the game, and how the difficulty lies in the fact that certain resources — such as speed boosts, mobility and burst damage — are more valuable at the highest levels of coordinated play. The design team is always working to make sure heroes are never totally out of balance at either skill level, he said. 

That work has been on display since the launch of Season 1, with balance patches coming out virtually every week up through the midseason patch on March 10. Those updates mostly focused on the five new heroes but also included some changes to Vendetta, who continues to terrorize the game with a very strong win rate and the ability to cut someone down almost out of nowhere, leaving opponents very little time to react. 

Still, the season overall has been a win for the game, thanks largely to the influx of new heroes and the different playstyles they add to the game.

«[I’m] definitely a little overwhelmed with how positive everyone has been with Mizuki — and honestly, the five heroes in general,» Kennedy said. «I think the reception’s been awesome. We couldn’t have asked for anything better.»

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Amazon’s Spring Sale Just Added a Ton of Gaming Deals. Here Are Our Favorites, Expiring Soon

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Today’s NYT Connections: Sports Edition Hints and Answers for March 30, #553

Here are hints and the answers for the NYT Connections: Sports Edition puzzle for March 30 No. 553.

Looking for the most recent regular Connections answers? Click here for today’s Connections hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle and Strands puzzles.


Today’s Connections: Sports Edition is a tough one. You’ll need to know a little about four very different sports in order to solve it. If you’re struggling with today’s puzzle, read on for hints and the answers.

Connections: Sports Edition is published by The Athletic, the subscription-based sports journalism site owned by The Times. It doesn’t appear in the NYT Games app, but it does in The Athletic’s own app. Or you can play it for free online.

Read more: NYT Connections: Sports Edition Puzzle Comes Out of Beta

Hints for today’s Connections: Sports Edition groups

Here are four hints for the groupings in today’s Connections: Sports Edition puzzle, ranked from the easiest yellow group to the tough (and sometimes bizarre) purple group.

Yellow group hint: Make a racket.

Green group hint: Goooooal!

Blue group hint: Baseball stars.

Purple group hint: Toss the pigskin.

Answers for today’s Connections: Sports Edition groups

Yellow group: Tennis Grand Slams.

Green group: Premier League teams.

Blue group: Last four World Series MVPs.

Purple group: ____ football.

Read more: Wordle Cheat Sheet: Here Are the Most Popular Letters Used in English Words

What are today’s Connections: Sports Edition answers?

The yellow words in today’s Connections

The theme is Tennis Grand Slams. The four answers are Australian, French, U.S., and Wimbledon.

The green words in today’s Connections

The theme is Premier League teams. The four answers are Chelsea, Leeds, Liverpool and Sunderland.

The blue words in today’s Connections

The theme is last four World Series MVPs. The four answers are Freeman, Peña, Seager and Yamamoto.

The purple words in today’s Connections

The theme is ____ football. The four answers are American, fantasy, flag and total.

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