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Netflix’s Biggest Hit Shows and Movies, Ranked (According to Netflix)

Every week, Netflix publishes stats on its most watched series and films. We keep track of an all-time ranking.

Netflix, for years, was notoriously tight-lipped about its viewership. But after a few years of dropping stats for some of its programming, Netflix launched a website in mid-November posting charts of its most popular shows and movies from the past week, as well as a global ranking of its all-time most watched titles.

The charts, which are updated every week and ranked by the total number of hours that subscribers spent watching them, represent an unprecedented trove of data about what’s popular on Netflix. The site details the most popular titles in the last week not only globally but also for more than 90 countries. And it’s meant to help subscribers like you get a better sense of the biggest hits on the world’s largest subscription streaming service, in the hopes you’ll discover something new to watch.

The company updates its weekly «Top 10 on Netflix» every Tuesday, based on hours viewed from Monday through Sunday the previous week for original and licensed titles. Netflix’s rankings are broken down into top 10 charts for films in English, TV in English, films in non-English languages and TV in non-English languages.

A ranking of all-time most watched titles also lives on the site, detailing shows that have the most viewing hours in their first 28 days of release. Netflix also has these split into films in English, TV in English, films in non-English languages and TV in non-English languages — but for our charts below, we don’t differentiate between language.

If a new season releases its episodes in two parts on different dates, Netflix counts the watch time of the first volume’s episodes for their first 28 days, then it counts the watch time of the second volume’s episodes for their first 28 days. These all-time rankings are also updated every Tuesday, whenever any programs make it into the charts during the week prior.

Why you won’t see Glass Onion in the rankings (yet)

Shows and movies need sustained popularity in many countries to crack into the all-time most watched charts. That means you can see titles with «Top 10» badges in Netflix’s app for days, but they still may not be generating enough hours of viewing to make the all-time rankings.

For example, Glass Onion: A Knives Out Mystery, the whodunit film sequel to 2019’s Knives Out, has generated 82.1 million hours in the first three days since its release Friday. It still has lots more time in its 28-day window to generate watch-time. But films need more than 200 million hours streamed and TV shows need nearly half a billion hours to make it onto the all-time list. Even the most popular shows and movies need multiple weeks and enduring attention to accumulate enough.

Netflix’s most watched TV series, ranked

The following are Netflix’s most watched series, based on Netflix’s own reporting of total hours viewed in the first 28 days of each titles’ release. Again, if a new season releases its episodes in two volumes on different dates, Netflix counts the watch time of the first volume’s episodes for their first 28 days, then it counts the watch time of the second volume’s episodes for their first 28 days.

Any changes in the rankings from the previous week are in bold text.

  1. Squid Game (season 1), a Korean survival thriller — 1.65 billion hours.
  2. Stranger Things (season 4), a retro sci-fi series — 1.35 billion hours.
  3. Wednesday, a coming-of-age supernatural dark comedy — 1.24 billion hours
  4. Dahmer, a true-crime serial killer series — 856.2 million hours.
  5. Money Heist (part 5), a Spanish-language thriller — 792.2 million hours.
  6. Bridgerton (season 2), a period romance — 656.3 million hours. >
  7. Bridgerton (season 1) — 625.5 million hours.
  8. Money Heist (part 4) — 619 million hours.
  9. Stranger Things (season 3), a retro sci-fi series — 582.1 million hours.
  10. Lucifer (season 5), a fantasy police procedural — 569.5 million hours.
  11. All of Us Are Dead, a Korean zombie thriller taking place in a high school — 560.8 million hours.
  12. The Witcher (season 1), a fantasy show — 541 million hours.
  13. Inventing Anna, a true-crime limited series about a fake socialite — 511.9 million hours
  14. 13 Reasons Why (season 2), a controversial teen drama — 496.1 million hours.

Former top-ranking shows that have been bumped out of Netflix’s official all-time charts:

  • Ozark (season 4), a crime drama series — 491.1 million hours.
  • The Witcher (season 2) — 484.3 million hours.
  • 13 Reasons Why (season 1) — 475.6 million hours
  • Maid, a limited series about a young mother fleeing abuse — 469.1 million hours.
  • You (season 3), a psychological thriller — 467.8 million hours.
  • You (season 2) — 457.4 million hours.
  • Stranger Things (season 2) — 427.4 million hours.
  • Money Heist (part 3) — 426.4 million hours.
  • Sex Education (season 3), a British teen dramedy — 419 million hours.
  • Ginny & Georgia (season 1), a dramedy about a young mom and kids — 381 million hours.
  • Extraordinary Attorney Woo (season 1), a South Korean legal drama — 402.5 million hours.
  • Café con Aroma de Mujer (season 1), a Colombian telenovela — 326.9 million hours.
  • Lupin (part 1), a French heist show — 316.8 million hours.
  • Elite (season 3), a Spanish teen drama — 275.3 million hours.
  • Who Killed Sara? (season 1), a Mexican mystery thriller — 266.4 million hours.
  • Elite (season 4) — 257.1 million hours.
  • The Queen of Flow (season 2), a musical Colombian telenovela — 230.3 million hours.
  • Lupin (part 2) — 214.1 million hours.
  • Dark Desire (season 1), a Mexican dramatic thriller — 213 million hours.

Netflix’s most watched movies, ranked

The following are Netflix’s most watched movies, based on Netflix’s own reporting of total hours viewed in the first 28 days of each titles’ release. Any changes are in bold text.

  1. Red Notice, an action movie starring Dwayne Johnson, Gal Gadot and Ryan Reynolds — 364 million hours.
  2. Don’t Look Up, a dark comedy with a star-packed cast — 359.8 million hours.
  3. Bird Box, a post-apocalyptic movie starring Sandra Bullock — 282 million hours.
  4. The Gray Man, a CIA action thriller — 253.9 million hours.
  5. The Adam Project, a sci-fi adventure comedy — 233.2 million hours.
  6. Extraction, an action movie starring Chris Hemsworth — 231.3 million hours.
  7. Purple Hearts, a romantic drama about a musician marrying a Marine — 228.7 million hours.
  8. The Unforgivable, a drama about a woman rebuilding her life after prison — 214.7 million hours.
  9. The Irishman, a period Mafia epic directed by Martin Scorsese— 214.6 million hours.
  10. The Kissing Booth 2, a teen rom-com sequel — 209.3 million hours.

Former top-ranking movies that have been bumped out of Netflix’s official all-time charts:

  • 6 Underground, a Michael Bay explosion-fest starring Ryan Reynolds — 205.5 million hours.
  • Spenser Confidential, an action-comedy starring Mark Wahlberg — 197.3 million hours.
  • Enola Holmes, a period detective film — 189.9 million hours.
  • Army of the Dead, a heist set in a zombie apocalypse — 187 million hours.
  • The Old Guard, an action-thriller starring Charlize Theron — 186 million hours.
  • Murder Mystery, a comedy starring Adam Sandler and Jennifer Aniston — 170 million hours.

Netflix appears to have never released a non-English-language film that generated enough viewing hours to make it into an overall top-watched ranking. But additional widely watched non-English language movies on Netflix have included:

  • Troll, a Norwegian monster movie — 152.4 million hours.
  • Blood Red Sky, a German/British action horror film set during a plane hijacking — 110.5 million hours.
  • The Platform, a Spanish social commentary wrapped in a horror film — 108.1 million hours.
  • All Quiet on the Western Front, a German war drama — 101.4 million hours.
  • Black Crab, a Swedish apocalyptic war thriller starring Noomi Rapace — 94.1 million hours.
  • Through My Window, a Spanish teen romance — 92.4 million hours.
  • The Takedown, a French cop comedy — 78.6 million hours.
  • Below Zero, a Spanish action thriller about a breakout from a prison transport vehicle — 78.3 million hours.
  • Loving Adults, a Danish thriller about an extramarital affair — 67.3 million hours.
  • My Name is Vendetta, an Italian crime/action film — 67.3 million hours.

Former top-ranking non-English movies that have been bumped out of the non-English top 10 include:

  • Rogue City, a French action thriller about an unorthodox team of cops — 66.6 million hours.
  • Carter, a South Korean action thriller about a man who wakes up with no memories and a voice in his ear — 65.4 million hours
  • The Forgotten Battle, a Dutch World War II film — 60.9 million hours.
  • Restless, a French action thriller — 59.1 million hours.
  • Lost Bullet, like a Fast & Furious movie but French — 58.3 million hours
  • Spoiled Brats, a French comedy about rich siblings tricked into earning their own living — 56.9 million hours.
  • #Alive, a South Korean movie about a gamer’s bid to survive the zombie apocalypse — 54.6 million hours.
  • Space Sweepers, a South Korean space western with a weaponized child-android — 53.3 million hours
  • The Last Mercenary, a French action movie starring Jean-Claude Van Damme — 52.1 million hours.
  • Just Another Christmas, a Brazilian Christmas comedy — 48 million hours.

Technologies

OpenAI Says It’s Working With Actors to Crack Down on Celebrity Deepfakes in Sora

Bryan Cranston alerted SAG-AFTRA, the actors union, when he saw AI-generated videos of himself made with the AI video app.

OpenAI said Monday it would do more to stop users of its AI video generation app Sora from creating clips with the likenesses of actors and other celebrities after actor Bryan Cranston and the union representing film and TV actors raised concerns that deepfake videos were being made without the performers’ consent.

Actor Bryan Cranston, the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) and several talent agencies said they struck a deal with the ChatGPT maker over the use of celebrities’ likenesses in Sora. The joint statement highlights the intense conflict between AI companies and rights holders like celebrities’ estates, movie studios and talent agencies — and how generative AI tech continues to erode reality for all of us.

Sora, a new sister app to ChatGPT, lets users create and share AI-generated videos. It launched to much fanfare three weeks ago, with AI enthusiasts searching for invite codes. But Sora is unique among AI video generators and social media apps; it lets you use other people’s recorded likenesses to place them in nearly any AI video. It has been, at best, weird and funny, and at worst, a never-ending scroll of deepfakes that are nearly indistinguishable from reality.

Cranston noticed his likeness was being used by Sora users when the app launched, and the Breaking Bad actor alerted his union. The new agreement with the actors’ union and talent agencies reiterates that celebrities will have to opt in to having their likenesses available to be placed into AI-generated video. OpenAI said in the statement that it has «strengthened the guardrails around replication of voice and likeness» and «expressed regret for these unintentional generations.»

OpenAI does have guardrails in place to prevent the creation of videos of well-known people: It rejected my prompt asking for a video of Taylor Swift on stage, for example. But these guardrails aren’t perfect, as we’ve saw last week with a growing trend of people creating videos featuring Rev. Martin Luther King Jr. They ranged from weird deepfakes of the civil rights leader rapping and wrestling in the WWE to overtly racist content.


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The flood of «disrespectful depictions,» as OpenAI called them in a statement on Friday, is part of why the company paused the ability to create videos featuring King.

Bernice A. King, his daughter, last week publicly asked people to stop sending her AI-generated videos of her father. She was echoing comedian Robin Williams’ daughter, Zelda, who called these sorts of AI videos «gross.»

OpenAI said it «believes public figures and their families should ultimately have control over how their likeness is used» and that «authorized representatives» of public figures and their estates can request that their likeness not be included in Sora. In this case, King’s estate is the entity responsible for choosing how his likeness is used. 

This isn’t the first time OpenAI has leaned on others to make those calls. Before Sora’s launch, the company reportedly told a number of Hollywood-adjacent talent agencies that they would have to opt out of having their intellectual property included in Sora. But that initial approach didn’t square with decades of copyright law — usually, companies need to license protected content before using it — and OpenAI reversed its stance a few days later. It’s one example of how AI companies and creators are clashing over copyright, including through high-profile lawsuits.

(Disclosure: Ziff Davis, CNET’s parent company, in April filed a lawsuit against OpenAI, alleging it infringed Ziff Davis copyrights in training and operating its AI systems.)  

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Technologies

Today’s NYT Connections Hints, Answers and Help for Oct. 21, #863

Here are some hints and the answers for the NYT Connections puzzle for Oct. 21, #863.

Looking for the most recent Connections answers? Click here for today’s Connections hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle, Connections: Sports Edition and Strands puzzles.


Today’s NYT Connections puzzle has a diverse mix of topics.  Remember when you see a word like «does» that it could have multiple meanings. Read on for clues and today’s Connections answers.

The Times now has a Connections Bot, like the one for Wordle. Go there after you play to receive a numeric score and to have the program analyze your answers. Players who are registered with the Times Games section can now nerd out by following their progress, including the number of puzzles completed, win rate, number of times they nabbed a perfect score and their win streak.

Read more: Hints, Tips and Strategies to Help You Win at NYT Connections Every Time

Hints for today’s Connections groups

Here are four hints for the groupings in today’s Connections puzzle, ranked from the easiest yellow group to the tough (and sometimes bizarre) purple group.

Yellow group hint: Deal me in.

Green group hint: I can get that.

Blue group hint: Hoops.

Purple group hint: The clicker.

Answers for today’s Connections groups

Yellow group: Playing cards.

Green group: Takes on.

Blue group: N.B.A. teams.

Purple group: Things you can control with remotes.

Read more: Wordle Cheat Sheet: Here Are the Most Popular Letters Used in English Words

What are today’s Connections answers?

The yellow words in today’s Connections

The theme is playing cards. The four answers are aces, jacks, kings and queens.

The green words in today’s Connections

The theme is takes on. The four answers are addresses, does, handles and tackles.

The blue words in today’s Connections

The theme is N.B.A. teams. The four answers are Bucks, Bulls, Hornets and Spurs.

The purple words in today’s Connections

The theme is things you can control with remotes.  The four answers are drones, garage doors, televisions and Wiis.

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Technologies

Ninja Gaiden 4 Review: The Comeback Fans Have Been Waiting For

PlatinumGames and Team Ninja revive the franchise with pure adrenaline.

With 2025 coming to a close, so is the «Year of the Ninja» for video games. What kicked off in a big way with a surprise remaster of 2008’s Ninja Gaiden 2 Black and Assassin’s Creed: Shadows, now ends with the release of Ninja Gaiden 4. 

Developed in partnership with longtime series studio Team Ninja and action game specialists PlatinumGames, Ninja Gaiden 4 is the first new 3D entry in the franchise since 2012, following the retro 2D release of Ninja Gaiden: Ragebound in July. As expected from a series known for its fast-paced slashing action, Ninja Gaiden 4 delivers plenty of stylish combat — but not much beyond that.

Ninja Gaiden 4 introduces a new protagonist, Yakumo, who replaces longtime series hero Ryu Hayabusa. It’s a similar move to what publisher Tecmo Koei did with Ninja Gaiden: Ragebound. As part of the Raven clan, a rival of Ryu’s Dragon clan, Yakumo doesn’t differ that much from the series’ previous main character. Don’t worry, Ryu fans: He does show up in the game. 

Yakumo’s quest in Ninja Gaiden 4 is to defeat the Dark Dragon, an evil deity who has been the series’ primary villain. Standing in Yakumo’s way is the Divine Dragon Order, which defends the beast and controls the futuristic Tokyo setting of the game. 

Does the story make a lot of sense? Not really, except to fans who already know the ins and outs of the Ninja Gaiden lore. Does that matter? Absolutely not, because all you need to know is where to go to slice up more enemies, which Yakumo is stellar at. 

Go Ninja Go

To say Ninja Gaiden 4’s action is fast is almost an understatement, which is to be expected. The series was already focused on rapid combat that requires quick reactions, even prior to PlatinumGames’ involvement. The developer took on Ninja Gaiden 4 after revolutionizing the hack-and-slash action game genre with the Bayonetta series and games like Nier: Automata. 

If you’ve played plenty of hack-and-slash games, Ninja Gaiden 4’s combat formula will be familiar. Yakumo has weak and heavy attacks, and chaining these together creates your standard combos. The more enemies he defeats, the more money and points he gets to unlock new moves and weapon skills. Some of the new moves extend Yakumo’s combos for longer sequences of attacks and against more enemies, while others are defensive, allowing him to unleash a powerful riposte after parrying an enemy attack.

Yakumo starts off his journey with his twin blades, but he finds more weapons throughout the game. A favorite of mine is the Magashuti staff that has a long reach to attack multiple enemies as Yakumo spins it around himself. 

Where Yakumo differs greatly from Ryu is his Bloodraven form. Unleashed when attacking with the left trigger held down, it changes Yakumo’s weapon to do greater damage. The Magashuti, for example, will take the form of a giant hammer whenever Yakumo uses his Bloodraven form. Certain enemies and bosses have armor that can deflect or reduce the power of Yakumo’s attack, so you’ll need to switch to Bloodraven form to break that armor. 

All of these mechanics make for unrivaled action. Players who spend enough time practicing will engage in beautiful dances of slashing weapons. The fact is, there are times when the action feels just a bit too fast, even for my veteran gaming reflexes. Trying to maneuver to certain areas or to talk with a non-playable character sometimes had me jumping off walls while hardly touching the controller. It almost takes more work to keep Yakumo still, especially after unlocking so many of his skills. There was also an instance when I did a finishing move to an enemy, and the animation pushed me out of bounds, causing me to have to reload to my last checkpoint. 

Arguably, the biggest frustration for me was the lock-on button. It was not intuitive at all, as it had no rhyme or reason for what it was locking onto. Even when I was fighting just the boss, it still never fully locked onto it as every other action game does. 

Also, what might be a bit of a downer for some Ninja Gaiden fans, this entry in the franchise is noticeably the easiest of the bunch. Thanks to healing items and equipable accessories, I died maybe once or twice per chapter. If a certain boss kills you too many times, the game will give you free items and even an NPC to help. For those who want more of a challenge, there’s a higher difficulty option available, but players with reasonable skill should be able to coast through the game otherwise. 

A Feast for Ninja Eyes

Another mainstay of the Ninja Gaiden franchise is the beautiful visuals. As the game takes place in a futuristic Japan, the development team really leaned into the cyberpunk-like look of a city bathed in neon and glass. 

This excels in the moments when Yakumo has to traverse in the most ninja ways, such as sliding on the train rails high above the city or gliding on rushing winds that blow through the mountain pass. These are the moments where you don’t have to worry about enemies attacking or creating the fanciest combos. You can just look around and take in these beautiful graphics. 

Combine these visuals with an excellent soundtrack and solid voice acting, and you have a presentation worthy of being included in the Ninja Gaiden series. 

Despite these quality elements, Ninja Gaiden 4 is a good reboot but not revolutionary. PlatinumGames resurrected the franchise 13 years after the last main entry, but didn’t take it in any different direction that would give this mass appeal to the gaming public. It’s an exciting 7 to 8 hours to beat, but I didn’t feel like jumping right back in.

Ninja Gaiden 4 will not be up for Game of the Year, or likely even considered one of the best games in the series, but that doesn’t matter. This is a game for anyone who just wants to feel like a badass ninja carving up enemies in the blink of an eye, because sometimes that’s all you want. 

Ninja Gaiden 4 will be released on Oct. 21 for $70 on PC, PS5 and Xbox Series X|S consoles. It will be available for Xbox Game Pass on day 1. 

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