Technologies
Take Stunning Landscape Photos With Your Phone Using These Pro Tips
Whether you have an iPhone or Android phone, these pro tips will up your landscape photography game.

Today’s best phones, such as the iPhone 15 Pro and Samsung Galaxy S24 Ultra, have amazing cameras that can take images that would make even the best cameras jealous. Even older or more affordable phones, like 2021’s iPhone 13 Pro or the new Google Pixel 8, can take beautiful images that you might want to print and display on your wall.
In this guide, I’ll show you how to take landscape photos with your phone, whether you’re heading into the countryside or deep into the heart of the mountains. While some of the tips apply to recent phones with multiple lens options, many are relevant whether your device is three months or three years old, Apple or Android.
Read more: Best Camera Phone to Buy Right Now
Sort your phone camera settings
Your phone is probably capable of taking a cracking landscape photo in its default auto mode, but let’s take things a bit further.
If your phone has a «pro» mode that gives you manual control of settings, switch into that. If it doesn’t, an app like Moment, Lightroom or MuseCam lets you take control of settings like ISO, shutter speed and white balance.
Crucially, these apps also let you shoot in raw format. Raw images don’t save many of the automatic camera settings that your phone would normally apply to a JPEG image, such as white balance or sharpening. The result is an image that lets you change the white balance, alter color tones and rescue detail from the highlights and shadows much more easily — and with less image degradation — than you can with a simple JPEG. I’ll come back to this more in the editing section below.
Apple’s last few generations of Pro iPhone can use the company’s ProRaw format, which uses some computational photography techniques like HDR blending but still generates an easily editable DNG file. Tapping the Raw button on the camera screen will turn on raw shooting. Google has a similar raw function built into its Pixel line.
In landscapes, altering white balance is often crucial as auto white balance might see a scene with a lot of warm tones (such as fall leaves on trees) and try to use a cool white balance to even it out, but in so doing, it loses all of that natural warmth. Being able to tone down some of the highlights from a bright sky or bring up the shadows in the foreground is important, and being able to alter your white balance after you’ve taken the shot gives you much more flexibility in your editing, rather than having the colors baked into the image when you take it.
The downside to shooting in raw is that your images will likely need some work in an editing app like Lightroom or Snapseed before you can share them. Photographing landscapes is often a slower, more methodical process, and spending time in editing is all part of the experience of crafting a beautiful image.
Shoot early, stay out late
Time of day is everything in landscape photography, because the lighting changes completely as the sun passes overhead. The best time of day to catch dramatic light is either at sunrise or at sunset. The sun is low in the sky both times of day, resulting in directional light and long shadows cast over the scene.
Midday is typically the worst time to shoot, as the overhead light doesn’t create much in the way of shadow detail, resulting in scenes that can look flat and lifeless.
If you have a particular location in mind, it’s worth setting your alarm and getting out early to see what you can capture during the sunrise. If time allows, try and return to shoot the same scene at different times of day to see when it looks best.
Watch the weather
Weather plays a huge part in any outdoor photography, but none more so than with landscapes. Different weather conditions will transform your scene, completely altering its mood, lighting and colors. But don’t assume that bad weather means bad photos.
Personally, I love the foreboding, moody atmosphere of a landscape with dark storm clouds billowing above. Often the light that comes after a storm can look particularly dramatic. So while the hike to your chosen location might be a miserable slog in pouring rain, keep your spirits up by imagining the beautiful photo you might get at the end.
The worst weather for landscapes is that plain, miserable gray sky where there’s no texture to the clouds, no interesting light on the land and no contrast to the scene in front of you.
Keep an eye on your favorite weather app and make the decision based on what’s predicted. As long as you’ve packed the right clothing, you can brave the worst of the weather, and if it gets too bad then navigate Google Maps to the nearest pub to sit it out with a good drink.
Experiment with your wide and zoom lenses
If your phone has a wide-angle mode, then now’s the time to give it a try. If you don’t have a wide mode on your phone as standard, you can use additional lenses to get the same effect.
Superwide landscapes can be particularly dramatic, as they capture so much of a scene in a single image. Mountaintops that would otherwise be out of frame are suddenly captured in all their majesty, while beautiful rivers can now be seen in their entirety, snaking their way into a scene.
But once you’ve had the excitement of seeing the scene in full, try using the telephoto zoom lenses on your phone to focus on some of the details within it. Look for interesting rock formations, patterns in the landscapes or unusual shapes in the scene — all of which can stand out when you zoom in or crop out other distracting elements.
Concentrate on composition
It’s easy to think that just using as wide an angle as possible is a guarantee of a cool landscape photo, but that’s not the case. In fact, to get the best out of your wide shots you need to think about composition even more.
Foreground interest
Look for foreground interest in your scenes. Tree stumps, moss-covered rocks, even some pretty wildflowers can all be used to draw the viewer’s eye into a scene. When you’re at the top of the hill taking your shot, spend a couple of minutes having a look around for something you can place in your shot to help bring the scene together.
Leading lines
Leading lines are also great elements of a brilliant landscape composition. Keep your eye out for pathways, nice walls or other long elements that wind their way farther into the scene — it’s exactly that winding perspective that allows your viewer’s eye to follow along a line and into your image.
Straight horizons
If your phone shows grid lines or a leveling tool on the screen, use that to make sure your horizon line is straight. Then double-check you’re not accidentally chopping the top off your subject, be it a mountain, a building or some trees. Remember, you can do a lot to improve a mediocre image with editing, but you can’t do anything to rescue bad composition.
Edit your photos
Your image isn’t finished once you’ve hit that shutter button; a few tweaks in an editing app is all it can take to transform a simple snap into a beautiful piece of art.
My favorite editing app is Adobe Lightroom Mobile, but I also get great results from Google’s Snapseed, which you can get for free on Android and iOS. You can check out my roundup of the best editing apps, which include various options for those of you who like to get a bit wild with your editing.
I tend to start by tweaking the white balance so the colors look accurate, or to give a warmth boost to a beautiful sunset. It’s here that shooting in raw becomes particularly beneficial. I’ll tweak the exposure levels, particularly the highlights and shadows, in order to bring a bright sky a bit more under control or to boost shadows in the foreground. A bit of additional contrast can help add some punch to the scene as well.
My advice is to make a coffee, sit back and play with the sliders in your chosen app to your heart’s content. Try out the different filters and experiment with layering different effects on top of each other by saving and reimporting your image. Remember that there’s no right or wrong way to edit an image, so enjoy playing around — you can always go back to the original image if you don’t like what you’ve come up with.
Technologies
Verum Swap Activated — USDT & BTC Now Available
Verum Swap Activated — USDT & BTC Now Available

Congratulations to everyone — we did it!
Swapping is now live on our platforms: BitCoinPay Trade, KarumX Exchange, and Crypto Bank. Every Verum Coin holder can now exchange their coins for USDT, Bitcoin — and all other available currencies.
Withdrawals will be available as soon as Verum DEX goes live — we’re actively working on it.
Thank you for being with us!
Technologies
You Can See 2 Meteor Showers at Once This Week. How to Catch a Glimpse
Reaching their full glory on the same day this week are the Alpha Capricornids and Southern Delta Aquariids meteor showers. Here’s when to look up.

While meteor showers happen all year, a rarer occurrence is having two meteor showers that peak at the same time. It’ll happen this week, on Tuesday.
The shooting star show comes courtesy of the Alpha Capricornids and Southern delta Aquariids meteor showers. The former is already happening and runs until Aug. 12, with a peak on Tuesday. Southern delta Aquariids will start on Monday, peaks early on Tuesday and runs until Aug. 12 as well. That means for one evening, the two meteor showers are peaking at the same time, giving stargazers a much better chance at catching a shooting star.
Of the two, the Southern delta Aquarids is typically the larger meteor shower, tossing upward of 25 meteors per hour during its zenith. Alpha Capricornids is a lesser meteor shower, with about five per hour on average. Combined, they’ll output an estimated 30 per hour.
See 2 meteor showers at once
Since the meteors are coming from two different points in the sky, you would think spotting meteors from both would be difficult, but that is far from the truth.
Alpha Capricornids, which hails from the 169P/NEAT comet, originates from the Capricornus constellation. It will rise from the eastern skies across the continental US around sunset and streak across the southern sky, setting in the western sky at sunrise.
For the Southern delta Aquariids, its radiant — the point from which its meteors seem to originate — is the Aquarius constellation. Aquarius is right next to Capricornus. That means it also rises out of the eastern horizon, streaks across the southern sky, and sets in the western horizon around dawn.
If you have trouble finding either of them, Stellarium’s free sky map will help you hunt them down. Set the time, date and location, and you’re off to the races. Once you find one, the other one is essentially right there next to it.
Tips on watching meteor showers
As per the norm, the tips here are the same as they are for the aurora borealis and planet parades. Light pollution and weather are your two biggest enemies. Since you can only do anything about one of those, let’s focus on light pollution. You’ll want to drive as far away from the city and suburbs as possible, as the light pollution will make it difficult to see the dimmer meteors. The farther away you are, the better, as even suburban light pollution can obfuscate most meteors.
Once out there, you just have to sit and wait. Since the constellations will move across the south as you watch, you may have to rotate your chair if you’re out there for a while. Otherwise, a pair of binoculars may help. Telescopes aren’t recommended, as they obscure your field of view and may actively obstruct your ability to see meteors.
Technologies
These Are the First FireSat Images for Finding Wildfires from Space
A new satellite program backed by Google and global nonprofits is looking to mitigate destructive fire seasons.

At Google I/O in May, Google revealed that it’s working with the Earth Fire Alliance on FireSat, a program that combines new high-resolution satellites with AI analysis to pinpoint wildfires in their earliest stages and help responders knock them down before they grow. This week the alliance released the first images captured by the initial satellite, showing how fires as small as 5-by-5 meters — about the size of a classroom — can be detected from space.
Existing satellite systems scan for fires, but at a coarser resolution. In one image from Oregon, using MWIR (Mid-Wave Infrared) heat-sensing imaging, a small roadside fire showed up as a bright speck. According to the alliance, it wasn’t detected by other space-based systems.
This example from Ontario, Canada, on June 15, 2025, shows the Nipigon 6 fire, a new blaze detected using the MWIR spectrum, but it also shows how LWIR (Long-Wave Infrared) was used to identify areas left over from a previous burn in 2020, which are heated due to a lack of vegetation. At the bottom, a false-color composite of SWIR (Short-Wave Infrared), NIR (Near-Infrared) and visible Red channels helps track the life cycle of the fire.
Currently, the Earth Fire Alliance has one protoflight satellite, built by Muon Space, aloft for testing. With three satellites in orbit, FireSat will be able to scan locations globally twice a day. And when the program is fully operational, in 2030, a network of more than 50 satellites is expected to cut that time down to 20 minutes; for areas that are more prone to fires, that interval will be every 9 to 12 minutes.
One key reason for Google’s involvement in the alliance is to sort through the massive amount of data that will be generated. Muon Space estimates that each satellite will cover 190 million square kilometers per day, and the multispectral instrument on each satellite records across six channels. With AI and software assistance from Google, the program should filter out false positives. AI is playing a larger role in fighting wildfires around the world — NASA is using its vast trove of Landsat satellite data to build predictive models of where fires are likely to erupt next.
«There are millions of things that can be mistaken for a fire,» said Chris Van Arsdale, Google Research climate and energy lead and chair of the Earth Fire Alliance board of directors. «Looking for fires becomes a game of looking for needles in a world of haystacks.»
It will also be important to prioritize fires that crews can respond to. A June 21, 2025, image of a remote area of Alaska shows a fire that wasn’t observable by ground-based sources.
In this image from Borroloola, Northern Territory, Australia from July 11, 2025, the FireSat satellite identified multiple wildfires spread over a large distance, which would help fire responders coordinate efforts.
The Earth Fire Alliance is currently working with some fire departments and other early adopters to help determine how best to parse the data and communicate with responders.
«What you’re looking at now is raw imagery that is helpful for the technologists, the scientists [and] the remote sensors,» said Kate Dargan Marquis, former California state fire marshall and senior wildfire advisor to the Gordon and Betty Moore Foundation, a main underwriter of the Earth Fire Alliance. «But for firefighters, we’ll build fire data products on this data.» That would include map-based tools with AI underpinnings to help them understand where and how they can make fire response decisions, she noted.
The data will eventually be made available for public resources, such as those used by the consumer app Watch Duty. Brian Collins, executive director of Earth Fire Alliance, explained that the current early adopter program includes pathways to determine how to disseminate the information being collected, be that through local dispatchers or other sources. «A very informed public can make decisions [such as when to prepare to evacuate] in advance of being told,» he said, adding that a public that understands fire is no longer scared of fire.
Although FireSat is still in its first stages and won’t be considered operational until three satellites are in orbit, in 2026, the initial data and imagery looks to be a promising tool for fighting wildfires around the globe.
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