I wandered the halls of the Anaheim Convention Center days before it would be flooded with tens of thousands of fans for the 2025 Pokemon World Championships, looking for a tucked-away room to get a taste of a game diehard Poke-nerds would give anything to see. For a brief 20 minutes, I got to play Pokemon Legends: Z-A.

Let’s be clear: My time with the upcoming game — split into two 10-minute sessions — was hardly enough to reveal every way Z-A will build on its predecessor. The groundbreaking 2022 title Pokemon Legends: Arceus brought the storied monster-training franchise into an open world set in its distant past — a wilder, less civilized era when Pokemon roamed the land largely unchecked.

Instead, Pokemon Legends: Z-A brings the series into the present — a shift that’s stirred mixed feelings among fans. In my brief hands-on, though, I spotted some promising tweaks to the Arceus formula, especially on the Switch 2 (docked mode, to be exact), where I saw no performance hiccups.

The first 10-minute slice of Pokemon Legends: Z-A focused on trainer battles in a sprawling city. I started with a four-monster team which included familiar faces like Chikorita, Mareep and Weedle, and entered the Battle Zone. There, I could challenge (and be challenged by) other trainers. All of it was part of the mysterious, eponymous Z-A Royale, a competitive league where I began at the very bottom: Z grade, naturally.

The twisting alleys of the Battle Zone hid trainers ready to pounce, but unlike in Arceus, battles here start instantly in the field and play out in real time — enemy Pokemon will chip away at your HP if you don’t send one of your own to fight. Holding L2 targets an opponent, and each of your monster’s moves is mapped to the face buttons (A, B, X, Y), each with its own cooldown. That let me slip in stat-affecting moves like Growl between damage-dealing Tackles — almost like injecting some fast-paced Pokemon Unite DNA into the open-world formula. Swapping Pokemon is simple: Use the directional pad to pick a benched monster, then press up to switch it in.

Like any Pokemon game, trainers can catch you off guard, letting their Pokemon sneak in a few attacks before you send out your own. You can turn the tables by locking on with L2 and choosing an attack from your active Pokemon, making the Battle Zones feel almost like PvP areas. Unlike in Arceus, you can use potions and other healing items between or during battles — just watch out, as real-time attacks don’t pause while you’re in menus.

With my party of level-seven and -eight monsters and just a trio of trainers to beat, this Battle Zone felt like an early section designed to help players get acclimated. There’s no telling how complex future Battle Zones might get — or what other environments might allow battles between trainers (or even wild Pokemon). These areas seem tuned to the Z-A Royale competition, with beaten trainers awarding not just rank-improving tickets but also prize medals (earned for wins and forfeited for losses). Battle Zones take place at night, and at daybreak you’ll receive prize money based on how many medals you’ve won or found lying around.

Pokemon Legends: Z-A’s Mega-Evolution battles

The second 10-minute demo, short as it was, held the flashier attraction: a Mega-Evolution battle that served as a hefty, story-driven boss encounter. While Arceus had plenty of big, strong Pokemon to encounter in the wild, Z-A’s addition of Mega Evolution lets players face beefed-up versions of regular monsters in longer, more challenging fights.

I started the demo chasing a legendary Zygarde in its dog-like 10% form, which led me to a city rooftop and an Absol radiating Mega Power. It’s not the first time Pokemon have bristled with unstable energy — a mysterious, professorly figure named AZ caught up to us, calling it another Rogue Mega Evolution. Just as the creature evolved into Mega Absol, AZ lent us his Lucario to battle the frenzied Pokemon.

This boss battle took the lion’s share of the second demo to beat, building on the real-time combat I’d experienced with trainers and adding its own unique mechanic: When I’d dealt enough damage to the Mega Absol, it would drop colorful Mega Power orbs I could collect. While dangerous to collect — the Mega-Evolved Pokemon hurled attacks my trainer had to dodge or risk losing health — filling the bar let me Mega-Evolve my Lucario to carve off even bigger chunks of the boss’s HP.

What followed was a fun romp and a promising glimpse at the game’s boss battles, with me (the trainer) darting around the small arena to dodge lunges and ranged attacks while managing Lucario’s move cooldowns to chip away at Mega Absol’s health. Some of those moves were damaging, while at least one other — Protect — nullified enemy attacks, a very neat application of an otherwise passive, classic Pokemon move. 

After a close shave with my health in the red, I defeated Mega Absol and won an Absolite for my trouble — a stone that would let me attach it to my own Absol to Mega-Evolve it in a future battle.

My 20 minutes with Pokemon Legends: Z-A left a lot of questions unanswered about the upcoming game, which comes out Oct. 16. Would it have the Breath of the Wild-style open-world exploration that made Pokemon Legends: Arceus such a success? What other changes are in store for the switch to a modern-day setting? But at least I can satisfy fan curiosity about the real-time combat: It’s engaging, fast and rewards quick thinking to maximize type advantages. Still, plenty of stones remain unturned for Pokemon Legends: Z-A.

The winners of the 18th annual iPhone Photography Awards (IPPAWARDS), a competition that showcases stunning photos captured worldwide by photographers using an iPhone or iPad, were announced on Friday. 

The full collection of this year’s winners and their photos — along with which Apple device they used to take their masterful shot — is now available at the IPPAWARDS site. You might be surprised to learn you don’t need the latest iPhone models to capture great images.

In the Photographers of the Year category, Jarod Peraza took the grand prize for his photo «Viajero Nocturno.» The US-based photographer captured the nighttime scene in Villa de Leyva, Colombia, using an iPhone 16 Pro Max.

In first place, US photographer Carol Addassi won for «Passage,» a black-and-white night shot of Central Park in New York City taken using a 7-year-old iPhone XS.

In second place, «Moto Cães» is a playful shot of two dogs in a motorcycle sidecar at sunset, captured by Brazil’s Thiago Bernardes de Souza on an iPhone 15 Pro Max.

Third place is a moody early morning photo of Virginia’s Corrotoman River, entitled «Foggy Morning on the Corrotoman,» taken by US photographer Martha Nance on an iPhone 15 Pro.

Since the first iPhone appeared in 2007, the awards have showcased both the technology and the aesthetics of mobile photography. 

«When we began, the idea was simply to explore how this new device was transforming the way people create and share images,» said Kenan Aktulun, founder and editor-in-chief of IPPAWARDS, via email. «Early on, there was a heavy use of filters; users were experimenting with the novelty of mobile photography. Over the years, as users grew more fluent with the medium, the work became more personal, emotional, and relatable.»

In addition to the four top slots, the awards also name three winners in 12 different categories, including Abstract, Architecture, Landscape, Nature and Portrait. Dozens of photos are also named as honorable mentions in each category.

This year’s winning photos were made using a wide variety of iPhones, the oldest being an iPhone 8 Plus from 2017. Nearly every model since then is represented, with just a handful of the latest iPhone 16 lineup appearing among the awarded photos.

The competition stipulates that photos must be captured using an iPhone or iPad, and not edited in Photoshop on a desktop computer, although editing using apps on the device (presumably including the mobile versions of Photoshop) is allowed.

This year’s grand prize winner received a 13-inch Apple iPad Air, and the other Photographers of the Year received an Apple Watch Series 10. In the 12 specific categories, the first-place winners each received a gold bar, and the second and third-place winners each received a platinum bar.

Judges evaluated images and determined winners based on artistic merit, originality, subject and style. According to Aktulun, the panel is made up of 10 to 12 judges from different backgrounds, «such as photographers, art buyers, creative directors, architects, academics, people in the creative field and occasionally selected winners from previous years.»

Submitting work to the competition involves an entry fee of $7.50 for one image and discounted per-image rates for batches of up to 25 images. There are no limits on the number of entries you can submit.

Submissions for the 2026 iPhone Photography Awards are now open through March 31, 2026.

Apple will release iOS 26 this fall and that update will bring a new Liquid Glass design, the ability to screen incoming calls and more to your  iPhone. But when Apple released iOS 18.4 in March, that update brought a handful of new controls to the iPhone Control Center, including one that brings Visual Intelligence to the iPhone 15 Pro and iPhone 15 Pro Max.

When Apple released iOS 18 in September, that update remodeled the Control Center to give you more control over how the feature functions. With iOS 18, you can resize controls, assign some controls to their own dedicated page and adjust the placement of controls to your liking. Apple also introduced more controls to the feature, making it a central hub for your most-used iPhone features.

Apple continues to expand the number of controls you can add to the Control Center with iOS 18.4. If you have the update on your iPhone, you can add ambient music controls, and Apple Intelligence-enabled iPhones get a few AI controls in the menu, too. 

Here’s what you need to know about the new controls and how to add them to your Control Center.

Apple Intelligence controls

Only people with an iPhone 15 Pro, iPhone 15 Pro Max or the iPhone 16 lineup can access Apple Intelligence features for now, and those people got three new dedicated Apple Intelligence controls with iOS 18.4. Those controls are Talk to Siri, Type to Siri and Visual Intelligence.

Here’s how to find these controls.

1. Swipe down from the top-right corner of your Home Screen to open your Control Center.
2. Tap the plus (+) sign in the top-left corner of your screen.
3. Tap Add a Control.

Then you can use the search bar near the top of the screen to search for «Apple Intelligence» or you can scroll through the menu to find the Apple Intelligence & Siri section. Tap any (or all) of these controls to add them to your Control Center. While Talk to Siri and Type to Siri controls can be helpful if you have trouble accessing the digital assistant, the Visual Intelligence control is important because it brings the Apple Intelligence feature to the iPhone 15 Pro and Pro Max.

Visual Intelligence was originally only accessible on the iPhone 16 lineup because those devices have the Camera Control button. With iOS 18.4, Visual Intelligence is now accessible on more devices and people thanks to the titular control in Control Center. But remember, Visual Intelligence is like any other AI tool so it might not always be accurate. You should double check results and information it shows you.

Ambient Music controls

With iOS 18.4, Apple gave everyone four new controls in the Control Center library under the Ambient Music category. These controls are Sleep, Chill, Productivity and Wellbeing. Each of these controls can activate a playlist filled with music that corresponds to the specific control. Sleep, for instance, plays ambient music to help lull you to bed.

Some studies suggest white noise could help adults learn words and improve learning in environments full of distractions. According to the mental health company Calm, certain kinds of music can help you fall asleep faster and improve the quality of your sleep. So these new controls can help you learn, fall asleep and more.

Here’s how to find these controls.

1. Swipe down from the top-right corner of your Home Screen to open your Control Center. 
2. Tap the plus (+) sign in the top-left corner of your screen.
3. Tap Add a Control.

You’ll see a section of controls called Ambient Music. You can also search for «Ambient Music» in the search bar at the top of the control library. Under Ambient Music, you’ll see all four controls. Tap one (or all) of them to add them to your Control Center. Once you’ve added one or all the controls to your Control Center, go back to your Control Center and tap one to start playing music.

Here’s how to change the playlist for each control.

1. Swipe down from the top-right corner of your Home Screen to open your Control Center.
2. Tap the plus (+) sign in the top-left corner of your screen.
3. Tap the Ambient Music control you want to edit.
4. Tap the playlist to the right of Playlist.

A dropdown menu will appear with additional playlists for each control. If you’re in the Sleep control, you’ll see playlists like Restful Notes and Lo-Fi Snooze. If you have playlists in your Music app, then you’ll also see an option From Library, which pulls music from your library. Tap whichever playlist you want and it will be assigned to that control.

Apple already lets you transform your iPhone into a white noise machine with Background Sounds, like ocean and rain. But Ambient Music is actual music as opposed to more static sounds like in that feature.

Both of these features feel like a way for Apple to present itself as the first option for whenever you want some background music to help you fall asleep or be productive. Other services, like Spotify and YouTube, already have ambient music playlists like these, so this could be Apple’s way of taking some of those service’s audience.

For more on iOS 18, here’s what you need to know about iOS 18.6 and iOS 18.5, as well as our iOS 18 cheat sheet. You can also check out what you should know about iOS 26 and my first impressions of the iOS 26 beta.