Technologies

Elden Ring Nightreign Review: An Addictive Multiplayer Roguelike for Challenge Junkies

FromSoftware’s first multiplayer game is as tough as its oeuvre, sure to please longtime fans and test new ones.

I drop into a fantasy land with a sword and two squadmates, all dedicated to defeating the Nightlord ruling over our shadowy limbo realm — but first, we have to survive. From the deepest mines to the highest snow-capped peaks, we clashed and slew monstrous beasts for two in-game days at a breakneck pace to stay ahead of the closing ring of blue flame. On the third day, confronting the Nightlord in its lair, we get close to defeating it with wild weapons and spells — but win or lose, we shrug and queue up to drop once more.

This is Elden Ring Nightreign, a spin-off of studio FromSoftware’s phenomenally successful and notoriously difficult fantasy action-RPG game Elden Ring. Rather than spend dozens of hours exploring wide lands in a solo adventure, Nightreign takes the combat and boss structure to a co-op multiplayer setting where tight gameplay must be balanced against speed and strategy to survive each trip into the game’s arena.

Nightreign is a departure for FromSoftware, eschewing the slow solo explorations of its previous games in favor of fast-paced rounds building your heroes from scratch, kind of similar to battle royale shooters like Fortnite and Apex Legends. But unlike those PvP-intensive games, each Nightreign round pits the friendly squad against a map full of computer-controlled enemies, leaving players dependent on teammates to survive — or themselves, if they’re bold enough for a solo run. (Currently, players can either go it alone or queue for three-player squads.)

Nightreign is focused, repeatable Soulslike action

Nightreign ambitiously tries to see how much of an idiosyncratic yet popular game can be slimmed down and imported into a new gameplay loop. It’s easy to put a hundred hours or more into Elden Ring, exploring every nook and cranny, upgrading weapons and trying out different strategies. Nightreign punishes that slow pace, requiring squads to blitz around the map, hitting specific points of interest to get as strong as they can to survive and defeat the big boss at the end of each three-day run. (Playing through three in-game days and facing the Nightlord boss at the end of a run can take 45 minutes to an hour — or less, if you die along the way.)

This approach will be catnip for fans of FromSoftware’s signature tough boss combat, as it distills Elden Ring down to its core combat loop with just enough randomized surprises to somewhat refresh each run while keeping enough the same to quickly plan and alter course along a run. That makes sense, as Nightreign is directed by Junya Ishizaki, the person in charge of overseeing the combat for Elden Ring.

On the surface, a lot has carried over from Elden Ring, but there are plenty of subtle refinements to make it fit fast-paced multiplayer gameplay. Player characters kit themselves out with powerful weapons and spells without worrying about stat requirements or armor. There’s no fall damage, allowing players to drop from great heights to keep moving, and spirit hawks lift them in aerial routes around the map. Running up to a spiritual spring of blue fire lets you leap upward hundreds of feet in an invigorating ascent with a heavy bass sound effect — I breeze around the map feeling fast and powerful, a hunter in a forsaken land.

But there is some part of FromSoftware’s spirit that’s lost in Nightreign: that feeling of being dwarfed by an alien world that slowly unfolds its mysterious history as you cut your way through its cursed remains. Instead, Nightreign leans heavily on the mystique and lore built up in Elden Ring, presenting a mirror version of that well-known setting with its own limited mythology that can be revealed with optional missions. But you can just stick with the gameplay loop, and many will, turning Nightreign into a greatest hits album of fun FromSoftware moments that doesn’t introduce too much that’s new — beyond designing the game around persistent squad multiplayer.

And the multiplayer is a joy, despite rough edges that, in true FromSoftware fashion, are unexplained or buggy in ways that the community will likely fondly rehabilitate as part of the game’s charm. For instance, the game requires a lot of ascending big plateaus by hopping up misshapen steps with erratically successful ledge grabs. It’s minorly frustrating, but does ratchet up the tension when you’re trying to escape death or rush to a teammate’s aid — and much like the rest of FromSoftware’s games, Nightreign is so tightly polished elsewhere that this slight jank, or other aspects like it, is tolerated and treated as part of its difficulty and flavor.

Which is all to say that, for $40, Nightreign delivers on its vision of concentrated, easily repeatable FromSoftware action that’s sure to hook the studio’s die-hard fans and potentially lure other difficulty junkies who prefer quick multiplayer romps to lore-heavy solo adventures. With rogue-like novelty that rewards replaying, there’s a decent blend of familiar elements and shifting map factors for fans of FromSoftware’s tough gameplay to get their fix without needing to replay games they know so well.

Fans of the longevity of Elden Ring and its DLC Shadows of the Erdtree should be cautioned: On top of a more narrow appeal than prior FromSoftware games, players will vary in how much replay value they’ll get out of Nightreign, since there’s currently only one map and a finite number of end-run bosses to tackle. The eight character classes, called Nightfarers, have varying complexity in their ability mechanics and will take players a while to master, but they’ll likely spend most of their time attacking with weapons and dodging enemy blows, as in Elden Ring.

There are plenty of randomized factors that mix up a run, from shifting terrain opening up new areas to «invasions» of powerful enemy computer-controlled Nightfarers. But in the 20 hours it took me to beat half the end-run bosses and kill the final boss, the single map became such a known entity that I stopped paying attention to it as anything but a race course to speed over on the way to my next task.

Where Elden Ring Nightreign triumphs and falters

As a FromSoftware fan who can muck his way through its games in ways that nobody would describe as «dominant,» Nightreign is something of a relief, as my two permanent teammates can help a lot in distracting bosses and picking me up when I make mistakes.

Thanks to previewing the game earlier this year, I hit the ground running, pairing up with CNET teammates to try taking on big bosses — and failing. But after pairing up with a very skilled Bandai Namco employee (one of many who volunteered to help reviewers like me take on bosses and finish the game), we took down some of the biggest and baddest Nightreign has to offer.

There’s no mistaking that I was carried by more skilled teammates, and that has me concerned for a bit of the game’s flow and player skill growth. While I was used to cautiously and slowly going through FromSoftware games, my more skilled teammates flung us outbound on a speedy tour of the map zones we needed to hit to get as strong as we could. When I fell, they tanked bosses and dodged attacks to revive me. When the map’s Shifting Earth conditions led to a new area, my expert teammate took us to the exact right spot to take full advantage of it — something that might have taken plenty more runs to figure out on my own.

I certainly improved over time, but it was all during rounds — in the Roundtable hub, players return to between missions, a Sparring Grounds area lets you try out each of the eight total (six starting, two unlockable) Nightfarers’ regular and ultimate skills, along with every weapon in the game. But it’s a far cry from the game’s high-pressure situations of boss events, enemy groups and more. Players will improve only by trial and error in the field, sometimes letting down their teammates in the process.

Yet, when you and your team are firing on all cylinders, there’s no thrill like eking out a win over a monstrous boss. After killing a trio of end-run bosses, another reviewer, Bandai Namco employee Micah (team Cat Password all the way) and I locked in to beat the game’s final boss. Shouting out congratulations over team chat, my body shaking with adrenaline, I felt like I’d completed a gaming feat — something not unknown to many Elden Ring players after surmounting one of that game’s many challenging bosses.

I felt accomplished. I wanted to tell everyone, and when the game comes out, bring my friends in to play Nightreign with them, guiding as I was guided. But would I recommend my FromSoftware newcomer friends to play?

Who is Elden Ring Nightreign for?

The more I thought about it, the more I felt my dozens of hours in Elden Ring were essential to starting Nightreign strong — and even then, it took 20 hours in Nightreign to feel like I’d gotten a good handle on the best way to play. Knowing Elden Ring’s massive arsenal of weapons and spells felt essential to picking up Nightreign and immediately having fun.

New players who don’t have baked-in knowledge of Elden Ring or the combat flow of FromSoftware games will probably be left in the cold. Aside from a tutorial section teaching players basic mechanics, Nightreign lacks the carefully crafted early sections of the studio’s other games — it quite literally drops players into the map for a run and tells them to get killing.

The virtue of FromSoftware’s single-player adventures’ difficulties is that players could approach them at their own pace; in Nightreign, they must rapidly adapt to the studio’s particular flavor of tough combat while also figuring out a largely unexplained world. The studio’s famed minimalist storytelling will likely do a disservice to new players who die too quickly to learn.

Whether they continue with the game after a humiliating defeat is, indeed, the classic trial that every FromSoftware player faces. But it sure seems like new players have a high hill to climb picking up on the game’s subtly conveyed details — map flow, enemy camps, bosses, weapons, churches, strategies — while also figuring out how to play Soulslikes from scratch.

And yet, Nightreign is so unlike every other game out there that its sheer novelty may be enough to tempt FromSoftware veterans and newcomers alike. It’s polished, is easy to get into the action and has a very high skill ceiling. If players stick through its lack of direction and difficulty, they’ll find a multiplayer game that feels rewarding to win in a way few other games are. And when they lose, they may find themselves like I did — nursing annoyance that they fumbled but eager to drop in one more time with their trusted squad.

Technologies

Taylor Swift Is Engaged. Her Post Is Climbing Instagram’s Most-Liked List

The post is now at No. 8 for non-soccer related posts with 30 million likes. Check out the memes, details on her dress, his sweater and that ring.

Nobody is shaking this off: Pop superstar Taylor Swift and Kansas City Chiefs tight end Travis Kelce announced their engagement on Instagram on Tuesday, and the likes exploded like pyrotechnics at a concert. The post broke Instagram’s record for reposts, even though, to be fair, reposting just started on Instagram in August. Still, the post hit 1 million reposts in less than 6 hours and earned 14 million likes in just the first hour.

By Wednesday, it had topped 30 million likes, vaulting it to number eight on Instagram’s list of top non-soccer posts.

«Your English teacher and your gym teacher are getting married,» Swift and Kelce wrote on an Instagram post showing multiple photos of the proposal. In the first photo, Kelce is kneeling in front of Swift in a breathtaking floral garden. The second photo shows them standing and holding one another. The next is her hand with an enormous diamond engagement ring, followed by two more of the couple embracing.

The post also features a dynamite emoji and the audio of Swift’s 2024 song So High School. The snippet cuts off with the lyrics, «Are you gonna marry, kiss, or kill me?» (Let’s hope it’s the first or second option.)

Instagram post is already climbing into the millions

As you might expect, the Instagram post delivering the engagement news shot into the stratosphere as soon as it was posted. A representative for Instagram confirmed to CNET that Swift and Kelce’s engagement announcement earned over 14 million likes and 452,000 reposts in just over an hour.

That’s a huge audience, but it will be interesting to see how high up Swift and Kelce’s engagement news post lands on Instagram’s all-time most popular list.

Right now, the most popular post ever on Instagram is from 2022, when soccer star Lionel Messi posted an image of himself hoisting the World Cup he’d just won. That post has more than 74 million likes. (Swifties, keep it going if you want to send the Swift-Kelce post to the top.)

The Instagram representative didn’t immediately comment on whether Swift and Kelce’s post is climbing at the same pace as Messi’s. Messi also has the third-most popular post, again showing him and the World Cup trophy, this time snuggled up in bed together.

But it’s not just soccer photos that top the Instagram most-viewed-ever list. The second most-liked post of all time is a photo of a plain, ordinary egg, posted to the social network back in 2019 as part of someone’s experiment to see if such a mundane image could go hugely viral. I interviewed the person behind Eugene the Egg back in 2019 and am shocked to see it’s still in the No. 2 spot six years later, with more than 60 million likes.

As of Wednesday afternoon, the post had reached 30 million likes, and was sitting at number eight on Instagram’s list of top posts that aren’t soccer-related. If it can garner 900,000 more likes, it can jump into seventh place, passing a reel of a smiley baby.

Details on the ring and outfits

According to The New York Post, Swift is wearing a blue silk-blend Polo Ralph Lauren dress in the photo, and Kelce is wearing a navy cable-knit Polo Ralph Lauren sweater. The Post also reports that Swift’s new engagement ring is «an old mine brilliant-cut diamond in a gold bezel setting, which was designed by Kelce himself with the help of Kindred Lubeck of Artifex Fine Jewelry.»

Old mine refers to a historic diamond cut popular from the early 18th century to the late 19th century. Such diamonds are square with rounded corners and have 58 facets, making them anything but a «paper ring.»

The Post delved into everything else Swift had on, including her cognac-colored Louis Vuitton sandals, $18,000 diamond-studded Cartier Santos Demoiselle watch and her «TNT» friendship bracelet by Wove, which was a Christmas gift from her new fiancé.

To no one’s shock, the $400 dress Swift is wearing is selling out fast. Just imagine the excitement when the wedding details start trickling out, and Swift begins to «pick out a white dress,» as Juliet does in Swift’s hit song Love Story.

Memeing the marriage proposal

Until we have more information about the upcoming wedding, fans will have to content themselves by creating and sharing memes because, well, it’s 2025, and that’s part of how we communicate these days.

The Instagram account belonging to the Prince and Princess of Wales even liked the post. (No surprise, really, they hung out when Swift played London.)

Even coffee giant Starbucks got into the act, making a joke about pumpkin spice lattes and posting, «Are we supposed to keep posting about PSL like nothing happened?» The company also noted in the post’s comments that «the long list of Starbucks lovers just got a +1.» («Starbucks lovers» is a sly reference to a lyric in Swift’s 2014 song Blank Space. Swift actually sings, «got a long list of ex-lovers,» but almost anyone with working ears mishears it as something like, «all the lonely Starbucks lovers.»)

One meme post on X showed Paul Revere’s famed ride, captioned «me telling everyone I know that Taylor Swift got engaged.»

me telling everyone I know that Taylor Swift got engaged pic.twitter.com/MpS8BLPOZj

— Siobhan ✨ (@Siobachka) August 26, 2025

One Bluesky user wrote, «Very interesting that Taylor Swift got engaged mere months after I did. Get your own thing.»

Another joked, «Can’t believe that on July 8th, 2023, @likethe309.bsky.social, Travis Kelce and I all walked into Arrowhead Stadium to attend the Eras Tour and now one of us is marrying Taylor Swift.»

Matt Ufford warned the billionaire bride-to-be and her millionaire NFL star husband to count their pennies, writing, «a word of warning to Taylor Swift and Travis Kelce: weddings can get EXPENSIVE, fast. Be sure to leave enough in the account for your monthly expenses.»

There were football jokes, of course.

The Detroit Free Press sought a local connection, using the headline, «Tight end for Detroit Lions’ Week 6 opponent gets engaged to Taylor Swift.»

One person questioned the caption about an English teacher marrying a gym teacher, asking, «Why does Taylor Swift think she’s an English teacher and not a music teacher?»

We’re pretty sure this person really does know who Swift is, but their post was funny anyway. It reads, «Okay, I’ll bite: who’s Taylor Swift? What’s so great about him?»

The two 35-year-old celebrities have been dating for two years. It’s a love story, and Taylor just said yes.

Technologies

Skate Hands-On Preview: I Think It Might Be the Perfect Free-to-Play Game

The new setting of San Vansterdam is bustling with life and community, and that just feels right.

It’s been nearly a decade and a half since the last Skate game was released, but veterans won’t have to wait much longer to tear up the streets once again. The next entry in the arcade-y skateboarding series launches into early access on Sept. 16.

The franchise reboot (just named «Skate») was developed by Full Circle, a studio composed of much of the same talent that worked on the original games.

After a long drought, skateboarding game fans have dined well on the compilation remakes of Tony Hawk’s Pro Skater 1 and 2, along with Tony Hawk’s Pro Skater 3 and 4. The Skate series has always been a bit different, emphasizing freeform skating with its unique control scheme of flicking the controller joysticks in different directions to achieve tricks, which has been faithfully rebuilt in the new game.

Even so, many fans of the series who would be otherwise excited for its return have their hackles raised, and I can’t blame them.

That’s because Skate is launching as a free-to-play, mainly online game in the «live service» fashion, with plans to continue releasing content for players to earn or buy. That might be a red flag for fans of the older offline single-player games, who may have grown weary of live service games that pressure players to play with limited-time events and to buy rare in-game items.

But after getting the chance to play Skate alongside dozens of other press members and influencers during an online prelaunch preview, I’m hopeful this might be one of the best examples of how live service games can work for developers and gamers alike. It feels like an experiment that developers poured their heart and soul into.

Community, collaboration and nailing tricks with your friends

The developer Full Circle aims to keep player freedom at the core of the new Skate game. The setting is the sprawling fictional city of San Vansterdam, designed to allow you to pull off whatever trick you want, wherever you want, whenever you want. Every street corner has some sort of attraction that implicitly encourages you to get big air, grind a long rail or climb a building to soar your board through the skies.

The game’s simple promise of letting players make their own fun at every juncture is a return to the series’ roots. The reason it works so well is that you’re surrounded by dozens of other players exploring the world, too.

Dumping 150 players into an open-world sandbox and letting them do their own thing is an inspired way to build a community. Skaters in real life are collaborative — they egg each other on and lift each other up as they work at the next big trick — and that applies to this virtual world just as well.

During my preview time in San Vansterdam, I played with only a couple of dozen other players at any given time, and it was an electric experience. It was awesome to watch skilled players pull off tricks (and then flounder to try and replicate their motions) before peeling off in another direction.

Skate is the rare game where I didn’t feel like I needed an objective to guide my gameplay, mainly because I was having lots of stupid fun on my own. At one point, I discovered players rolling around off their boards, and I joined them in an impromptu tumbling conga line. Another time, I watched a player parkour up a building and followed their lead, discovering an entirely new area to do tricks above the hustle and bustle of the street.

My favorite moment was made possible by the new spectate feature. With this feature, I could watch nearby players do their thing and instantly teleport to them if I decided to join in on the action.

While I was flicking through perspectives, I discovered one player standing on top of a bridge in the northeast corner of the map. They were jumping off and ragdolling toward a bronze anchor statue, trying to thread the needle through the hole at the top.

I took part and made several dozen attempts at the base jump before making it through the hole myself, but not without my character slamming his head into the statue with a comically loud bang.

As Skate gets its early access release, I imagine an emerging community working together to find the most entertaining trick spots in San Vansterdam. The only thing more entertaining than trying to nail a trick is doing so while watching half a dozen randoms (and your friends) flounder around with you.

Will the game appeal to newcomers and veterans alike?

As a Skate first-timer and someone whose skateboarding experience mostly entails watching my brother learn to ollie and kickflip, I was worried that I might be in over my head.

Luckily, I was able to choose between the original dual-stick-flicking control scheme and a simpler, modern one that makes it easier to focus on landing tricks. There’s still a bit of a learning curve, but I was able to get on the board and nail some rudimentary moves to get me properly moving around the city after the tutorial wrapped up.

While I wasn’t the biggest fan of how my player character looked (he appeared soulless no matter how hard I tried to meddle with his face), I enjoyed how completing challenges in the open world would directly unlock more outfit options — though I suspect the best clothing will be locked to the purely cosmetic microtransactions that will support the game at launch.

As I donned a tangerine shirt and shorts and stuck a cherry pattern on my board, I felt like I was showing off my in-game experiences to other players. Likewise, their own avatar customization told me a story about their time with Skate.

While the world of San Vansterdam was built with player freedom in mind, the art style doesn’t reflect the Skate games that veterans have come to love and revere. Everything is minimalist, bright and sanitized. The city feels like it belongs in Mirror’s Edge rather than an arcade-style skateboarding game, a genre that embraces the grit and graffiti of street culture.

There are no realistic skateparks or grimy aqueducts to grind down. Gone are the Hall of Meat replays that would highlight gnarly bails and broken bones. And if you’re looking for familiar faces in the world of professional skateboarding, like those featured in the Tony Hawk games, you aren’t going to find them here.

Longtime fans will likely have their gripes with some of these choices, and those aren’t easy fixes. You can’t just change an entire art style on a whim, even if you can sign a deal to license pro skaters to feature in your game.

It remains to be seen if these will be deal-breakers for the vets, but I’ll say this much: Skate is made with a lot of love. The classic flick-it control scheme from the old games was rebuilt from the ground up just to cater to the old heads who want to play the same Skate they’ve known for years.

As an early access live service game, Skate has room to grow and develop according to its fans’ wants and needs. If Full Circle keeps an ear to the ground and addresses any pain points that arise early on, I think this may become a perennial fan-favorite.

Skate will be launched into early access on Sept. 16, releasing concurrently on the PlayStation 5, Xbox Series X and S, and PC. The game will support cross-platform play and cross-progression.

Technologies

Nintendo’s Latest Updated Switch 2 Game Has Me Hungering for More

Kirby and the Forgotten Land’s Star-Crossed World DLC is fun and looks great, but there isn’t enough of it.

Although the Nintendo Switch 2 is only a few months old, new games, or at least updated ones, keep emerging at a steady, slow clip.

Kirby and the Forgotten Land, which was one of my favorite late-era Switch games, got an upgraded edition that’s available this week. The full title, Kirby and the Forgotten Land Nintendo Switch 2 Edition + Star-Crossed World, is unwieldy in name, much like the recent Mario Party Jamboree upgrade. But I found this one a lot more worthwhile.

While you don’t get too much for an added cost, I’ve come to appreciate the entire game all over again. Existing Forgotten Land owners can pay $20 for the extra DLC.

Anyone else would have to pay $80 for the entire game with the extra story mode and upgraded graphics, which feels like an awful lot for a game that isn’t even new. However, spending $20 for the upgrade alone is worth it, especially if you’ve been hoping for improved Kirby graphics and the 12 new stages (only a fraction of what the rest of the game already has). It was a blast to play with my Kirby-loving 12-year-old.

Forgotten Land’s graphics and 3D-level design were already pushing the envelope for the original Switch, and the graphics boost on Switch 2 gives everything a smooth 60-frames-per-second performance and high-res look on big TVs. It’s a welcome remaster.

Star-Crossed World’s new story involves a mysterious meteor that’s covered the land in crystals. The new stages are basically altered versions of existing levels throughout the game, which play differently with new paths, secrets and «Starry» fragments you have to uncover.

There are a few new transforming shapes Kirby can suck up this time (Mouthful Mode, which is different from the standard enemy-power-absorbing abilities Kirby normally has, in case you’ve never played this game before). They’re all fun and kinetic, and I loved discovering what they could do. One of the most unique, a spinning gear, can stick to surfaces for some challenging wall-crawls.

The only downside to this new upgrade is that there isn’t more of it. I appreciate what’s there, and anyone with a Switch 2 who likes and owns the original game should give it a spin. Just be ready for a pleasant bonus extension rather than a whole new sprawling game, mainly so you’ll keep your expectations in check.

I’ve been discovering how much the Switch 2 makes me revisit older games as much as new exclusives. There’s a ton of territory Nintendo can mine for future upgrades to the Switch library. Forgotten Land follows the best template so far in bundling graphics and DLC extras, but I want even more.

Then again, with new games like Kirby Air Riders, Pokemon Legends Z-A and Metroid Prime 4 expected by the end of the year, there will be plenty of other games to lose time in.