Technologies
Should You Bring a Camera When You Travel or Is a Phone Enough?
Apple iPhone, Samsung Galaxy Ultra or mirrorless camera: Here’s what it’s like to shoot travel photos with each.

For most travelers, the smartphone in your pocket works just fine for taking photos of adventures. But what are you missing by relying on your phone alone? I used my recent trip to Germany to explore when a casual sightseer would benefit from having a dedicated camera or if their phone would be enough.
While everyone’s kit is different, most travelers won’t be hauling around a DSLR or pro-quality mirrorless camera. Instead, they’ll debate between buying a fancy new phone or a more affordable everyday mirrorless camera. (Though there are point-and-shoot options if you want a standalone camera, they may not outstrip your phone’s photo capabilities.)
I’m no pro photographer, so don’t expect expert advice on how to get the most out of this kit, but for casual photo takers who leave their camera on the auto settings, this is a good comparison to see what each device can handle without much fuss amid a busy trip abroad.
My kit isn’t the best you’ll find, but it’s probably not far off from what many travelers may pack in their pockets and bags: my personal iPhone 12 Pro, a Samsung Galaxy S22 Ultra (to test a more camera-intensive phone), and a snug Sony ZVE-10 mirrorless camera with a Sigma 16mm f1.4 DC DN (an affordable prime lens).
Here’s the breakdown for what each device did best — and what they couldn’t do.

iPhone 12 Pro
The iPhone 12 Pro is a few years past its October 2020 launch date but still plenty capable, and its photo capabilities are probably similar to what many older premium and newer cheaper phones can achieve. When it debuted, the iPhone 12 Pro retailed for $999 (£999, AU$1,699) but years later it isn’t really sold anywhere aside from refurbished at sub-$500 prices. You can still pick up a stock iPhone 12 on Apple’s website for $599, but it lacks the 2x telephoto lens.
The iPhone 12 Pro took basic photos well, albeit with the warm tones typical of iPhone photos. Images I shot didn’t have quite the same color accuracy as the Samsung S22 Ultra or the Sony ZVE-10. Still, the iPhone 12 Pro was great at taking daytime shots of streets, museums and breezy lunches. It struggled with dimly lit dinners and at night, with photos having a grainy texture from image noise.
Another limit was the iPhone 12 Pro’s 2x optical zoom, which was far inferior to the Samsung Galaxy S22 Ultra’s telephoto capabilities. Since I was mostly seeing landscapes, I rarely felt the need to zoom in on a distant subject. The ultra-wide camera was more useful, and its 13mm-equivalent focal length allowed me another option to the 26mm-equivalent main camera for framing a specific shot.
In head-to-head comparisons with the mirrorless camera, the iPhone 12 Pro held up surprisingly well. The phone captured near and background distant subjects in crisp detail. The mirrorless camera was more selective in its focus, largely homing in on one or the other and requiring a bit more finesse.
As I was using the iPhone for every other travel-necessary app like navigation and wireless payments, it was in my pocket every day and wasn’t a burden to carry. That meant it was on-hand for me to take quick photos out the windows of our train or rental car of passing scenery at just the right time.

Samsung Galaxy S22 Ultra
While superseded by this year’s Samsung Galaxy S23 Ultra, the Samsung Galaxy S22 Ultra I took on my trip is still a camera powerhouse. It has a 108-megapixel main camera and a 12-megapixel ultrawide camera with 120-degree field of view, but it’s really known for its zoom photography. It has not one but two telephoto lenses: a 10-megapixel with 3x optical zoom and a 10-megapixel periscope-style capable of 10x optical zoom.
As expected, the Galaxy S22 Ultra took great photos at a distance. Did I need zoom photo capability? Not really! Most of my subjects were 20 to 50 feet away.
Unless, of course, you’re taking shots of distant buildings, like the Neuschwanstein Castle on Germany’s southernmost border, nestled in the foothills of the Alps within spitting distance of Austria. It was nice to have more control to frame the photos with the zoom capability, even if I didn’t need the 100x «space zoom.» The feature combines optical and digital zoom with AI tricks to home in on a cropped-in corner of zoomed-in image. The 30x was enough and rarely necessary. Regardless, the S22 Ultra’s 10x optical and digital hybrid zoom produced far better photos than the iPhone 12 Pro’s grainy 10x digital zoom.
Here’s the Samsung Galaxy S22 Ultra’s camera from the road at the foot of a trail leading up to Neuschwanstein, with shots from the main camera at 1x, 3x, 10x and 100x zoom.
Compare that to the iPhone 12 Pro’s main camera at 1x, 2x and 10x.
The Galaxy S22 and iPhone 12 Pro both did a decent job shooting photos with a mixture of dark and light foregrounds and backgrounds, especially with bright skies that can be easily washed out. Below is a shot from up on a balcony of the Neuschwanstein castle, looking west into the valley.
But it’s easy to see how cool the Galaxy S22 Ultra’s zoom capabilities are when perched above the landscape and using successive zoom intervals to get closer shots of a subject.
Lastly, here’s a simple comparison of shots of the castle itself, with the Galaxy S22 Ultra’s main camera versus the iPhone 12 Pro’s camera.
The Galaxy S22 Ultra is one of the best phones we’ve tested, which garnered a CNET Editor’s Choice Award in our review. It’s more convenient to handle than my mirrorless camera, though it doesn’t have as many photo settings.
The Galaxy S22 Ultra is a large phone, so it took up a lot of space in my pocket. Even if I were to buy it to replace my iPhone 12 Pro, it would still be cumbersome to yank out for casual photos. As it was, there were a handful of situations where I might have lost the S22 if it had been in my pocket instead of the smaller iPhone 12 Pro, including a bobsled-like roller coaster on a hillside in the middle of the Black Forest. (Which, sadly, wouldn’t allow phones on the course, but there are ride-through videos on YouTube.)

Sony ZVE-10 mirrorless camera
The Sony ZVE-10 is aimed at vloggers with its 4K video shooting and light weight, but that also made it great for taking still photos with its 24-megapixel resolution. The camera is reasonably affordable at $700, and has swappable lenses via a lens mount.
I used the ZVE-10 with a Sigma 16mm f/1.4 prime lens I picked up for $399 to take better product shots. The Sony body and Sigma lens combo took superior photos to either phone in medium to close range. Thanks to the ZVE-10’s crop APS-C sensor, the 16mm lens was more like a 24mm lens, and had essentially the same field of view as the standard rear cameras on the iPhone 12 Pro and Galaxy S22 Ultra.
For the majority of the trip, the short-range prime lens was fine, and I didn’t miss being able to zoom in on distant objects. You can get pretty close to any subject that’s worth taking photos of, though I would want a telephoto lens at a concert or for shooting wildlife. I did miss not being able to zoom out with either phone’s ultra-wide lenses, especially in cramped quarters like awkwardly small museum rooms.
The ZVE-10 performed fine with landscape shots but excelled in reasonable-size enclosed spaces, capturing greater color contrast and lighting/shadow variance. Compare these photos below of a fresco on a low roof in the Cologne Cathedral, shot with the ZVE-10 and the iPhone 12 Pro, respectively.
When shooting close subjects, the ZVE-10 excelled at capturing evocative lighting, and the f/1.4 Sigma lens’ natural bokeh led to moodier shots compared to the uniform brightness of the iPhone 12 Pro.
And while the iPhone 12 Pro produced uniformly brighter and crisper photos, the post-processing to get such clarity led to some flattened color and shadow. In photos of this iron statue of the Chinese mythological aquatic monkey demon Wuzhiqi located in Berlin’s Humboldt Forum, you can see more detail in the iPhone 12 Pro’s shot, but it loses the red-brown tone from years of oxidation.
It was also easier to get the ZVE-10 to produce a depth effect naturally. With the iPhone 12 Pro, portrait mode requires more fiddling and an ideal distance between the phone, your subject and the background. But the camera’s depth effect made it tough to keep everything in focus when I was taking photos of food and wanted to show the whole plate.
Weight comparison
iPhone 12 Pro | 189 grams | 6.7 ounces |
---|---|---|
Samsung Galaxy S22 Ultra | 229 grams | 8.1 ounces |
Sony ZVE-10 and Sigma 16mm lens | 709 grams | 29.1 ounces |
Unsurprisingly, the ZVE-10 and lens far outweighed the phones. Though not enough to be cumbersome, the weight and size differences are noticeable. The camera and lens fit snugly in my compact camera bag, which stayed out of the way while slung over my shoulder. But the camera was more annoying to lug around and pull out to take photos than a phone in my pocket.
Needing to manually upload my photos was a bit annoying, too. The Sony Imaging Edge app let me send photos directly from the camera to my phone, but it’s clunky for bulk uploads. And forget about handing your fancy mirrorless camera over to a stranger to take a photo of your traveling party for fear of them dropping it or not knowing how to use it. Thankfully, the ZVE-10’s rotating display meant I could angle it forward to pull off selfies, which consequently took better shots than either phone’s front-facing camera but didn’t capture as much subject matter. Both the iPhone’s and Galaxy’s selfie cameras had wider field-of-views.
Lastly, the mirrorless camera may have more potential for better shots since it can save images in the RAW format, which gives photo editors a lot more data and freedom to tweak. It’s worth pointing out that my iPhone 12 Pro can shoot in Apple’s ProRAW format, while my Samsung Galaxy S22 Ultra can shoot in Expert RAW format via a separate app (though it’s natively in the camera app as of the Samsung Galaxy S23 series). Both can be edited much like standard RAW formats. I deliberately shot photos in JPG format for all devices in this test, since most travelers will simply point and shoot with the default format. All these photos could certainly look better with some Photoshop touch-up.
Wrap-up
Ultimately, this was an unscientific test rather than a thorough field guide. I set out wondering whether my daily smartphone would miss out on any particular travel shots that a camera-focused phone like the Samsung Galaxy S22 Ultra or my mirrorless camera would be capable of picking up.
Most of the time the iPhone was fine, but there were edge cases where the S22 Ultra and ZVE-10 outperformed my older iPhone. And as I am not an especially gifted photographer, I acknowledge that someone with real skills could finesse far better images out of either the Galaxy S22 Ultra or the ZVE-10 that could likely put the iPhone to shame in all situations.
Also, your mileage will vary depending on which kinds of photos you want to take. If you absolutely need to zoom in on distant subjects, a phone like the S22 Ultra is the right choice — or you could buy a telephoto lens for your mirrorless camera.
But from citywide landscapes to museum art piece shots to selfies, the iPhone 12 Pro handled nearly everything I needed it to do. It also helped that I could effortlessly post my photos on social media from my main phone rather than having to transfer them from the mirrorless camera. That’s essential to the travel experience, as I’d add a photo to my Instagram story and get friends responding in minutes with recommendations for historical monuments and food in my area. And it’s not like my mirrorless camera could make calls or text.
This isn’t necessarily an iPhone recommendation, just reiterating that your daily driver will be just as useful while traveling as it is at home (but better cameras and a quality ultra-wide lens certainly help). The shots you’ll take of yourself and peripatetic partners will mostly be 10 to 20 feet away in bright daylight and low light, with some night scenes here and there. Perhaps a higher-end camera would capture more artistic and high-quality depth shots, but you’ll probably want to capture the fleeting and low-key moments more than the artfully posed ones.
Technologies
OpenAI, Microsoft and Anthropic Pony Up $23M to Teach Teachers About AI
Educators will learn about AI in a program created by the American Federation of Teachers.

The American Federation of Teachers is using $23 million in funds from three tech companies to launch a program to train educators on artificial intelligence.
On Tuesday, the country’s second-largest teachers’ union announced $12.5 million from Microsoft, $10 million in funding and technical resources from OpenAI and $500,000 from Anthropic will be used for a New York-based hub to teach AI. The AFT is working in partnership with the United Federation of Teachers, a union representing New York school workers.
The hub will be called the National Academy for AI Instruction, and according to OpenAI, will serve 400,000 educators to develop AI fluency by 2030 through workshops, online courses and hands-on training sessions. The plan, according to the company, is to start in New York and scale nationwide, including additional hubs elsewhere in the country. The effort will begin with a focus on K-12 educators.
(Disclosure: Ziff Davis, CNET’s parent company, in April filed a lawsuit against OpenAI, alleging it infringed Ziff Davis copyrights in training and operating its AI systems.)
In a post on X, AFT President Randi Weingarten wrote, «This will be an innovative new training space where educators will learn not just about how A.I. works, but how to use it wisely, safely and ethically.It will be a place where tech developers and educators can talk with each other, not past each other.»
The announcement was not met with unanimous praise. On a post on the UFT’s Facebook page, commenters were not happy. «AI use has been proven to reduce brain activity but sure, why not,» one commenter wrote.
Another wrote, «This is absolutely a horrible decision by the Union. It is undermining our work and also doesn’t take in consideration the ramifications of AI in education.»
Technologies
The HBO Max Name Change Is Here. Here’s What to Know
The streaming service is getting a rebrand. Again.

Summer is usually a time for blockbusters, but Warner Bros. Discovery is giving us more than Superman this year. Max brought back its former name, HBO Max, on Wednesday, according to a press release.
The company first announced the change to the streaming service during its Upfront presentation in May, and judging by this meme it shared, the media giant has a sense of humor about it.
The streaming service was originally rebranded as Max in May of 2023 when it merged content from HBO Max and Discovery brands. During the past two years, we’ve seen the logo change from purple to blue and then black, along with the name flip. What’s the reasoning behind the revamp this time around?
«The powerful growth we have seen in our global streaming service is built around the quality of our programming,» said Warner Bros. Discovery CEO David Zaslav, according to a May press release. «Today, we are bringing back HBO, the brand that represents the highest quality in media, to further accelerate that growth in the years ahead.»
Your home screen will change to reflect the streamer’s updated name and logo, but it’s unclear whether HBO Max’s library will change. The platform is home to content for HBO, Max Originals, Warner Bros., the DC universe, HGTV, B/R Sports, Adult Swim and more.
During the event, J.B. Perrette, CEO of streaming, explained how the move aligns with the platform’s programming. «We will continue to focus on what makes us unique — not everything for everyone in a household, but something distinct and great for adults and families,» he said. «It’s really notsubjective, not even controversial — our programming just hits different.»
Technologies
Prime Day Deal: The AirFly Pro Is 25% Off Right Now. Here’s Why I Never Fly Without It
Today’s Prime Day deal drops the AirFly Pro Bluetooth dongle to just $41, making it even easier to ditch those awful airline earbuds.

Amazon Prime Day deal: Right now you can grab the Twelve South AirFly Pro for $41 at Amazon, one of the lowest prices I’ve seen all year. That’s 25% off its usual $55 and an easy yes if you’ve ever been annoyed by those crackly in-flight headphones. The Prime Day sale ends on July 11, but that doesn’t mean it’ll stay in stock, so don’t wait.
If you fly often, you already know the routine. You settle into your seat, start messing with the in-flight entertainment screen, then remember that your AirPods won’t connect. That means reaching for the airline’s wired headphones that feel flimsy, let in every engine roar and make everything sound muffled. Just the worst.
This is one of the most frustrating parts of flying, especially on long trips when decent audio can make all the difference. Between the engine noise, crying babies and that one guy snoring in 14C, you need a better option. The good news is there’s a simple device that fixes the problem completely and makes flying feel a lot more like streaming at home.
The AirFly Pro has become a must-pack item in my travel bag. It’s a simple Bluetooth dongle that lets you connect your wireless earbuds (like my AirPods Pro) directly to the airplane’s entertainment system, no adapters or wired workarounds required. Since I started using it, I’ve stopped dreading in-flight audio and finally get to enjoy movies the way they were meant to be heard. If you fly often, this little gadget could completely change how you travel.
The AirFly Pro lets me enjoy in-flight entertainment
The AirFly Pro from Twelve South is a minimally designed dongle that lets me connect to the 3.5mm headphone jack in my airplane seat to listen to in-flight entertainment on my noise-canceling earbuds. All I have to do is pair the AirFly Pro with whichever Bluetooth headphones I’m using, like my AirPods Pro, plug the AirFly Pro into the display in front of me, and I’m all set. I don’t even need to use my phone to connect the two devices.
There are four versions of the AirFly: the AirFly SE, which sells for $35 on Amazon and connects to just one set of headphones, the AirFly Pro at $41, the Pro V2 at $60, which is the newest version of the AirFly Pro, and the Pro Deluxe at $70, which comes with an international headphone adapter and a suede travel case.
Hey, did you know? CNET Deals texts are free, easy and save you money.
I use the AirFly Pro, which has been a game-changer for me on flights. I’ve never had to worry about battery life since the AirFly Pro lasts for more than 25 hours and can fully charge in 3 hours. I can also pair two separate pairs of headphones to a single AirFly Pro, in case I’m with someone else on a flight and want to watch the same movie or show. And if that’s not enough, the AirFly Pro also doubles as an audio transmitter, so I can turn any speaker with a headphone jack, like my old car stereo, into a Bluetooth speaker.
The AirFly Pro makes a great gift for any traveler
The AirFly Pro is the perfect present to give to someone who’s planning to travel this year. Besides my Anker MagSafe battery pack, the AirFly Pro really has become my most treasured travel accessory when I fly, which is why I consider it to be one of those can’t-go-wrong gifts. For more travel gear, here are our favorite tech essentials to travel with and our favorite travel pillows.
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